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日本人有一个叫wabi-sabi的概念。 想象一下一个美丽的花瓶，它已经被日光老化了，也许在大理石上有一两个裂缝。 与新事物相比，这种缺陷有其美。 一种不同的感觉出现了，也许是怀旧和损失的缠绕。 日裔美国人通过爵士乐演奏的电子艺人重生，是密歇根州本地人扎克·萨吉诺（Zach Saginaw）的别名，在他的作品中无缝体现了wabi-sabi精神。 电子音乐提供了坚固，完美，量化的效果。 然而，在Ableton网格和MIDI同步的范围之内，Shigeto拥抱了不完美的地方。
鼓凹槽以无法预测的节奏摆动。 生锈的kalimba音符发出尖锐的叮当声，模拟合成器的音调模糊，室内噪音和环境声音顺其自然。 他通过爵士乐的摇摆，不规则的4/4舞蹈，现场乐器的数字声音来编织华丽。 在他的新样本包中找到所有这些。
There’s a Japanese concept called wabi-sabi. Imagine a beautiful vase that’s been aged by sunlight, maybe a slight crack or two in the marble. Compared to something new, there’s a beauty in this imperfection. A different feeling arises, maybe a twinge of nostalgia and loss. Japanese-American electronica-via-jazz artist Shigeto, alias of Michigan native Zach Saginaw, embodies the spirit of wabi-sabi seamlessly in his work. Electronic music offers rigidity, perfection, quantization. Yet somewhere within the coffers of Ableton grids and MIDI-syncing, Shigeto embraces the imperfect.
Drum grooves swing in unpredictable rhythms. The sharp twang of a rusted kalimba note, the out of tune fuzz of an analog synth, room noise and ambient sounds slip their way into his tracks. He weaves the gorgeous with the inharmonious, 4/4 dance with the swing of jazz, digital sounds with live instrumentations. Find them all in his new sample pack.
home page
http://splice.com/sounds/splice/shigeto-sample-pack
