KONTAKT | AudioZ Exclusive | 5.09 GB
每个分数都需要一个灵魂。
即兴演奏的大提琴，让音乐栩栩如生
CELLO UNTAMED是一个独奏大提琴库，其想法是采样听起来应该像是表演。乐器的核心是我们独特的即席演奏。一系列激动人心，不断发展和即兴的音符。这听起来像是音乐家在演奏您的作品，并添加个人指导和人类表演。
我们在3个八度音阶上以3种不同的强度录制了每个音符，每一层都有两个变化，为您提供222种完全独特的演奏。最安静的一层微妙而细腻，中间的一层带来更多的情感和性格，而最响的一层听起来则狂野，激烈且常常混乱。当单独演奏时，它们听起来很美，或者当按和弦进行演奏时，它们甚至更引人注目。
CELLO UNTAMED包含9个其他标准和扩展的发音，它们均以相同的哲学演奏，因此它是作曲家的Kontakt库，希望为其乐谱添加原始，人性化和深情的元素。
专为Kontakt设计
完整版5.6.8及更高版本
4个麦克风位置
现货|关闭|房间画廊
直观的界面
易于使用
这就是我们记录的方式
在英格兰北部最好的录音室之一的中殿录制；改建后的教堂，拥有最美丽的探听室。工程师Alex Greaves使用了无可挑剔的经典麦克风和老式舷外装置为大提琴量身打造完美音质。
单个Neumann FET47是混音的核心，可提供真正丰富，饱满且非常细腻的声音。一对立体声Neumann KM184s捕获了近距离的立体声头顶透视图。一对Royer 121丝带状麦克风为房间增添了深度，而某些Audio Technica 4081则可以完美捕捉录音室自然混响的尾巴。我们收集了这些非常广泛的观点，供您精确混合所需的声音。
一切都通过Neve和API前置放大器，AMEK伦勃朗的桌子进行记录，并使用世界一流的Apogee AD16X模数转换器以96kHz的频率捕获。最初的Empirical Labs Distressor帮助真正聚焦并绘制了现场麦克风的细节。
清晰度：
多头：
即兴A＆B
师范
弗劳坦多
Sul Pont –软
Sul Pont –砂砾
颤音
圆弓
错误谐波
短：
Spiccato
Pizzicato公司巴托克
麦克风混音器：
现货| Neumann U47场效应管|单声道
70年代经典流畅而丰富的麦克风。使用此麦克风可获得干燥，前奏和超细腻的声音。通过独特的Neve 1073前置放大器和Distressor驱动，真正带给演奏中的每一个细微差别。
关闭| Neumann K184 |立体声
这对头顶立体声对增加了更多的视角和对麦克风的定位，使大提琴的声音更加生动。
房间Royer 121 |立体声
凭借这个位置，可以带来更加生动活泼的声音。 Royer 121丝带式麦克风是经典之作。
画廊|音频技术4081 |立体声
放在录音室的高处，用这些麦克风为房间增添空气和美丽自然的混响尾巴，
声音：
饱和
使用此随附的磁带饱和度控制添加一些额外的粒度和厚度。一点点走很长的路要走。
宽度
强大的控件可让您拨入大提琴的立体声宽度，从纯粹的单声道信号到沉浸式环绕声。
混响
一个自然发声的回旋大厅混响，可以发出令人愉悦的即时声音，并且可以混入大多数现有混音中。
情商：
低/中/高
一个简单而广泛的笔画均衡器。这些控件使您可以削减或增强频谱的很大一部分，并且可以非常快速地添加或去除很多声音。
您不需要做很多事情就能取得很大的不同，所以请保持稳定！
直观的界面
我们的定制设计的用户界面-无需使用手册即可简单易用，但功能强大到可以快速制作大提琴的声音，因此您可以继续写作并花费更少的时间进行调整。
WESTWOOD大提琴未驯服的KONTAKT屏幕截图
产品信息：
乐器类型：大提琴
11个发音补丁
4个麦克风位置
超过4800个样本
18GB未压缩的WAV
完整版Kontakt 5.6.8及更高版本
Mac OS X10.10 Intel Core Duo
Windows 7,9,10 Intel Core Duo
安装期间需要11.1GB磁盘空间
此版本已由我们的成员独家提供给AudioZ，他们希望保持匿名。
主页
http://westwoodinstruments.com/instruments/cellountamed/
Every score needs a soul.
An improvised cello to put life in your music
CELLO UNTAMED is a solo cello library with the idea that samples should sound like a performance. At the heart of the instrument is our unique Improvised articulation; a series of emotional, evolving and improvised notes. This sounds like a musician taking your composition and adding an individual direction and human performance.
We recorded every single note over three octaves at 3 different intensities with two variations for each layer, giving you 222 totally unique performances. The quietest layer is subtle and delicate, the medium layer brings more emotion and character, whilst the loudest layer sounds wild, intense and often chaotic. They sound beautiful alone as individual notes or even more compelling when played as chord progressions.
With 9 other standard and extended articulations included, all performed with the same philosophy, CELLO UNTAMED is a Kontakt library for the composer that wants to add a raw, human and soulful element to their scores.
Made for Kontakt
Full version 5.6.8 and above
4 Mic Positions
Spot | Close | Room | Gallery
Intuitive Interface
Easy to use
This is how we recorded it
Recorded at The Nave, one of the North of England’s finest recording studios; a converted church with the most beautiful sounding live room. Engineer Alex Greaves used an impeccable set of classic microphones and vintage outboard to tailor the perfect sound for the cello.
A single Neumann FET47 is at the heart of the mix, providing a really rich, full and very detailed sound. A stereo pair of Neumann KM184s captured a close stereo overhead perspective. A pair of Royer 121 ribbon mics adds more depth to the room, whilst some Audio Technica 4081’s do a perfect job of capturing the natural reverb tail of the studio. We collected this really wide range of perspectives for you to mix exactly the sound you need.
Everything was recorded through through Neve and API preamps, an AMEK Rembrandt desk and captured at 96kHz using world-class Apogee AD16X analogue to digital convertors. An original Empirical Labs Distressor helped to really focus and draw out the detail of the spot mic.
Articulations:
Longs:
Improvised A&B
Normale
Flautando
Sul Pont – Soft
Sul Pont – Grit
Tremolo
Circular Bowing
False Harmonics
Short:
Spiccato
Pizzicato inc. Bartok
Microphone Mixer:
Spot | Neumann U47 FET | Mono
The classic smooth and rich microphone from the 70s. Use this mic for a dry, upfront and super detailed sound. Driven through a characterful Neve 1073 pre-amp and Distressor to really bring every subtle nuance from the performance.
Close | Neumann K184 | Stereo
Adding more perspective and positioning over the spot mic, this overhead stereo pair brings the sound of the cello alive.
Room | Royer 121 | Stereo
Bring a much more lively and in-person sound with with this position. Royer 121 ribbon mics are a classic for a reason.
Gallery | Audio Technica 4081 | Stereo
Placed high up in the gallery of the studio, use these mics to add air and the beautiful, natural reverb tail of the room,
Sound:
Saturation
Add some extra grit and thickness with this included tape saturation control. A little goes a long way.
Width
A powerful control which allows you to dial in the stereo width of the cello, from a purely mono signal to an immersive wrap around sound.
Reverb
A natural sounding convolution hall reverb which gives a really pleasing immediate sound and will blend in to most existing mixes.
EQ:
Low/Mid/Hi
A simple and broad stroke EQ. The controls allow you to cut or boost a wide part of the frequency spectrum and will add or remove a lot of sound very quickly.
You don’t need to do a lot to achieve a big difference, so go steady!
Intuitive interface
Our custom designed user interface – simple enough to use without an instruction manual, but powerful enough to quickly craft the sound of the cello so you can keep on writing and spend less time tweaking.
Product Information:
Instrument Type: Cello
11 Articulation Patches
4 Microphone Positions
Over 4800 Samples
18GB Uncompressed WAVs
Full version of Kontakt 5.6.8 and above
Mac OS X10.10 Intel Core Duo
Windows 7,9,10 Intel Core Duo
11.1GB disc space needed during installation
This release has been exclusively provided to AudioZ by our member who wishes to remain anonymous.
