KONTAKT – 1,03 GB
与我的所有Kontakt乐器一样，它们背后的精神不是试图捕捉和重现过去，而是一次机会来展示原始的源材料（如纹理，元素和构造块）以创建新的东西。同时，希望这些稀有和老式的乐器和设备的某些原始的美感和特色会发光。
在制作过程中很长一段时间，我一直想发布一段时间，这是迄今为止我最受欢迎的Kontakt乐器之一的续集，自一开始它就一直是我个人的最爱。我敢肯定，很多人都知道，对于回想起的电影合成弦，尤其是伪逼真的弦乐合奏，我一直情有独钟。我感到非常激动的是，其中一些弦乐合奏和纹理已在世界各地的许多主要音乐作品中找到了应用。
我最初的String Collection主要基于早期的字符串合成器，例如ARP Omni和Eminent 310U。我想添加其他几个合成器系列的新产品。这背后的原因是试图扩大声波范围，以证明它是一种非常有效且易于使用的分层引擎。从我心爱的1938年Novachord＃346中引入了一些额外的元素，包括直接从野兽发出的非常“疣和全”的弦音色。对于某些人来说，这样的元素听起来可能有些过时，但是当在分层引擎中与其他元素分层时，它们可能会形成一个显着的秘密元素。很难相信这个季度吨163管的怪物今年80岁！
捕获了大约30种乐器，我尝试使用多种基本合成方法，包括分频/共振峰，经典减法，DCO，数字FM和加法，以及从三个老式合成器中捕获某些管合成器纹理。合成器包括DK Synergy和超稀有的Mulogix Slave-32，Rhodes Chroma，Octave Cat Voyetra-Eight，Farfisa Syntorchestra，ProphetVS，Elka Synthex，Oberheim OB-X和Matrix 1000，Korg PS-3100。电子管合成器包括Hammond Novachord，Jennings Univox J6和经过大量改装的Cordovox CG-1。
我还尝试介绍了许多独特的处理方法，以为各种声音增加音色，字符和运动。这包括一个相当奇怪的想法，我不得不通过扬声器播放原材料并使用旧的碳粒GPO电话麦克风进行录制。这赋予了奇妙的松脆的古董特征，当与原始来源分层时，产生了相当漂亮的效果。其他方法包括在精美的1969 Revox G36管到卷盘上记录和磨损相当久的1/4英寸磁带。还使用了原始的1969年Dolby A-301（世界上第一个Dolby动态降噪系统）和DBX II 128压缩扩展器以及华丽的Binson管Pre-Mixer。许多三重合奏用于将来自各种合成器的单弦音色处理成与原始Solina弦音更相似的东西。其中包括经常被忽视的Korg SDD-3300三重调制延迟，以及在小型BöhmDynamic 12/24中为三重BBD合唱合奏重新分配任务，以及在Eminent 310U中出色的“ Orbitone”发生器。真正独特的是，我使用后者来处理Novachord的一些弦音色，以制作一些非常特殊的乐团！
将许多图层和混音放在一起，形成了基本的36种乐器，这些乐器已加载到分层引擎中以形成String Collection II。
使用的设备：
Novachord＃346现在已有80年历史，并且被证明是真正独特的声音成分！
资料来源：
1938年的Novachord＃346，Eminent 310U，Minimoog T2798E，ORLA DSE-24，BöhmDynamic 4×9，Oberheim OB-X，Jennings Univox J6管monosynth，Studio Electronics OB-8，顺序先知600，顺序先知VS，八度猫Voyetra八，顺序六冲程，Rhodes Chroma，Korg PE-1000，Korg PS-3100，Waldorf microWave I，Yamaha TX802，Yamaha TX81Z，Custom Cordovox CG-1管合成器，Oberheim Matrix 1000，DK Synergy II +，Mulogix Slave 32，Evolution EVS-1，Roland D-110，Roland JX-8P，Roland JUNO-106，Roland VP-330，Roland alpha-Juno II，Elka Synthex，Farfisa Syntorchestra，Crumar Performer，Crumar Bit One…
处理方式：
无源共振峰谐振器电路，GPO碳纤维麦克风，Revox G36电子管半音轨，
1969年Dolby A-301，DBX II 128压缩扩展器，Binson管Pre-Mixer，Korg SSD-3300…
下载内容：
-786个24位样本
-64个示例乐器
– 用户手册
-音频演示
需要完整版Kontakt 4.2.4或更高版本
主页
http://hideawaystudio.wordpress.com/2018/12/07/hideaway-studio-proudly-presents-the-string-coll
As with all of my Kontakt instruments, the ethos behind them is not so much an attempt to capture and recreate the past but an opportunity to present the original source material as textures, elements and building blocks in order to create something new. At the same time, hopefully some of the original beauty and character of these rare and vintage instruments and equipment will shine through.
A long time in the making, I have been wanting to release for some time now a sequel to one of my most popular Kontakt instruments to date which has been a personal favourite of mine since the beginning. As I’m sure many are aware, I have always had a bit of a soft spot for evocative cinematic synth strings, and especially pseudo realistic string ensembles. It has been very exciting for me that some of these string ensembles and textures have found their way into a number of major music productions around the world.
My original String Collection was largely based on early string synths such as the ARP Omni and the Eminent 310U. I wanted to add several new offerings from several other families of synthesizer. The reasoning behind this was an attempt to broaden the sonic territory in what has proven to be a remarkably effective and easy to use layering engine. Some extra elements from my beloved 1938 Novachord #346 have been introduced including a very “warts & all” string timbre straight from the beast. Such elements may sound a little too antique to some in isolation but can form a remarkable secret element when layered with others in the layering engine. It is hard to believe this quarter ton 163 tube monster is 80 years old this year!
Around 30 instruments were captured and I’ve tried to draw upon a number of basic synthesis methods including divide down/formant, classic subtractive, DCO, digital FM and additive as well as capturing some tube synth textures from three vintage synths. Synths included the DK Synergy and ultra rare Mulogix Slave-32, Rhodes Chroma, Octave Cat Voyetra-Eight, Farfisa Syntorchestra, ProphetVS, Elka Synthex, Oberheim OB-X and Matrix 1000, Korg PS-3100. Tube synths included the Hammond Novachord, a Jennings Univox J6 and a heavily modified Cordovox CG-1.
I have also tried to introduce a number of unique processing methods to add tonal colour, character and movement to various sounds. This included a rather bizarre idea I had to play raw material through a speaker and record it using an old carbon granule GPO telephone mic. This imparted a wonderful crunchy antique character which when layered with the original source produced a rather beautiful effect. Other methods involved recording on and off of rather worn ¼” tape on a wonderful 1969 Revox G36 tube reel to reel. An original 1969 Dolby A-301 (the world’s first Dolby dynamic noise reduction system) and a DBX II 128 compander along with a gorgeous Binson tube Pre-Mixer were also used to good effect. A number of triple ensembles were used to process single string timbres from various synths into something much more akin to the original Solina strings. This included the often overlooked Korg SDD-3300 triple modulated delay and retasking the triple BBD chorus ensemble in the little Böhm Dynamic 12/24 as well as the wonderful “Orbitone” generator in the Eminent 310U. Truly uniquely, I used the latter to process some of the string timbres from the Novachord to produce some very special ensembles!
A number of layers and blends were brought together to form the basic 36 instruments loaded into the layering engine to form String Collection II.
Equipment Used:
Novachord #346 is now 80 years old & has proven to be a truly unique sonic ingredient!
Sources:
1938 Novachord #346, Eminent 310U, Minimoog T2798E, ORLA DSE-24, Böhm Dynamic 4×9, Oberheim OB-X, Jennings Univox J6 tube monosynth, Studio Electronics OB-8,Sequential Prophet 600, Sequential ProphetVS, Octave Cat Voyetra Eight, Sequential Six-Trak, Rhodes Chroma, Korg PE-1000, Korg PS-3100, Waldorf microWave I, Yamaha TX802, Yamaha TX81Z, Custom Cordovox CG-1 tube polysynth, Oberheim Matrix 1000, DK Synergy II+, Mulogix Slave 32, Evolution EVS-1, Roland D-110, Roland JX-8P, Roland JUNO-106, Roland VP-330, Roland alpha-Juno II, Elka Synthex, Farfisa Syntorchestra, Crumar Performer, Crumar Bit One…
Processing:
Passive formant resonator circuit, GPO Carbon Microphone, Revox G36 tube half-track,
1969 Dolby A-301, DBX II 128 Compander, Binson tube Pre-Mixer, Korg SSD-3300…
Download Contents:
– 786 24-bit Samples
– 64 Example Instruments
– User Manual
– Audio Demo
Requires the full version of Kontakt 4.2.4 or higher
home page
http://hideawaystudio.wordpress.com/2018/12/07/hideaway-studio-proudly-presents-the-string-coll
