P2P | 4 May 2022 | macOS : 617 MB / WiN : 824 MB
重金属 EBX
重型火炮。
贝司、预设和 MIDI——所有这些都是为永恒的重金属完美而量身定制的。
任何重金属武器库都需要一个合适的电动工具，以便在事情即将变得粗糙时——当你的混音需要一种直接从炉子里出来的熔融热的音调时，你需要使用这种铅重的、破坏性的球状部件.就是这个。
重金属 EBX 配备了现代贝司，其精心挑选的音色能够跨越重金属的整个范围 – 从其形成的 1970 年代，到英国重金属的新浪潮，直到今天。除了声音之外，Heavy Metal EBX 还包括一个自定义 MIDI 库以及一组预设，这些预设提供了为从经典的低沉、温暖和圆润到现代明亮、前卫和失真的任何声音量身定制的音色。
如果您正在寻找一种能够提供极端重金属火力的乐器，那么您已经得到了它。
特色聚焦
•精心捕捉的现代高端低音
•灵感来自从犹大牧师和铁娘子到惹火和五指死拳
• 使用手指和拨片选项以及广泛的两种发音方式进行采样
•提供从A0到E4的范围
•包括丰富的预设，适用于各种重金属风格的音色——从低沉、温暖和圆润到明亮、前卫和失真
•带有“Clean DI”（直接输入）预设选项，便于外部处理
•包括一个受经典和现代重金属启发的自定义 MIDI 库
这个仪器。
50 年的重金属，蒸馏成一把低音吉他来统治他们。
当 Toontrack 声音设计团队将目光投向根植于传统重金属的贝斯时，它仍然提供现代乐器的细节、清晰度和清晰表达，减少选择一张中奖彩票的结果是公平的简单：Ian Hill (Judas Priest) 限量版，签名 Spector Euro4。* 这款贝司旨在庆祝乐队在金属万神殿中的五个十年，并具有 80 年代经典 Spector 的所有特征 – 实心枫木琴身翅膀、三片式枫木琴颈和玫瑰木指板——但也提供了大量的功能，使其进入新千年及以后。该批次的突出细节之一是板载 TonePump，这是一款带有内部升压微调电位器的有源前置放大器。这个前置放大器中的电路细节提供了许多类似电子管的特性，使您能够真正调整低音输出而不会出现音调破裂——它只会变得更温暖、更强劲，坦率地说，更重金属。
声音和发音。
重金属 EBX 使用手指和拨片关节进行采样，让您在获得传统和更圆润的笔触的同时，您可以选择更金属和前卫的方法。至于范围 – 从 A0 一直到 E4 的范围，您将能够为您想到的任何可以想象的即兴演奏创造细致入微的表演。
预设。
虽然这个 EBX 植根于重金属形成的最初几十年的基调，但它也提供了该流派在今天的影响力的展望。因此，无论您是在寻找经典的英国重金属新浪潮还是更适合千禧年的这一面，随附的预设库都有您需要的音色来补充最密集的吉他墙或穿透在任何分层生产中。除此之外，还可以使用“DI”（直接输入）和“Multi-Out”选项在外部处理您的音色，您将拥有无穷无尽的选择来塑造体育场大小的重金属低音音色。
迷笛。
包含的 MIDI 库涵盖了重段重复的材料，毫无疑问，贝司具有突出的作用。从老式、1970 年代后期的氛围和 1980 年代风格的大型即兴演奏到过去二十年中听起来更现代的重金属，可以期待任何东西。这个 MIDI 集合与 EZbass 中的板载 MIDI 功能相结合，将让您立即制作出令人震惊的材料。
系统要求。
1 GB 可用磁盘空间，4 GB RAM（推荐 8 GB 或更多）。
工作的 EZbass 1.1.1（或更高版本）安装。
HEAVY METAL EBX
THE HEAVY ARTILLERY.
Bass, presets and MIDI – all tailored for timeless heavy metal perfection.
Any heavy metal arsenal needs a proper power tool for when things are about to get rough – that lead-heavy, wrecking ball-like piece you wheel in when your mix calls for a tone that’s straight-out-of-the-furnace molten hot. This is it.
The Heavy Metal EBX comes with a modern-day bass, handpicked for its ability to muster tones to span the entire gamut of heavy metal – from its formative 1970s, through the new wave of British heavy metal and up until today. In addition to the sounds, the Heavy Metal EBX also includes a custom MIDI library as well as a collection of presets offering tones tailored for anything from classically muffled, warm and round to modernly bright, edgy and distorted.
If you’re looking for an instrument that offers extreme heavy metal firepower, you’ve got it.
FEATURE SPOTLIGHT
•A meticulously captured modern-day high-end bass
•Inspired by anything from Judas Priest and Iron Maiden to Pantera and Five Finger Death Punch
•Sampled with finger and pick options as well as a broad set of articulations for both
•Offering a range from A0 to E4
•Includes a wealth of presets for a wide range of heavy metal-inspired tones – from muffled, warm and round to bright, edgy and distorted
•Comes with a ‘Clean DI’ (direct input) preset option for easy external processing
•Includes a custom MIDI library inspired by classic and modern heavy metal
THE INSTRUMENT.
50 years of heavy metal, distilled into one bass guitar to rule them all.
When the Toontrack sound design team had their eyes set on a bass with its roots in traditional heavy metal but that still offered the detail, the clarity and the articulate expression of a modern instrument, whittling down the choices to one winning ticket ended up being fairly simple: Ian Hill’s (Judas Priest) limited edition, signature Spector Euro4.* This bass was designed to celebrate the band’s five decades at the pantheon of metal and has all the traits of a classic ‘80s-era Spector – the solid maple body wings, the three-piece maple neck and the rosewood fingerboard – but also offers tons of features that takes it into the new millennium and beyond. One of the standout details of the lot is the onboard TonePump, an active preamp with an internal boost trim pot. The specifics of the circuitry in this preamp offers lots of tube-like characteristics, enabling you to really crank the output of the bass without the tone cracking up – it just gets warmer, beefier and, frankly, more heavy metal.
THE SOUNDS & ARTICULATIONS.
The Heavy Metal EBX was sampled with both finger and pick articulations, allowing you to get a traditional and rounder stroke at the same time as you’ll have the option of a more metallic and edgy approach. As for range – with a reach all the way down from A0 up to E4, you’ll be able to create nuanced performances for any imaginable riff that comes to mind
THE PRESETS.
While this EBX is rooted in the tones of the formative first couple of decades of heavy metal, it also offers an outlook on the genre’s reach into today. So, regardless of whether you are looking for a classic new wave of British heavy metal tone or something more apt for this side of the millennium, the included library of presets has the tones you need to complement even most dense wall of guitars or cut through in any layered production. Add to that the ability to use the ‘DI’ (direct input) and ‘Multi-Out’ options to process your tones externally and you’ll have endless options to shape stadium-size heavy metal bass tones.
THE MIDI.
The included MIDI library covers riff-heavy material where there is no mistaking that the bass has a prominent role. Expect anything from old-school, late 1970s vibes and big 1980s-style riffs to more modern-sounding heavy metal of the past two decades. This collection of MIDI in conjunction with the onboard MIDI features in EZbass will have you producing ground-shattering material in no-time.
SYSTEM REQUIREMENTS.
1 GB free disk space, 4 GB RAM (8 GB or more recommended).
A working EZbass 1.1.1 (or above) installation.
