FANTASTiC | 05 May 2020 | 53.8 GB
管弦乐采样的乐器为微妙的时刻和震耳欲聋的沉默。
我们已经在我们的管弦乐系列中涵盖了很多内容;有吓人的图蒂(Tutti)、令人振奋的Vivace、低调的极简派(Minimal)、可驾驶的格罗索(Grosso)和雄伟的摩洛(Capriccio)。我们一直渴望捕捉一些更精致的东西，现在我们做到了——呈现“Sotto”。
作为一个作曲家，有一些音乐规则是你必须遵守的，其中之一就是总是要有对比。响亮的段落听起来不是很响亮，除非与柔和的段落形成对比，而高潮必须经过一段旅程才能到达。
我们总是被庄严的管弦乐队敲击刹车踏板，铺下柔软的床和图案的声音所吸引，这就是我们通过这个图书馆所取得的成就。
任何曾经试图捕捉现场管弦乐队演奏的人都会告诉你，非常安静的演奏是一件很难记录的事情。你试着走得越软，你就越接近声音和无声音之间的断点。铜管和木管乐器的乐句开始变得越来越难对齐，导致了美妙的不完美。声音与机械噪音之间的平衡略微偏向于机械噪音，但对我们来说，这一切听起来都非常生动。
惊喜之仪器
字符串G0, A0, B0 C3到d# 3
木管1号，c# 0号，d# 0号E3到G3
黄铜A-1, B-1, C0 G#3到B3
不知新特性:
所有新的样本内容，以柔软，微妙和轻的短语在4/4的时间
呼吸控制为木管乐器和黄铜补丁
UI的外观设计
专用补丁为本地仪器Komplete Kontrol键盘
新的声音领导概念，允许更平滑的过渡
Orchestral sampled instrument for delicate moments and deafening silence.
We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”.
As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there.
We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library.
Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive.
SOTTO INSTRUMENTS
Strings G0, A0, B0 C3 to D#3
Woodwinds A#-1, C#0, D#0 E3 to G3
Brass A-1, B-1, C0 G#3 to B3
Sotto new features:
All new sample content featuring soft, subtle and light phrases in 4/4 time
Breath Control for Woodwind and Brass patches
Cosmetic redesign to UI
Dedicated patches for Native Instruments Komplete Kontrol keyboards
New voice leading concept allowing for smoother transitions
