Team DECiBEL | 18 Jul 2020 | 28.13GB
继续从第一卷，新时代第二卷包含四个新的独特的大乐团，包括一个音乐会竖琴乐团，Cimbalom乐团，马林巴乐团，和风铃编钟乐团。它还包括40个令人惊叹的多采样合成器，源自伟大的环境声设计师Steve Tavaglione的原始录音，以及40个定制合成器，以配合合唱团。
欢迎来到时代-声学大合奏-最全面的收集另类合奏曾经创造。新时代(声学大乐团)系列是由奥斯卡奖，TEC和G.A.N.制作获奖作曲家，Troels Folmann和艾美奖提名作曲家和管弦乐编曲，Colin O’Malley。在我们的笼子，V8P和军团系列相同的签名大厅里录制，时代的声音是骄傲的非正统。
所有的合奏都包含四个以大厅为基础的麦克风透视图，这些透视图被战略性地放置以捕捉这些替代合奏(近、台卡、远、宽)的表现，以及一个准备好的立体声混合，但我们没有止步于此。我们还包括了五个现场麦克风的视角，以帮助找出和隔离每个球员的独特性格。每个合奏被分成两个部分:“主要部分”，包括近、台卡、远和宽的位置，以及“点”，包括对应的点1到5个位置。所以，无论你是需要整个合奏的宏大声音，还是单个乐器的精确细微差别，我们都确保捕捉到所有的细节，给你所有的选择，你需要使这些合奏变得生动。
所有的大乐团都是深度采样与广泛的发音范围。
每个合奏都是根据乐器的需要和性质专门录制的。例如，由4名专业竖琴手组成的音乐会竖琴合奏组，有优美的支架，三种不同的断奏风格，以及特定的颤音、和声等发音。它还包含了大量的立体声和动态竖琴FX，包括各种类型的主要，快速和谐波滑音，快速的打击，滑音波，谐波混乱，打击拍击。如果你没有听过四支竖琴演奏和谐滑音波的声音，你就错过了!
同样的，Cimbalom合奏包含了断奏、弦乐、颤音等等。其他大的合奏，如风铃和马林巴合奏，有他们自己的深采样的发音组定制的乐器的性质。
《新时代》系列的真正之处在于，你可以把整套服装变成自己的。有了大量的麦克风，你可以挑选出你的主要玩家。这些乐器对每个人来说都是不一样的，并且可以完美地融入任何组合。
没有关于“如何录制另类合奏曲”的手册，但当你找来几个演奏大师竖琴演奏者，把他们放在交响乐大厅里，跟着声音，测试新的发音，把乐器推向绝对极限时，神奇的事情就会发生。它不再是竖琴;它成为了一种全新的工具。风铃或Cimbalom合奏也是如此。它们变成了一些东西，远远超过它们的部分的总和，我们邀请你来体验它的全部和我们一起实验!
灵活性和控制
新时代的Vol. 2有一个全新的用户界面，这使它符合我们最近的发行。新的界面提供了一系列的正面选项，可以方便地控制示例的回放。这些包括攻击，释放尾巴，速度，反应，立体声扩展，和过滤器控制。相反，混沌和堆栈选项还允许快速选项随机或完全改变合奏的声音。
类似地，新的界面提供了方便的访问范围广泛的连接在每个浏览器，以及选择麦克风选项在混音器标签。我们还包括我们的全新的X/Y矩阵网格，它提供了一种全新的方式来控制阵列的内建效应过程。最后，调制选项卡允许您访问表达式、调优、门排序和过滤LFO选项，以帮助您雕刻、塑造和加工您的声音。
优越的混合
新时代Vol. 2包含十个不同的麦克风位置允许优越的混合选项，我们已经在两个补丁(主要和现场)，使仪器更CPU友好和给你一个更快的工作流程。麦克风位置的灵活性允许您拨号为您在完美的声音，无论是完全马林巴合奏或集中在一个单一的Cimbalom播放器。
40多试样图片。
除了针对不同麦克风安排的两个主要补丁，每个合奏都有一个合成补丁，其中包含十个定制的合奏，旨在与每个合奏完美融合。这些合成器旨在完美地增强合奏的声音，但由于它们是从样本内容，dis创建的
Continuing from the first volume, The New AGE Vol. 2 contains four new unique Grand Ensembles including a Concert Harp Ensemble, Cimbalom Ensemble, Marimba Ensemble, and Wind Chime Ensemble. It also includes forty stunning multi-sampled synths derived from the original recordings by the great ambient sound designer Steve Tavaglione, as well as forty custom synths to accompany the ensembles.
Welcome to AGE – Acoustic Grand Ensembles – the most comprehensive collection of alternative ensembles ever created. The New AGE (Acoustic Grand Ensembles) series is produced by Academy Award, TEC and G.A.N.G award-winning composer, Troels Folmann and Emmy nominated composer and orchestrator, Colin O’Malley. Recorded in the same signature hall as our CAGE, V8P and Legion Series, the sound of AGE is proudly unorthodox.
All the ensembles contain four hall based microphone perspectives which have been strategically placed to capture the performance of these alternative ensembles (Close, Decca, Far, Wide) as well as a prepared stereo mix, but we did not stop there. We also included five Spot Microphone perspectives to help bring out and isolate each player’s unique character. Each ensemble is separated into two patches: ‘Main’ which includes the Close, Decca, Far and Wide positions, and ‘Spot’ which includes the Spot counterparts one through five. So whether you need the grand sound of the full ensemble or the precise nuances of the individual instruments, we made sure to capture it all in immense detail to give you all the options you need to make these ensembles come to life.
All the Grand Ensembles are deeply-sampled with a vast range of articulations.
Each ensemble was recorded specially for the needs and nature of the instrument. For example, the Concert Harp Ensemble, featuring four professional harpists, has beautiful sustains, three different styles of staccato, and specific articulations like tremolos, and harmonics. It also contains a massive section of stereo and dynamic Harp FX, including varying types of Major, Fast and Harmonic Glissandos, Rapid Strokes, Glissando Waves, Harmonic Chaos, and Percussive Slaps. If you haven’t heard the sound of four harps playing harmonic glissando waves you are missing out!
Similarly, the Cimbalom Ensemble contains a range of Staccatos, Strums, Tremolos and more. Other Grand Ensembles such as the Wind Chime and Marimba Ensemble have their own deep-sampled set of articulations custom designed for the nature of the instrument.
The real beauty about The New AGE Series is that you can make these ensembles your own. With a large number of Microphones included, you can pick and bring out your lead players. These instruments will sound different for everyone and will fit beautifully in any mix.
There is no manual on “how to record alternative ensembles,” but something magical happens when you take several Concert Master Harp players, place them in a symphonic hall and follow the sound, test new articulations and push instruments to their absolute limits. It is no longer a Harp; it becomes a new instrument all to its own. The same can be said of the Wind Chime or Cimbalom Ensembles. They become something much more than the sum of their parts, and we invite you to experience it all and experiment with us!
Flexibility & Control
The New AGE Vol. 2 has an all-new user interface which brings it in line with our recent releases. The new interface features a range of front facing options, giving easy access to control the playback of the samples. These include Attack, Release Tails, Speed, Response, Stereo Spread, and Filter controls. The Reverse, Chaos, and Stack options also allow for quick options to randomize or to change the sound of the ensemble completely.
Similarly, the new interface gives easy access to the vast range of articulations in each browser as well as a selection of microphone options in the mixer tab. We have also included our all-new X/Y Matrix grid which offers a brand new way to control an array of inbuilt effect processes. Finally, the modulation tab gives you access to Expression, Tuning, Gate Sequencing and Filter LFO options to help sculpt, shape and mangle your sound.
Superior Mixing
The New AGE Vol. 2 contains ten different microphone positions allowing for superior mixing options, we have divided the positions across two patches (Main and Spot), making the instruments more CPU friendly and giving you a quicker workflow. The flexibility of microphone positions allows you to dial in the perfect sound for you, whether it’s the full Marimba Ensemble playing in unison or focusing in on a single Cimbalom player.
40 Multi-Sampled Synths
Along with the two main patches for the different microphone arrangements, each Ensemble comes with a synthesized patch containing ten custom synths designed to blend perfectly with each Ensemble. These synths are intended to beautifully augment the sound of the ensemble, but as they are created from the sample content, the distinct sounds can be easily used in a wide range of productions.
40 Custom Synths by Steve Tavaglione
The New AGE Vol. 2 includes a separate bonus bank of synthesized ambiences by the master sound designer Steve Tavaglione. These Ambient Synths offer a vastly different set of timbres from the acoustic instruments and can be used alongside the sounds of the other ensembles or stand-alone, giving you even more options.
Chaos FX Engine
The New AGE Vol. 2 contains our Chaos rack effects system. Giving you even more options to shape and mold the sounds in any way you please. Modulate the sounds of the ensembles with the Phaser and Transform options or create vast spaces with the Reverb and Delay modules. Carefully craft your sound with the EQ or crank it to 11 with Bit Crush and Distortion. The Chaos Effects give you endless options to truly customize your sound.
OVERVIEW
Kontakt VST / AU / AAX
29,354 Samples. 29.95 GB
10 Microphone Positions/Mixes Per Ensemble
4 Harps, 5 Cimbaloms, 5 Marimbas
6 Windchimes, Bonus Ensembles
Deep-Sampled with specific articulations for each Ensemble
40 Custom Multi-Sampled Synths designed to augment each ensemble
Bonus Synths featuring 40 Custom Ambiences by Steve Tavaglione
Product only available as Direct Download
Built-In Chaos Effects with X/Y Control
Full Retail Version of Kontakt 5.6 (or later) Required
