Flare | 19 August 2020 | 2 GB
毫无疑问，虚拟现实可能是音乐的未来。我们现在看到的比以往任何时候都多。但是你知道声音本身也有自己的虚拟世界要去探索吗?Splice explore团队与作曲家、制作人和声音设计师乔纳森·罗登(Jonathan Rowden)合作，去了很少样本包去过的地方:进入空间音频的先锋、前沿。
空间音频包含大量的格式，最著名的是它的三维现实主义，这是必不可少的虚拟体验通过使用ambisonics(360度沉浸式声场)和双听觉音频(在这些领域模拟你自己的头)。但是，在虚拟世界里为日常生活制作音乐会是什么样子呢?
我们已经将虚拟世界的想法作为创造性行动的推动力。使用模块化的合成和现场录音，我们已经策划了一个丰富的，有机的空间环境，一个镜头，循环，和节拍的图书馆，将激励你探索沉浸式的声音制作为自己。自然现场录音被MH声学特征迈克em32 ambisonics麦克风捕获，并解码为16通道ambisonics，包括在这个包。
注意:请参阅DAW中的文档，以确保可以回放标记为“双向”的文件。
包含:
·41氛围
·289年循环
·263单拍
There’s no doubt that virtual reality could be the future of music. We’re seeing that now more than ever. But did you know that sound itself has its own virtual worlds to explore? The Splice Explores team collaborated with composer, producer, and sound designer, Jonathan Rowden to go where few sample packs have gone before: into the pioneering, bleeding edge of spatial audio.
Encompassing a small myriad of formats, spatial audio is best known for its 3-dimensional realism, which is essential to virtual experiences by using ambisonics (360-degree immersive sound fields) and binaural audio (a simulation of your own head in those fields). But what would it look like to make music in the virtual realm for the everyday?
We’ve taken the idea of virtual worlds as the impetus for creative action. Using mostly modular synthesis and field recordings, we’ve curated a library of rich, organic spatial environments, one-shots, loops, and beats that will inspire you to explore immersive sound-making for yourself. The natural field recordings were captured by an MH Acoustics Eigenmike em32 ambisonics microphone and decoded to 16-channel ambisonics, included in this pack.
NOTE: Refer to the documentation in your DAW to ensure you can play back files marked “ambisonic.”
Contains:
· 41 Ambiences
· 289 Loops
· 263 One Shots
