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True Mid/Side 是一个独特的插件，可以从立体声混音中提取真正的幻像中心和真正的 STEREO 侧信号。
传统的“中/侧”处理通常是技术上“和与差”处理的误称。 在这种传统方法中，“中”输出只是左右 (L+R) 的单声道和，而“侧”输出是左右 (L-R) 的单声道差。 任何向左或向右移动的信号——实际上是纯“侧”信号——将同时出现在中间和侧输出中。 同时，“Side”输出是包含左侧和右侧的单声道混音。 这不是我们听到立体声的方式！
“True Mid/Side”实际上将幻像中心（我们在立体声混音中间听到的声音）与立体声侧信号分开。 立体声侧信号被分离到它们各自的左侧和右侧。 所有三个合成信号（左-中-右）都可以独立控制。 声相到立体声混音中心的信号（“幻影中心”）仅出现在中间/中心输出中，而立体声混音中硬声相左/右的信号仅出现在侧输出中（并且它们出现在同一侧 在立体声混音中）。
True Mid/Side 可用于从立体声轨道或总线中提取和渲染 Middle/Center 和 Side 词干，也可用于在混音和母带处理期间在 DAW 中插入效果器和发送，以实现终极立体声场 FX 和控制。 所有输出均可直接使用 – 延迟补偿和线性相位 – 并且不需要重新编码回立体声。 还包括一个“Spread”控件，它允许选择分离算法的深度，同时为支持具有多个 I/O 引脚的插件的 DAW 提供多个输出引脚。
True Mid/Side is a unique plugin that extracts the true phantom center and true STEREO side signals from a stereo mix.
Traditional “Mid/Side” processing is often a misnomer for what is technically “sum and difference” processing. In this traditional approach the “Mid” output is simply the mono sum of left and right (L+R) while the “side” output is the mono difference of left and right (L-R). Any signals panned hard left or hard right – which are actually pure “side” signals – will appear in both the Mid and Side outputs. Meanwhile, the “Side” output is a mono mix containing both the left and right sides. This is not how we hear stereo!
“True Mid/Side” actually separates the phantom center (what we hear in the middle of a stereo mix) from the stereo side signals. The stereo Side signals are separated to their respective Left and Right sides. All three resultant signals (Left-Center-Right) can be controlled independently. Signals panned to the center of the stereo mix (the “Phantom Center”) emerge ONLY in the Middle/Center output while signals hard-panned Left/Right in the stereo mix emerge ONLY in the Side outputs (and on the same side they appear in the stereo mix).
True Mid/Side can be used to extract and render Middle/Center and Side stems from a stereo track or bus and can also be used in effects inserts and sends in your DAW during mixing and mastering for the ultimate stereo field FX and control. All outputs are directly usable – latency compensated and linear phase – and do not require re-encoding back to stereo. Also included is a “Spread” control that allows selection of the depth of the separation algorithm while multiple output pins are provided for DAWs that can support pluginswith multiple I/O pins.
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https://anonymz.com/…ue:32Mid:47Side
