Team PiRAT | Date: 07 December 2013 | 13.06 GB
Apocalypse Percussion Ensemble 是 Soundiron 业界领先的乐谱打击乐杰作，现在随着全新 v2.0 的推出，他们将其推向了一个全新的水平。
现在，APE 大小接近 25 GB，包含超过 25,000 个样本，提供了令人惊叹的深度、细节、保真度和用户自由度。 它具有 40 多种不同的鼓和近 200 个发音。 您会发现雷鸣般的合奏部分和各种形状和尺寸的独奏乐器，包括低音鼓、一系列通鼓、dhols、riqs、框鼓、手鼓、木箱鼓、杜姆贝克、咔哒声、噼啪声、大型军鼓合奏和 6 独奏 小军鼓类型。
您还可以找到具有充分表现力的踏板铰接踩镲、棍子和木槌演奏、碰撞、飞溅、混合和 FX 镲片、38 英寸锣、厚重的西藏丁粗指钹，所有这些都经过深度多重采样以及大量的滚动、渐强 和效果。
Apocalypse Percussion Ensemble 是多年经验的结晶，提炼成市场上最全面、最震撼的大厅打击乐套件。 Soundiron 着手打造一款怪物，它出拳更猛，隆隆声更深，能穿透混音清理器，并以其他人无法比拟的方式完成工作。 他们想要强大的声音和响应灵敏的可玩性，而又不影响用户的灵活性和选择。 APE 的声音开箱即用，充满牛肉感，没有任何噪音。 这头野兽完成了它。
Apocalypse Percussion Ensemble 刚刚更新至 2.0 版本，带来了各种修复、更改、添加和增强。
v2.0 的新增功能
为 60 多个关节添加了 Farm 麦克风位置。
添加了锣发音。
在一系列踏板位置添加了踩镲关节，包括 MidiCC 控制的踩镲模拟。
添加了悬挂的 Ride Cymbal 发音
在一系列开放和静音位置添加了 Ting Shag 发音（西藏指钹）
添加了 Ensemble Snare 火焰发音。
完全重新混音并重新掌握所有合奏军鼓的发音。
添加了各种 Midi 鼓循环。
添加了灵活的 Midi Groove 加载和播放系统。
向所有预设添加了麦克风混音选项（仅在主预设中输出重新路由功能）。
在主 Ensemble All Preset 中添加了子组释放控制。
扩展了 Megamixer 系统的功能，包括完整套件保存/加载和智能样本内存管理。
扩展了 Uberpeggiator / ARP 元琶音器系统的功能。
添加了完整的效果架面板
向所有预设添加了各种自定义键盘映射功能。
重新设计了所有 GUI 图稿和仪器布局。
优化和简化的预设类型、文件夹结构、区域映射、组结构、加载和整体性能。
Apocalypse Percussion Ensemble is Soundiron`s industry leading scoring percussion masterpiece, and now with the launch of the brand new v2.0, they are pushing it to a whole new level.
Now weighing in at nearly 25 GB with over 25,000 samples, APE delivers astounding depth, detail, fidelity, and user freedom. It features more than 40 different drums and close to 200 articulations. You’ll find thunderous ensemble sections and solo instruments of all shapes and sizes, including bass drums, a whole array of toms, dhols, riqs, frame drums, bongos, cajons, doumbeks, clicks, clacks, a massive snare ensemble and 6 solo snare drum types.
You’ll also find fully expressive pedal-articulated hi-hats, stick and mallet rides, crashes, splashes, hybrid and FX cymbals, a 38″ gong, heavy Tibetan ting shag finger cymbals, all deeply multisampled along with tons of rolls, crescendos and effects.
Apocalypse Percussion Ensemble is the culmination of years of experience, distilled into the most comprehensive and earth-shaking hall percussion package available anywhere on the market. Soundiron set out to build a monster that punched harder, rumbled deeper, cut through the mix cleaner and got the job done like no other could. They wanted a massive sound and responsive playability, without compromising user flexibility and choice. APE has a sound that just works right out of the box, with all of the beef and none of the noise. This beast gets it done.
Apocalypse Percussion Ensemble has just been updated to version 2.0, bringing along with it a wide variety of fixes, changes, additions and enhancements.
What’s New in v2.0
Added the Far mic position to over 60 articulations.
Added Gong articulations.
Added Hi-Hat articulations in a range of pedal positions, including MidiCC controlled Hi-Hat simulation.
Added suspended Ride Cymbal articulations
Added Ting Shag articulations in a range of open and mute positions (Tibetan Finger Cymbals)
Added Ensemble Snare flam articulations.
Fully re-mixed and re-mastered all Ensemble Snare articulations.
Added a variety of Midi drum loops.
Added flexible Midi Groove loading and playback system.
Added mic mixing options to all presets (output re-routing feature only in master presets).
Added sub-group release controls to main Ensemble All Preset.
Expanded the features of the Megamixer system, including full Kit saving/loading and intelligent sample memory management.
Expanded the features of the Uberpeggiator / ARP meta-arpeggiator system.
Added full Effects Rack panel
Added various custom keymapping features to all presets.
Redesigned all GUI artwork and instrument layout.
Optimized and streamlined preset types, folder structure, zone mapping, group structure, loading and overall performance.
FUNCTIONALITY
Apocalypse Percussion Ensemble was recorded in the same acoustically-balanced hall as Soundiron´s famous Olympus Symphonic Choir (Mars & Venus), Mercury Symphonic Boychoir, Montclarion Hall Piano, Struck Grand Piano, Cymbology, Anklung and Tuned Artillery libraries, so it blends perfectly with a whole host of great libraries. It was captured over an exhaustive two week session, recording late into the night. Soundiron trucked in a mountain of drums and cymbals and pounded on them with every kind of stick, mallet and blunt instrument they could find.
Once the blood and wood chips had settled, an average of 12 round-robin per velocity layer with up to 14 velocities each was captured. Each instrument was then painstakingly programmed with a galaxy of comprehensive and exclusive control and playability features and a totally smooth workflow. We’ve expanded the library with a wide range of uniquely powerful tools that let you personalise the library to your own needs and push it far beyond any other percussion library in its class.
Each instrument features 3 independent microphone positions per articulation. The primary close mic position is captured within a foot of the drum heads to capture all of the deep tonality and resonance and every exquisite detail. The Mid position is set back 12 feet to get that all-around perfect live sound and the far position is 50 feet from the stage to deliver a rich, lush distant feel. Microphone channel mixing is easy with the pop-up Mixer panel. You can load just the positions you need to save ram and voices and independently adjust and automate each level. In the main Master presets, you can even assign each mic position to its own Kontakt audio output for surround sound routing, external effects processing and complete mixing freedom.
“Standard” presets are included to provide instant access to the full library in a classic percussion array layout. The primary “Ensemble All” preset lets you customize the note mapping for each articulation or load one of several common drum library mapping standards. This comes in handy with the new MIDI loop playback feature, which allows users to load and playback loops from a wide range of popular drum libraries. The improved Megamixer system allows for up to 8 slots, each with independent tuning, velocity attenuation, pitch, panning, key mapping, room release and more, and complete Kit preset saving/loading. “Mixer” presets group a set of articulations into 4 different fully customizable categories. For example, “Cymbals Mixer” splits cymbals into categories of ride, crash, hihat and gong/ting shag; each category has independent volume, pan, room release, velocity and pitch controls. Finally, the Tuned Dual-Layer presets allow you to create multi-layered tuned articulations from any ofthe articulations for each sub-section. These are ideal for sound design, special effects, or simply turning any of the sounds into a unique tuned percussion instrument.
NKI Program Presets
This library is designed for the full retail version of Kontakt 5.1. There are 60 Kontakt 5.1 presets, all with a powerful custom user interface. Includes standard and low-memory “Lite” versions of each preset, for maximum flexibility and efficiency.
Features
Ensemble Drums
Snares (Remastered)
Bass Drums
Toms
Doumbeks
Dhols
Riqs
Frame Drums
Sticks
Cymbals
Solo Drums
6 Snares
2 Bass Drums
Bongos
Cajon
Ride (Stick and Mallet) – NEW
Splash
Crash
Gong – NEW
Hi-Hat – NEW
Ting Shag – NEW
2 Dhol Drums
4 Frame Drums
2 Floor Toms
2 Low Toms
2 High Toms
4 Rototoms
Rolls and Crescendos for 3 snares
Tom Rolls
Rolls and Crescendos for Gong, Ride, and Ting Shag
Controls and FX
Powerful Custom User Interface with fully automatable access to critical performance controls.
3 Fully Independent Microphone Positions for all instruments.
Integrated Microphone Mixer with Sample Loading/Unloading
Improved Uberpeggiator/Meta-ARP system with Preset Saving/Loading
Improved Megamixer system with Kit Saving/Loading, Intelligent Sample Loading, and Per-Slot Room Release Controls
Drum Category-based (Bass, Snare, Cymbals and Aux) Room Release Controls in many Presets
Midi Loop Playback and Custom Mapping
Our Custom FX Rack with powerful and configurable controls for every effect.
70 integrated custom convolution IR samples
Info
25,171 Samples (standard pcm wav)
60 .nki files (unlocked Kontakt 5.1 format)
400 Midi Loops
24.8 GB installed
24 bit / 48kHz stereo PCM wav format
Format: Kontakt 5.1+ .nki and pcm .wav
400 Custom Midi Grooves by
Blake Ewing
Dirk Ehlert
Ian Dorsch
Johnny Knittle
Marie-Anne Fischer
Sascha Knorr
Si Begg
Simon Russell
Tino Danielzik
Xiaotian Shi
Team Soundiron
IMPORTANT
The full retail version of Native Instruments Kontakt 5.1 or later is required to use all Kontakt instrument program presets in this library. These presets must be loaded into Kontakt, which can be run as stand-alone engine or as a VST, AU, RTAS or AAX virtual instrument plug-in. The free Kontakt “Player” and Libraries rack do not support this product.
Please note: you will need Kontakt 5.1 or later to use this library. It will not work with the free Kontakt Player.
