KONTAKT – 884 MB
Soundiron公司以我们愿意进一步采样，竭尽全力，探索音速世界的每一英寸而著称。我们永无止境的追求是从字面上采样宇宙中所有具有音乐潜力的可测量声音。也许我们正在补偿人们长期以来对自己无法衡量的恐惧，或者仅仅是我们愿意超越其他领域以建立卓越的新指标。我们一次又一次地为采样设定了新的基准，并将艺术水平提升到了一个全新的水平。我们愿意打破我们追求中的所有规则。无论订单多高，我们的目标始终是达到皇家品质。当我们发现目录已经短缺，而不是寸步难行时，我们便放下了脚步，填补了这些空白，因为我们永远不会卖给您空头。
长话短说，我们都玩过标尺和卷尺，并注意到它们可能产生的所有令人满意的刺激和摆动。当您将直尺支撑在平面边缘上时，它可以自由摆动，它可以产生与上下振动的距离成比例的频率的音乐音调。可以自由振动的尖齿部分越长，音符越低并且可以承受的时间越长。当您将标尺进一步滑动到表面上并减小自由振动的悬垂线段的长度时，音高会增加，并且音符的持续时间会缩短。微小的调整可能会导致较大的跳动，因此您需要逐毫米移动才能产生较大的音阶。
由于我们很奇怪，我们进入车库，抓住了两个听起来最好的尺子和几个自动上弦的卷尺，然后着手捕获一个图书馆来统治所有这些！我们没有捷径可走！当仪表跳动时，我们使用精确校准的麦克风和原始的前置放大器以毫米精度对每一英寸进行采样，甚至捕获最细微的细节。我们用6英寸标尺（15.24厘米）记录了30个音符，而在12英寸标尺（30.48厘米）上记录了38个音符，加上敲击乐，咔嗒声和跌落声。我们还使用25英尺（3m）和10英尺（7.62m）的卷尺录制了各种各样的声音效果和打击乐发音，以使这一概念更现代。我们还尝试记录激光测距仪，但事实证明麦克风还不够灵敏。我想这个例外证明了规则：如果它移动了物质，就可以制造音乐。
因为我们总是带给您无数的价值，所以我们提供了一系列独特的声音设计的环境音垫和音调氛围，这些音色和音调氛围是通过处理源录音以及大量自定义FX预设而创建的，可让您进一步欣赏声音。无论如何，尺子都要走远！现在，我认为我们已经将这些双关语延伸得足够远了！
标尺包括超过24个可演奏的关节，20个自定义FX预设，20个声音设计的环境，4825个立体声样本和完整的千兆字节内容。
内容
Kontakt界面包括一套自动化就绪的声音成形控件，可为您提供完全的创作灵活性。您可以控制膨胀，起音，释放，偏移，颤音，滤波器，音高（粗调和细调），清晰度切换，交叉渐变和分层等等。我们还提供了20种独特的声音设计自定义FX预设，为您提供了很多创意选择。
该库带有一个自适应的LFO系统，具有可选的LFO形状，调制目标参数，速度，强度，速度同步和淡入时间。您还可以选择12个低通，高通和FX滤波器，并指定可分配的调制目标，例如速度，调制轮，表情，触后，键位置和步进音序器表格控制。我们的可定制琶音器提供速度表并控制arp方向，定时，摆动，随机和持续时间。我们提供了一个键和音阶锁定系统，可将您的音符限制在通用的音阶和音阶上，以便轻松进行旋律合成和现场演奏。
该接口通过我们的模块化FX机架面板进行了完善，带有18个不同的DSP效果模块，您可以按照希望的顺序在10个可用插槽中的任意一个中进行分配。您会发现经典的移相器，镶边，延迟，失真，放大器和驾驶室模拟器，压缩器，均衡器，旋转器等等。混响效果包括我们最喜欢的卷积混响脉冲响应，包括99个不同的房间，大厅，室内和室外环境，以及另外40种自定义FX脉冲，可从根本上改变声音并开拓全新的音乐可能性世界。我们添加了很多FX机架链工厂预设，以帮助您入门！
Soundiron The Ruler KONTAKT屏幕截图Soundiron The Ruler KONTAKT屏幕截图产品规格：
-一个开放的Kontakt格式的NKI主乐器库
-从标尺和卷尺上采样的砰，弹，打，滴，嘎嘎声，水龙头和FX
-从源内容创建的20个环境补丁
-24位/ 48 kHz未压缩PCM wav样本
-20种自定义声音-D
签名的FX和环境预设
-4,825个立体声WAV文件
-已安装1.1 GB
-灵活且直观的多层用户界面控件，带有LFO，滤波器，滑音和琶音器
-带有环绕混响的全FX机架，可定制房间，大厅，房间和FX环境
该库专为Native Instruments Kontakt 5.5.2的完整零售版或更高版本而设计！
主页
https://soundiron.com/products/the-ruler
Soundiron is known for our willingness to take sampling ever farther, to go to any lengths and explore every inch of the sonic world. Our never-ending quest is sampling literally every measurable sound in the universe that has musical potential. Perhaps we’re compensating for a long-hidden fear that we won’t measure up, or maybe it’s just that we’re willing to go miles beyond the rest to set a new metric for excellence. Time and time again, we’ve set new benchmarks in sampling and elevated the art to a whole new scale. We’re willing to break all the rules in our quest. Our goal is always to reach imperial quality, no matter how tall the order. When we find that our catalog has fallen short, rather than inch along, we put our foot down and fill in those gaps, because we’ll never sell you short.
Long story short, we’ve all played with rulers and tape measures and noticed all of the satisfying sproings and wobbles they can produce. When you brace a ruler over the edge of a flat surface so that it can oscillate freely, it can produce a musical tone at a frequency in proportion to the distance it’s able to vibrate up and down. The longer the section of tine that can freely vibrate, the lower the note and the longer it can sustain. As you slide the ruler farther onto the surface and reduce the length of the freely-vibrating overhanging segment, the pitch increases and the duration of the note shortens. Tiny adjustments can result in large jumps, so you need to go millimeter-by-millimeter to produce a wide musical scale.
Because we’re strange, we headed into the garage and grabbed our two best-sounding rulers and a couple of self-winding tape measures and then set out to capture one library to rule them all! We took no shortcuts! As the meters danced, we sampled every inch with millimeter precision, using finely calibrated microphones and pristine preamps to capture even the most minute details. We recorded 30 notes with our 6-inch ruler (15.24cm) and 38 notes on our 12-inch ruler (30.48cm), plus percussive taps, rattles and drops. We also recorded a wide variety of sound effects and percussive articulations with our 25-foot (3m) and 10-foot (7.62m) tape-measures for a more modern take on the concept. We also tried to record a laser range-finder, but it turns out microphones aren’t quite sensitive enough just yet. I guess the exception proves the rule: if it moves matter, it can make music.
Because we always bring you miles of value, we’ve included a collection of uniquely sound-designed ambient pads and tonal atmospheres created by manipulating the source recordings, along with plenty of custom FX presets to let you take the sounds even further. By any measure, The Ruler goes the distance! And now I think we’ve stretched these puns far enough!
The Ruler includes over 24 playable articulations, 20 custom FX presets, 20 sound-designed ambiences, 4825 stereo samples and a full gigabyte of content.
CONTENTS
The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more. We’ve also included 20 unique sound-designed custom FX presets to give you lots of creative options.
This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.
The interface is rounded-out by our modular FX rack panel, with 18 different DSP effect modules that you can assign in any of 10 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!
Product Specs:
– One master NKI instrument bank in open Kontakt format
– Pings, plucks, slaps, drops, rattles, taps, and FX sampled from rulers & tape measures
– 20 Ambience patches created from the source content
– 24 bit / 48 kHz uncompressed PCM wav samples
– 20 Custom Sound-Designed FX and Ambient presets
– 4,825 Stereo WAV files
– 1.1 GB installed
– Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
– Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments
This library is designed for the FULL retail version of Native Instruments Kontakt 5.5.2 or later!
