File size: 15.2 MB
无论是雕刻丝质合成器或制作完美平衡的人声，它总是一个挑战，使音频流行，同时在那些令人讨厌的频率统治。某些区域通常需要舒缓，特别是如果你的音频听起来过于刺耳、四四方方或轰鸣声。这就是detrouble来救援的地方，俯冲到平滑你的声音和解决音频处理中最麻烦的领域。
使用这个插件作为您的指南，导航在伟大的声音和疲惫的耳朵之间的棘手的路径。这些光栅频率区域需要消除，现在你有一个全能的工具箱来修复你的混音。
“麻烦制造者”并不只是盲目地刺中频率。它从心理声学科学出发，精确地指出那些即使是最老练的耳朵也可能错过的声音刺激。这个插件使用Fletcher-Munson曲线和Bark Scale等技术来解读听觉不适的本质。但如果你宁愿跳过理论，那么很容易使用麻烦的六个独特的有针对性的米，以一种感觉完全音乐的方式平滑你的轨道的粗糙边缘。
倾听和学习
专用的收听按钮应该是你的旅程的第一步，让你清楚地听到你的音频需要修复的方面。当你增加主要的故障旋钮，你会听到什么插件开始捕捉，在实时。然后关闭Listen模式以在上下文中听到这些更改。
成功的六种方法
发光的球体围绕着主要的故障旋钮，作为每个频率区域的可点击仪表。通过单击启用或禁用每个区域中的处理。球体越亮，说明处理得越好。如果一个特定的球体显示最小的活动，你的音频已经在很好的形状，没有增益减少需要应用插件。
需要改善的地方
“麻烦”关注六个不同的领域。该插件使用心理声学原理进行更改，根据Bark Scale改善频带及其相应掩蔽频率的声音。
轰鸣：过度的低频共振，通常在100-250赫兹范围内，使声音过大或缺乏清晰度。
方形：一种空洞或共振的声音，通常是由于250-500赫兹左右的过度能量，使乐器（尤其是鼓和人声）听起来像在一个小盒子里演奏。
浑浊：由于200- 500hz范围内的频率重叠而导致的不清晰，经常导致乐器混音不清。
洪亮：一种鼻音，共振的中音音质，通常在500-1500赫兹左右，使人声或乐器听起来有点铜管。
刺耳的：过于激进或穿透高频，通常在2- 6khz范围内，导致听众疲劳。
咝咝声：在8-12千赫范围内过度的、不受控制的高频能量，有时使铙钹或人声听起来过于明亮或做作。
视觉反馈与比较
麻烦是建立在矢量图形与可调整大小的界面。实时频谱显示在顶部，以帮助您识别声音的问题区域，并实时显示信号通过插件传播时发生的情况。这允许在链的每个步骤进行准确的监控。对于那些喜欢实验的人来说，用AB比较和复制/粘贴来对比不同的加工链。使用撤销/重做按钮恢复任何更改。
预设
detrouble包括大量的工厂预设，涵盖了从细微的手术矫正到更广泛的转换。使用提供的参数作为起点来清理任何类型的音频，带来最好的声音和产品。
W. A. Production是现实生活中的制作人制作创意插件，以帮助您快速轻松地实现工作室质量处理。享受吧!
Deres和trouble的区别是什么？
der
Deres是一个专门为中音清晰度设计的共振清洁工具。去除中音中最主要的共振通常会显著提高音轨或单个声音的清晰度。它有助于消除最有问题的共振，使混音更清晰，更精致。
Detroubler
另一方面，detrouble是一种完全不同类型的插件。它以心理声学研究为基础，通过减少科学地确定为有问题或使人类听力疲劳的频率来工作。与Deres不同的是，它不会清除共振。相反，它软化和平滑了掩盖声音中其他细节的有问题的频率区域，使人耳听起来更愉快，更容易，因此，混音更加清晰。
特性
•基于研究的心理声学处理插件
•瞄准音频的问题区域
•容易识别耳朵疲劳频率
•六个具体目标领域
•监听模式，增强监控
•频谱显示
•AB比较和撤销/重做
•可调整大小的接口
响应和CPU友好
Whether sculpting silky synths or crafting perfectly-balanced vocals, it’s always a challenge to make audio pop whilst simultaneously reigning in those irksome frequencies. Certain areas often need soothing, especially if your audio sounds overly harsh, boxy or boomy. This is where DETROUBLER comes to the rescue, swooping in to smooth your sounds and tackle the most troublesome areas of audio processing.
Use this plugin as your guide to navigate the tricky path between great sound and tired ears. Those grating frequency areas need eliminating and now you have an all-in-one toolbox to fix your mix.
DETROUBLER isn’t just blindly stabbing at frequencies. It’s operating from the science of psychoacoustics, pinpointing those sonic irritations that even the most seasoned ears might miss. This plugin uses techniques such as Fletcher-Munson curves and the Bark Scale to decipher the very essence of auditory discomfort. But if you’d rather skip the theory, then it’s easy enough to use DETROUBLER’s six uniquely targeted meters to smooth out the rough edges of your tracks in a way that feels utterly musical.
Listen & Learn
The dedicated Listen button should be the first step in your journey, letting you clearly hear the aspects of your audio that need fixing. As you increase the main Detrouble knob, you’ll hear what the plugin begins to capture, in real time. Then switch off the Listen mode to hear those changes in context.
Six ways to Success
The glowing orbs surrounding the main Detrouble knob function as clickable meters for each area of frequencies. Enable or disable processing in each area by clicking. The brighter the orbs, the greater the processing. If a certain orb shows minimal activity, your audio is already in great shape and no gain reduction needs to be applied by the plugin.
Areas for Improvement
There are six distinct areas that DETROUBLER focuses on. The plugin uses psychoacoustic principles to make changes, improving the sound of frequency bands and their corresponding masking frequencies according to the Bark Scale.
Boomy: Excessive low-frequency resonance, often in the 100-250 Hz range, making the sound overpowering or lacking clarity.
Boxy: A hollow or resonant sound, usually due to excessive energy around 250-500 Hz, making instruments (especially drums and vocals) sound like they’re playing in a small box.
Muddy: Lack of clarity due to overlapping frequencies in the 200-500 Hz region, often causing instruments to blend indistinctly.
Honky: A nasal, resonant midrange quality, typically around 500-1500 Hz, making vocals or instruments sound somewhat brassy.
Harsh: Overly aggressive or piercing high-mid frequencies, often in the 2-6 kHz range, causing listener fatigue.
Sizzle: Excessive, uncontrolled high-frequency energy in the 8-12 kHz range, sometimes making cymbals or vocals sound overly bright or artificial.
Visual Feedback & Comparison
DETROUBLER is built on vector graphics with a resizable interface. A live spectrum is displayed at the top, to help you identify problematic areas of your sound and show exactly what’s happening to the signal as it travels through the plugin in real time. This allows for accurate monitoring at every step of the chain. For those who like to experiment, contrast different processing chains with AB comparison and copy / paste. Use the undo / redo buttons to revert any changes.
Presets
DETROUBLER includes a huge number of factory presets, covering everything from subtle surgical correction, to more broad-strokes transformations. Use the provided parameters as starting points to clean-up any type of audio, bringing the best out of your sounds and productions.
W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!
What’s the Difference Between Deres and Detroubler?
Deres
Deres is a resonance-cleaning tool specifically designed for midrange clarity. Removing the most dominant resonance in the midrange typically results in a significant clarity boost in a track or individual sound. It helps eliminate the most problematic resonance, making the mix clearer and more refined.
Detroubler
Detroubler, on the other hand, is a completely different type of plugin. It is based on psychoacoustic research and works by reducing frequencies scientifically identified as problematic or fatiguing to human hearing. Unlike Deres, it does not clean resonances. Instead, it softens and smooths out problematic frequency areas that mask other details in a sound, making it more pleasant and easier for the human ear to listen as a result, the mix is more defined.
Features
•Research-based psychoacoustic processing plugin
•Targeting problem areas of your audio
•Easy identification of ear-fatiguing frequencies
•Six specifically targeted areas
•Listen mode for enhanced monitoring
•Frequency spectrum display
•AB comparison & Undo / Redo
•Resizable interface
•Responsive & CPU friendly
•Flexible factory presets
