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Envy——“声音设计中的绿眼怪物”——是关于信封的，窃取一个声音的特征并将它们应用到另一个声音中。
有点像变形，但不是真的。它一部分是动态工具，一部分是声码器，但你不会用它来做这些事情。这是一个正式的调制插件，但这甚至没有开始解释它的实际作用。
Envy是一个真正的工具，可以生成独特的新材料，为现实世界的录音添加纹理或破坏声音以创造疯狂的科幻元素。它可以把录音装进机关枪里，给foley feet加木头，可以在真空吸尘器上叠加鼓的模式，或者只是为了好玩而把声音调高6个八度。
超紧动态包络替换
嫉妒可以把一种声音变成另一种声音。源声音的整体动态包络被强行施加到目标声音上。所以你可以非常快速地为陷阱或马蹄添加纹理，将狗的咆哮放入声音中，或将尖叫放入火箭经过的声音中。
四波段频谱包络
像一个非常广泛和温和的声码器，Envy可以应用4个频段的单独信封。结果是，目标声音开始像源声音或鼓声模式一样说话。踢腿起到了踢踏鼓的作用，在适当的时候发出了声音。你会觉得你听到了声音——你确实听到了。
连续变螺距包络
是的，你可以在音频剪辑上绘制音高弯曲。你可以对对话进行微妙的语调调整，或者你可以缩小并绘制疯狂的6个八度的随机曲线。你可以反转、反转和撤销俯仰绘图。甚至还有一个变速三角形工具，用于绘制加速或减速的颤音。
从现有的声音中获取音高包络
Envy实际上可以读取源信号的音高包络，并将其应用于其他声音。它的效果非常好，但即使不是这样，你也可以保证得到一些有趣的东西，因为结果总是基于源音频中的真实事件。所以你可以提取路过时的多普勒频移并将其应用于风的记录，或者将鸟的叫声反转以使其平坦。
独特的基于Audiosuite的工作流程
Envy有一个不同寻常的工作流程，但它在生成新元素或图层到现有工作上的效率令人难以置信。通过将信封采样到Audosuite插件中，Envy几乎可以立即渲染到多个文件上，基于原始来源生成无限范围的新材料。
所有新的音高移位算法
这些新的音高算法是从头开始设计的，可以很好地与声音，声音FX或鼓循环等孤立的声音一起工作。它们在完全混音时听起来很糟糕，但这不是我们大多数时候所做的。游戏中有针对对话、短暂或有节奏的声音设计的模式，甚至还有两种名为Bad和Worse的创造性音调模式。糟糕是相当糟糕，但更糟糕真的很糟糕。请不要用“更糟”。
Envy – “The Green-Eyed Monster of Sound Design” – is all about envelopes, stealing characteristics of one sound and applying them to another.
It’s kinda like a morph, but it’s really not that. It’s part dynamics tool and part vocoder, but you won’t use it for either of those things. It’s officially a modulation plugin, but that doesn’t even begin to explain what it actually does.
Envy is really a toolkit for generating unique new material, adding textures to real world recordings or mutilating sounds to create crazy sci-fi elements. It can fit a wind recording into a machine gun, add wood to foley feet, it can superimpose a drum pattern on a vacuum cleaner, or pitch dive a vocal 6 octaves just for kicks.
Super tight dynamic envelope substitution
Envy can literally fit one sound into the shape of another. The overall dynamic envelope of the source sound is aggressively forced onto the destination sound. So you can very quickly add textures to snares or horse hooves, fit dog snarls into a vocal or screams into a rocket pass-by.
4-band Spectral Envelopes
Like a very broad and gentle vocoder, Envy can apply separate envelopes of 4 frequency bands. The result is that the destination sound starts to speak like the source vocal or drum pattern. The kick plays the kick-drum part, the sibilance opens up at the right times. You’ll think you’re hearing voices – and you are.
Continuously variable pitch envelopes
Yes, you can actually draw pitch bends onto audio clips. You can make subtle intonation adjustments to dialog, or you can zoom out and draw insane 6 octave random squiggles. You can invert, reverse and undo pitch drawing. There’s even a variable speed triangle tool for drawing vibrato that speeds up or down.
Harvest pitch envelopes from existing sounds
Envy can actually read the pitch envelope of your source signal and apply it to other sounds. It works surprisingly well, but even when it doesn’t, you’re guaranteed to get something interesting, as the result is always based on real events in the source audio. So you can extract the doppler shift in a pass-by and apply it to a wind recording, or invert a bird call to flatten it out.
Unique Audiosuite based workflow
Envy has an unusual workflow but it’s incredibly efficient for generating new elements or layers onto your existing work. By sampling envelopes into an Audosuite plugin, Envy can render onto multiple files almost instantaneously, generating an infinite range of new material based on your original source.
All new pitch-shift algorithms
These new pitch algorithms are designed from the ground up to work well with isolated sounds like voice, sound FX or drum loops. They’ll sound terrible on a full mix, but that’s not what we do most of the time. There are modes designed for dialog, transient or rhythmic sounds, and even two creative pitch modes named Bad and Worse. Bad is pretty bad but Worse really sucks. Please don’t use Worse.
