Team Flare | 14 October 2020 | 334 MB合成器推动了1980年代流行音乐的发展。聆听查卡·汗（Chaka Khan）的“ I Feel For You”和惠特尼·休斯顿（Whitney Houston）的“我想与某人共舞”等标志性果酱，展示了该乐器是该时代许多（如果不是大多数）流行音乐安排的基础。随着70年代后期引入复音模拟合成，以及80年代引入FM合成，过去的流行音乐成为了模拟和数字合成的丰富多彩调色板。完美的声音补充是标志性的门混响，即80年代的“ Phil Collins”鼓声。鼓的声音听起来很大很响。在1970年代，鼓很大，很响，但通常很干燥，并带有小房间的声音。快进十年了，几乎所有现场和采样鼓声都浸入了数字，板式或霍尔混响的釉中。包含：
·10个鼓环和杆
·10个旋律环和杆
·34鼓一击
·5张吉他一声
·12首钢琴一击
·16罗德一杆
·41合一一拍
Synthesizers drove the sound of pop music in the 1980’s. Listening to iconic jams like “I Feel For You” by Chaka Khan, and “I Wanna Dance With Somebody” by Whitney Houston showcase how the instrument was the base of many, if not most pop arrangements of the era. With the introduction of polyphonic analog synthesis in the late 70’s, as well as the introduction of FM synthesis in the 80’s, the pop music of yesteryear was a colorful palette of analog and digital synthesis. The perfect sonic complement to this was the signature gated reverb, “Phil Collins” drum sound of the 80’s. Drums were meant to sound big, and loud. In the 1970’s, drums were big, and loud, but usually dry and took on the sound of a small room. Fast forward a decade, and nearly every live and sampled drum sound is dipped in a glaze of digital, plate, or hall reverb.
Contains:
· 10 Drum Loops & Stems
· 10 Melodic Loops & Stems
· 34 Drum One Shots
· 5 Guitar One Shots
· 12 Piano One Shots
· 16 Rhodes One Shots
· 41 Synth One Shots
