P2P | 21 October 2021 | 822.7 MB
Hard Rock EBX 是 EZbass 的扩展，设计用于夸张、沉重和真正的硬摇滚作品，其中贝斯无疑具有核心作用。
这款乐器与 Lemmy、Cliff Burton、Roger Glover、Glenn Hughes 和 Phil Lynott 等标志性球员一起巩固了它在硬摇滚万神殿中的地位，本身就是一个真正的摇滚明星。凭借其震撼人心的低端、咆哮的中音和活泼但始终如此平衡的高音，它是严肃硬摇滚歌曲中坚如磐石的低音的定义。再加上这款 EBX 推土机附带的全面预设和 MIDI 集合，从现在开始，您肯定会成为重型摇滚工具箱中的主力军。
如果您正在寻找一种可以集结任何东西的贝斯，从刺耳的清晰到最坚韧、粗糙和破坏性的球状音调，就是这样。是时候制作一些坚硬的低音了。让低端开始！
特色聚光灯
• 精心捕捉的 70 年代中期经典贝司，最适合夸张的硬摇滚音色
•使用低音的原始单声道和立体声输出进行采样
• 为广泛的硬摇滚音色提供了丰富的预设——从充满活力的干净到黑暗、泥泞、砂砾和严重失真
• 包括一个未经处理的直接输入 (DI) 预设选项，便于外部处理
• 有一个定制的 MIDI 内容，灵感来自 70 年代末到今天的 riff 导向的硬摇滚
这个仪器。
贝斯王牌。
The Rickenbacker。* 仅凭名字就描绘了一幅生动鲜明的硬摇滚历史图景。自 60 年代后期以来，这种具有纪念意义的乐器已被无数标志性演奏者所喜爱，并在此过程中成为了一个偶像。
EZbass 首席研发技术员 Magnus Melkersson 评论道：“当想要捕捉终极硬摇滚低音时，对于选择哪一种，确实没有太多讨论。” “它的外观、音色、感觉和纯粹的身材——这种贝斯从上到下都散发着硬摇滚的气息。”
为这款 EBX 拍摄的特定型号是可追溯到 1974 年的标志性 4001。凭借其穿颈结构、全木琴身和独特的两个拾音器/输出设计，这款贝斯野兽的音色与其雕像般的独特外貌。
声音和发音。
看到 Hard Rock EBX 试图捕捉那种独特而刺耳的硬摇滚音色，它仅使用一个拨片选项进行采样。然而，它最大限度地做到了这一点，并且包括所有的发音，比如向下和向上敲击、打击乐声音和微妙的鬼音符，你需要产生极具表现力的低音轨道。
预设。
由于原始标准单声道和立体声输出均已录制，因此预设可呈现任何内容，从基本音调到通过不同效果、放大器和箱体路由的双信号混合的最具创意组合。为了进一步为您提供轻松的外部处理选项，当然包括一个干净的直接输入 (DI) 预设选项。
“我们捕捉到的乐器不仅是最具标志性的乐器之一，也是摇滚史上最通用的乐器之一，”EZbass 首席声音设计师 Ulf Edlund 评论道。 “对我来说，我们想出的预设只会进一步推动低音变色龙的壮观宽度。我们使用预设的目标是向硬摇滚英雄致敬，他们的音调和低音线定义了一个时代，同时我们想在桌子上添加一些新东西。听回最终的结果，我真的认为我们成功了。”
MIDI。
随附的 MIDI 库涵盖了广泛的贝斯线变奏曲目，其灵感来自于硬朗、沉重和以 riff 为导向的摇滚歌曲，其中贝斯具有明显的舞台中心作用。一如既往——借助 EZbass 中的板载功能，您将能够自定义、切片和切块此 MIDI 以适合您的歌曲、调色板和一时兴起的想法。
系统要求。
1 GB 可用磁盘空间，4 GB RAM（推荐 8 GB 或更多）。
一个有效的 EZbass 1.1.1（或更高版本）安装。
The Hard Rock EBX is an expansion for EZbass designed for use in bombastic, heavy and genuine hard rock productions where the bass has an unquestionably central role.
The instrument, which has cemented its place at the pantheon of hard rock alongside iconic players like Lemmy, Cliff Burton, Roger Glover, Glenn Hughes and Phil Lynott, is nothing short of a bona fide rock star itself. With its gut-punching low end, roaring mid range and zingy but ever-so-balanced highs, it’s the definition of a rock solid bass for serious hard rock songs. Add to that the comprehensive collection of presets and the MIDI that comes with this bulldozer of an EBX and you’ll have what is sure to become a workhorse in your heavy rock toolbox from here on out.
If you’re looking for a bass that can muster anything from the piercingly clear to the most gritty, gnarly and wrecking ball-like of tones, this is it. Time to make some bass that rocks hard. Let the low end begin!
FEATURE SPOTLIGHT
•A meticulously captured classic mid-’70s bass, optimal for a bombastic hard rock tone
•Sampled using both of the original mono and stereo outputs of the bass
•Comes with a wealth of presets for a broad range of hard rock tones – from vibrantly clean to dark, muddy, gritty and heavily distorted
•Includes an unprocessed direct input (DI) preset option for easy external processing
•Has a custom MIDI content inspired by riff-oriented hard rock from the late ’70s through to today
THE INSTRUMENT.
An ace of basses.
The Rickenbacker.* Just the name alone paints a vividly stark picture of hard rock history. Since the late ’60s, this monumental instrument has been joined at the hip of countless iconic players and in the process become just as much of an icon itself.
“When looking to capture the ultimate hard rock bass, there really wasn’t much discussion as to which one to pick,” comments Magnus Melkersson, EZbass lead R&D technician. “The look, the tone, the feel and the sheer stature of it – this bass literally fumes of hard rock from top to bottom.”
The specific model captured for this EBX is an iconic 4001 dating back to 1974. With its neck-through construction, full-wood body and unique two-pickup/output design, the tone of this beast of a bass is as unique as its statuesque appearance.
THE SOUNDS & ARTICULATIONS.
Seeing as the Hard Rock EBX seeks to capture that distinct and piercing hard rock tone, it was sampled solely with a pick option. It does this to its fullest extent, though, and includes all the articulations, like down and upstrokes, percussive sounds and subtle ghosts notes, you need to produce strikingly expressive bass tracks.
THE PRESETS.
Since both of the original standard mono and stereo outputs were recorded, the presets present anything from basic tones to most creative combinations of dual signal blends routed through different effects, amps and cabinets. To further give you the option of easy external processing, a clean direct input (DI) preset option is of course included.
“The instrument we captured isn’t only one of the most iconic, but also one of the most versatile in rock history,” comments Ulf Edlund, EZbass lead sound designer. “To me, the presets we came up with only further fuel the spectacular width of this chameleon of a bass. Our goal with the presets was to pay homage to the hard rock heroes whose tones and basslines defined an era at the same time as we wanted to add something new to the table. Listening back to the finished result, I genuinely think we pulled it off.”
THE MIDI.
The included MIDI library covers a broad repertoire of bassline variations inspired by hard, heavy and riff-oriented rock songs where the bass has an obvious center stage role. As always – with the onboard features in EZbass, you’ll be able to customize, slice and dice this MIDI to fit your songs, your palette and your spur-of-the-moment ideas.
SYSTEM REQUIREMENTS.
1 GB free disk space, 4 GB RAM (8 GB or more recommended).
A working EZbass 1.1.1 (or above) installation.
