Zero-G Hauntology MULTiFORMAT | 3.68 Gb
缠身学-来自著名作曲家和制作人Si Begg的大量有机电子音乐样本。该库充满了惊人的抽象，旋律和打击乐循环，以及怪异的效果，波及音调纹理。
该库的目的是提供一系列可用的工具，以创建我小时候听到和喜欢的电子声音。不论是在BBC无线电研讨会上的Delia Derbyshire怪异的拍打声和嗡嗡声，John Carpenter的反乌托邦音景还是Tangerine Dream之类的早期电影乐曲，这些声音都为我最喜欢的电影和电视节目让我同样感到恐惧和高兴。
通常，这类录音是用特殊的设备以小额预算制作的，这些设备可能会因调音或意外失真而漂移，但是这些都是错误和错误，使它们具有这种特征，因此我尝试不使事情变得“完美”或保持干净的感觉。声音来自多种来源，包括我自己早期实验的旧式录音带，最近的会议中使用了带有破碎罐的半破碎，多灰尘的旧合成器，以及电路弯曲效果单元进行了实验。它们是未经处理的原始电子产品，经过整理后可以完全使用，可以为可以添加的有机纹理添加一些有机纹理，有时对于基于现代计算机的录音来说是一种无菌的体验。
Hauntology – a massive collection of organic electronic music samples from acclaimed composer and producer Si Begg. The library is full of amazing abstract, melodic and percussive loops as well as weird effects, sweeps and tonal textures.
The aim of this library was to make a range of usable tools that could create the electronic sounds I heard and loved as a kid. Whether it be the quirky off-beat bleeps and bloops of Delia Derbyshire at the BBC Radiophonic Workshop, the dystopian soundscapes of John Carpenter or the early film scores by the likes of Tangerine Dream, these are the sounds that soundtracked many of my favourite films and TV shows, scaring and delighting me in equal measure.
Often these kinds of recordings were made on a shoestring budget with idiosyncratic equipment that would drift in tuning or distort unexpectedly, but these are the very faults and errors that gave them such character and I’ve tried not to make things too “perfect” or clean to retain that feel. The sounds have been culled from a variety of sources, old reel to reel tapes of my own early experiments, more recent sessions using half broken, dusty old synths with crackling pots and experiments with circuit bent effects units. They are raw, untamed electronics, curated into a fully usable format to add some organic textures to what can, sometimes be a sterile experience with modern computer based recordings.
