KONTAKT – 6,51 GB
索尼卡乐器在Kontakt乐器库中精心重现了受人尊敬的津garu三味弦的每一个方面-激动人心的打击声音,强大的演奏技术和hajiki采摘的惊人速度。
Virtuoso日本系列的TSUGARU三味声库肯定会活跃几乎所有类型的音乐,从日本民谣到硬摇滚,爵士,当代古典音乐和电影配乐。
主要特点
-用最好的录音和编程技术完美地再现了三味线的声音。
-完全自然的拾取声音,凭借多达五个速度层和多达12个圆形知更鸟。
-涵盖20多种津加三味线演奏技巧,所有按键开关均可控制。
-五个按键开关可控短语库,包含大量重要的津鱼三味短语。
-新开发的弦模式机制-它可以让你选择哪根弦演奏-提供丰富的表现力和真实感,与实际三味线的感觉相同。
-复制共振嗡嗡声的azuma sawari固有的tsugaru三味,以相同的方式运作的真正的东西。
-三种可选择的调音模式,niagari, honchoshi和sansagari调音。
-开弦音符,sawari效果,和共振音调自动调整,以匹配所有调音和关键换位。
-交替拾取功能再现下击和上击的序列。
– hajiki -Legato功能可以让您播放hajiki声音瞬间与Legato。
-拔毛控制功能提供逼真的攻击细节。
-内置的仪器编辑器提供一串一串的调谐和音量调整。
-活泼有力的声音采样在完整的24位96千赫保真度(库包含24位44.1千赫样本)。
-创建您自己的混合与多麦克风样本和专用混音器与直接,头顶,房间和立体声混合的个人控制。
– NKS准备和Kontakt播放器兼容。
sawari的共振机制和共振音调效果
津丸三味线为azuma sawari和共振音调提供了单独的声源,这对于创造津丸三味线声音至关重要。
就像真正的乐器一样,共振的音调会对演奏的特定音程做出反应。此外,它们可以自动调整以匹配不同的调音和键调换,以确保乐器声音的准确再现。每个共振分量的音量是可调的。
涵盖20多种津加三味线演奏技巧,所有按键开关均可控制。五个键开关可控的短语库包含了一系列重要的津鹿三味短语。
字符串模式机制
虽然三味弦有三根弦,但与吉他不同,它很少演奏和弦。相反,三味线演奏通常由单音符组成,主要在第一或第三弦上演奏。
为了重现这种表演风格,我们开发了弦模式机制,它将TSUGARU SHAMISEN操作得像一个有三个独立弦的乐器,这样你就可以选择和演奏特定的弦。
在执行时,可以立即选择字符串模式的关键开关。这可以让你在三根弦之间来回演奏,就像在真正的乐器上一样。
图书馆有三种标准的三味调弦:ni-agari, honchoshi和sansagari。改变调音会改变开放弦的音高,尽管键盘的半音音符不会改变。sawari和共振效果跟踪调谐变化,以重现每个调谐的固有声音。
内置的仪器编辑器可以让你调整音量和微调的每一个字符串和噪音混频器,让你设置
萨瓦里体积,共振体积,和释放噪声体积。这使您能够精确地定制乐器的声音,以您的喜好。
生动的表演表达
Hajiki是一种左手拉扯的技巧,是津渔三味的基础。当玩MIDI键盘与连奏,你可以立即访问hajiki声音从任何发音没有一个键开关控制。
TSUGARU SHAMISEN包括一个功能来重新创建交替选择,键上事件触发下击和键下事件触发上击。这个功能是活跃的,只有当维持踏板被按住,插入交替采摘立即进入任何衔接。你可以很容易地执行颤音拾取模式,反复敲击一个键与维持踏板按住。
Multi-microphone样品
Nobuto Yamanaka在我们的采样环节中演奏了tsugaru三味线。
他在每一个音符上都倾注了巨大的能量,他的技巧无懈可击,全神贯注。
在工作室里,我们使用了细致的麦克风设置和高端的麦克风前置放大器,没有着色,以捕捉乐器的声音在他们的自然荣耀。
Sonica Instruments has painstakingly recreated every aspect of the revered tsugaru shamisen — the stirring percussive sounds, the powerful playing techniques, and the blazing speed of hajiki picking — in a Kontakt instrument library.
The Virtuoso Japanese Series‘ TSUGARU SHAMISEN library is certain to enliven nearly every genre of music, from Japanese minyo folk songs to hard rock, jazz, contemporary classical music, and movie scores.
Main Features
– Perfectly recreates the sound of the tsugaru shamisen with the best possible recording and programming techniques.
– Completely natural picking sounds by virtue of up to five velocity layers and as many as 12 round robins.
– Covers more than 20 tsugaru shamisen playing techniques, all key-switch controllable.
– Five key-switch controllable phrase banks containing a wide array of essential tsugaru shamisen phrases.
– The newly developed String Mode Mechanism — which lets you select which string to play — provides rich expressiveness and realism with the same feel as an actual shamisen.
– Reproduces the resonance buzz of the azuma sawari inherent to the tsugaru shamisen that operates in the same way as the real thing.
– Three selectable tuning modes for ni-agari, honchoshi, and san-sagari tunings.
– The open string notes, sawari effects, and resonant tones are adjusted automatically to match all tunings and key transpositions.
– The alternate picking function reproduces sequences of downstrokes and upstrokes.
– The Hajiki-Legato function allows you to play hajiki sounds instantly with Legato.
– The plucking control function provides realistic attack nuances.
– The built-in Instrument Editor provides string-by-string tuning and volume adjustments.
– Lively powerful sounds sampled in full 24-bit 96 kHz fidelity (the library contains 24-bit 44.1 kHz samples).
– Create your own mixes with the multi-microphone samples and a dedicated mixer with individual controls for Direct, Overhead, Room, and Stereo Mix.
– NKS ready and Kontakt Player compatible.
Resonance mechanism for sawari and resonant tone effects
TSUGARU SHAMISEN provides separate sound sources for the azuma sawari and resonant tones that are crucial to create the tsugaru shamisen sound.
And just like the real instrument, the resonant tones respond to the specific interval being played. Furthermore, they are adjusted automatically to match different tunings and key transpositions to ensure an accurate recreation of the instrument’s sound. The volume of each resonance component is adjustable.
Covers more than 20 tsugaru shamisen playing techniques, all key-switch controllable.Five key-switch controllable phrase banks containing a wide array of essential tsugaru shamisen phrases.
String Mode Mechanism
Although the tsugaru shamisen has three strings, unlike the guitar, chords are rarely played. Instead, a tsugaru shamisen performance usually consists of single-note phrases played mainly on the first or third string.
To recreate this performance style, we developed the String Mode Mechanism, which operates TSUGARU SHAMISEN like an instrument with three independent strings so that you can select and play a specific string.
When performing, the String Mode can be instantly selected with key switches. This lets you go back and forth between the three strings to play phrases just like on the real instrument.
The library comes with three standard shamisen tunings: ni-agari, honchoshi, and san-sagari. Changing the tuning changes the pitches of the open strings, although the keyboard’s chromatic notes do not change. The sawari and resonance effects track the tuning changes to recreate the inherent sound of each tuning.
The built-in Instrument Editor lets you adjust the volume and fine tuning of each string and the noise mixer lets you set the
sawari volume, the resonance volume, and the release noise volume. This gives you the ability to precisely tailor the instrument’s sound to your liking.
Lively performance expression
Hajiki is a left-hand pull-off technique fundamental to the tsugaru shamisen. When playing a MIDI keyboard with Legato, you can instantly access the hajiki sound from any articulation without a key-switch control.
TSUGARU SHAMISEN includes a function to recreate alternate picking, with Key On events triggering downstrokes and Key Off events triggering upstrokes. This function is active only while the sustain pedal is held down and inserts alternate picking instantly into any articulation. You can easily perform tremolo picking patterns by repeatedly hitting a key with the sustain pedal held down.
Multi-microphone samples
Nobuto Yamanaka played the tsugaru shamisen for our sampling sessions.
He poured tremendous energy into each note with his unerring skill and superb concentration.
In the studio, we used a meticulous microphone setup together with high-end microphone preamps with no coloration to capture the sounds of the instrument in their natural glory.
Samples were recorded in three stereo microphone positions — Direct, Overhead, and Room — plus a Stereo Mix. Full mixing control is available, with individual Volume, Pan, Reverb Send, and EQ adjustments for each channel. TSUGARU SHAMISEN also comes with a quality convolution reverb for excellent in-instrument sound creation. The parallel output bus outputs microphone channels to individual DAW tracks for finer mixing sessions.
With the load manager, the performer can load only the desired articulations. Skipping unnecessary samples obtains better performance from the Kontakt engine.
MIDI Groove Browser
TSUGARU SHAMISEN features the incredibly useful Groove Browser, that lets you quickly find MIDI grooves and drag & drop grooves directly into your DAW.
You can adjust the grooves’ velocity, swing, playback tempo, and other parameters directly from KONTAKT / KOMPLETE KONTROL.
The library comes standard with 20 MIDI grooves, including traditional songs and short phrases that showcase what the instrument is capable of. When combined with the soon-to-be-released Groove Inspirations MIDI pack, the Groove Browser gives you access to an extensive phrase bank.
Works with NI Kontakt Player v6.6 and higher!