我们开始了为期六个月的旅程,以填补我们认为在当今合成器和样本库市场中空白的地方。 Scoring Synths是令人兴奋的最终产品,它可以录制世界上两个最具标志性的合成器,将它们重新放大或“世化”到美国音质最好的直播室内之一,并使用一系列无价的老式麦克风对其进行重新录制。从合成器本身到转换器,前置放大器,母带扬声器,麦克风和计分舞台,在创建此功能强大的新工具的过程中,没有一个声音折衷的地方。评分合成器确实是同类中的第一个示例库。
现代电影乐谱在很大程度上依靠合成器来陪伴和加强乐团的各个部分,但是这些合成器音色很少能体验到在相同的声音空间中进行录音的音效。经典的Mono合成器具有丰富的前瞻性和冲击力,而缺乏一定程度的灵活性和召回能力。现代的软合成器具有看似无限的功能,但与较早的类似软件相比,声音不足。我们的目标是充分利用专为电影乐谱制作和管弦乐作品而设计的新旧工艺音色的最佳方面,将其沉浸在郁郁葱葱的声学环境中,并创造出迄今为止根本不存在的东西。我们非常自豪地宣布我们的首款产品和合成器样本库中的新基准-Scoring Synths。
需要完整版Kontakt 5
We embarked upon a six month long journey to fill what we believe is a void in today’s synth and sample library market. Scoring Synths is the exciting end product of recording two of the most iconic synthesizers in the world, reamping or “worldizing” them into one of the best sounding live rooms in the U.S., and re-recording them with an array of priceless vintage microphones. From the synths themselves, to the converters, preamps, mastering loudspeakers, mics and scoring stage, not a single sonic compromise was made in the process of creating this powerful new tool. Scoring Synths truly is the first sample library of its kind.
Modern film score relies heavily on synthesizers to accompany and reinforce the sections of the orchestra, yet rarely do those synth tones experience the sonic benefit of being recorded in the same acoustic space. Classic mono synths offer a richness in plangency and punch, while lacking a degree of flexibility and recall ability. Modern soft synths have seemingly limitless features but fall short sonically when compared with their older analogue counterparts. Our goal was to take the best aspects of the old and the new, craft tones specifically designed for film score production and orchestral compositions, immerse that in a lush acoustic environment, and create something that simply hadn’t existed until now. We are incredibly proud to announce our first product and a new benchmark in synthesizer sample libraries — Scoring Synths.
FULL version of Kontakt 5 is required
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http://www.audioollie.com/