Team R2R | 2024.12.02 | 3.4 GB
充足的中国曲笛（ACQD）是建立在Woodwind样本引擎的最新发展，与4.4 GB的样本，包括头部和身体的关节，FX的声音，以及即兴的选择集合。
表演者：丁小奎（中国民族乐团）
乐器：雅风系列D键曲笛（王建宏大师）
抽样:
记录与5麦克风（前，中，后，立体声环境）。每个麦克风的音量是可调的，并配备通道均衡器。
3种麦克风模式：单声道，现代和传统，能够丰富多彩的声音设计。
有三种类型的关节-头部组（蓝色键开关），身体组（黄色键开关）和特殊效果组（红色键开关）。每组占一个八度。
首音组用于在首音处演奏装饰音。有更多装饰音的发音被分配到更高的键开关；升音和降音紧密相连。
体组不仅可以表演头部的装饰音，还可以用发音连体来表达音体的变化。
木管乐器有很大的动态范围和音色变化。样本库提供了5个速度层，声音从温和的柔和明亮和强烈。
有4个速度层用于表达发音，2个速度层用于颤音发音，以及颤音的真实样本。配合SAHDS虚拟调制系统，可创造出生动逼真的音符。
音符速度用于控制表达和颤音发音的开始时间，以产生缓慢发展的音符或强音符。
样本长度平均约为8秒。在大多数情况下，它可以满足笔记的要求。如果需要更长的笔记，用户可以打开采样循环功能。
特性
智能连体系统
自动连奏系统检测每个音符的持续时间。对于持续时间小于此值的连奏，将只触发直连奏，以确保在快速性能期间不会生成不必要的装饰音。
当音符持续时间长于连奏时：
速度（126-127）触发分层连奏（上升）和涟漪连奏（下降）
速度（96-125）触发Grace连奏
速度（32-96）触发直连奏
速度（16-31）触发软连奏1
速度（1-15）触发软连奏2
在滑动连奏模式下，低速触发滑动音符。
在木管乐器的实际演奏中，连奏是千变万化的，时而硬时而软。没有变化的Legatos不能完全模拟真实的性能。
保持踏板可以用来打开双连奏模式。
无尽的发音连奏：
身体组可用于无尽的衔接连体。例如，你可以从一个维持开始，按住音符，然后玩表达键开关（C1）来玩连奏的表达音符；然后按打标键开关（E1），打连奏到打标音符，再按打标键开关（F1），打连奏到打标音符，以此类推。
创意镜像功能：
当一个音符正在发声时，按下键开关将使采样在当前位置反转。它可以改变，例如向上滑动到向下滑动，或慢速振动到快慢振动。它也可以用来控制音符的持续主体，比如Expression。
独立于声音的SAHDS调制系统
每个声音都有自己的SAHDS调制包络。
你可以得到自然和现实的振动，同时保持模轮在一个位置。
模速度，增益和音调也可以调整。
可调风效果：
风是空气在木管中吹出的声音。我们从每个真实样本中提取这个声音，使这个元素能够独立控制。
没有风的木管发出的声音很纯净。适度控制风的音量，在演奏过程中做一些改变，可以增加“脏”的感觉和气息，提高真实感。
其他新功能包括样本跳过技术，随机发音，键盘模式播放和弦等。
外汇:
高阶8波段EQ，频响直观控制，输入输出频谱实时可视化，支持单频段解析。
2线压缩机，输入输出信号实时可视化，RMS和Peak两种检测模式，支持软膝，自动释放，自动上妆。
6点回声，实时可视化立体声信号的处理，可以调整6个回声点的参数：反馈，平移，音量等。
IR混响，提供四种类型的IR：房间，工作室，大厅和更大的大厅。红外光谱的3D可视化。
Ample China Qudi (ACQD) is built on the latest development of the Woodwind Sample Engine, with 4.4 GB samples, including head and body articulations, FX sounds, as well as a select collection of improvised licks.
The Artist: Xiaokui Ding (China National Traditional Orchestra)
The Instrument: Elegant Wind series D key Qudi (Jianhong Wang Masterbuilt)
Sampling:
Recorded with 5 mics (Front, Middle, Back, Stereo Ambient). Each mic volume is adjustable and equipped with channel EQ.
3 Mic modes: Mono, Modern and Traditional, capable of colorful sound designs.
There are 3 kinds of articulations – Head Group (blue keyswitches), Body Group (yellow keyswithces) and Special Effect Group (red keyswitches). Each group occupies one octave.
The head group is used to perform grace notes at head. Articulations with more grace notes are assigned to higher keyswitches; Ascending and descending articulations are close together.
The body group can not only perform grace notes at head, but can also be used for articulation legatos to express changes of the sound body.
The woodwinds have great dynamic range and timbre variation. The sample library provides 5 velocity layers, with sound from mildly soft to bright and strong.
There are 4 velocity layers for Expression articulation, 2 velocity layers for Vibrato articulation, and real samples of Trill sounds. Together with SAHDS virtual modulation system, they can create vivid and realistic notes.
Note velocity is used to control the start time of Expression and Vibrato articulations, to generate slowly developing notes or strong notes.
The sample length is about 8 seconds on average. In most cases, it can meet the requirements of a note. If longer notes are needed, users can turn on the Sample Loop function.
Features
Intelligent Legato System
The Auto Legato System detects the duration of each note. For legatos whose duration is less than this value, only the straight legato will be triggered to ensure that no unwanted grace notes are generated during fast performance.
When note duration is longer than Legato Time:
Velocity（126-127） Triggers Layering Legato (Ascending) and Ripple Legato(Descending)
Velocity（96-125） triggers Grace Legato
Velocity（32-96） triggers Straight Legato
Velocity（16-31） triggers Soft Legato 1
Velocity（1-15） triggers Soft Legato 2
In Slide Legato mode, low velocity triggers slide notes.
In the real performance of the Woodwind, the legatos are ever-changing, sometimes hard and sometimes soft. Legatos with no changes cannot completely simulate real performance.
Hold pedal can be used to turn on Double Legato Mode.
Endless Articulation Legato:
The body group can be used for endless articulation legatos. For example, you can start with a Sustain, hold the note, then play the Expression Keyswitch (C1) to play legato to an Expression note; then play Marking keyswitch (E1) to play legato to a Marking note, and then press Laying keyswitch (F1) to play legato to a Laying note, and so on.
Creative Mirroring Feature:
Playing the keyswitch when a note is sounding will reverse the sample at current position. It changes for example a Slide Up to Slide Down, or a Slow-Fast Vibrato to Fast-Slow Vibrato. It can also be used to control the sustained body of notes like Expression.
Voice independent SAHDS Modulation System:
Each voice has its on SAHDS modulation envelope.
You can get natural and realistic vibratos while keeping the Mod wheel in one position.
The mod speed, gain, and pitch can also be adjusted.
Adjustable Wind Effect:
The Wind is the sound of air blowing in the Woodwind tube. We extracted this sound from each real sample to enable the independent control of this element.
The sound of the woodwind without the Wind is very pure. Moderately control the volume of the Wind, and make some changes during the performance, can increase the feeling of “dirty” and breath, and improve the realism.
Other new features include sample skipping technology, random articulation, keyboard mode for playing chords etc.
FX:
High order 8-band EQ, intuitive control of frequency response, real-time visualization of input and output spectrum, support of soloing single band..
2-Line Compressor, real-time visualization of input and output signal, two detection modes RMS & Peak, support of soft knee, auto release and auto makeup.
6-Tap Echo, real-time visualization of the processing of stereo signal, can tweak the parameters of 6 echo points individually: feedback, pan, volume etc.
IR Reverb, providing four types of IR: Room, Studio, Hall, and Larger Hall. 3D visualization of IR spectrum.
