ALP – 1,03 GB
自2009年开始进行第1卷和第2卷的录音时，钢琴几乎处于不受保护的天气中。黑色漆变脆，琴弦上布满了铁锈和污垢。尽管如此，这些钢琴遗迹仍然散发出美妙而回响的声音，绝对值得捕捉。
Rolfing 3的声音采用先进的声学立体声麦克风和两对压电拾音器进行彩色记录。所有样品均经过手工精心编辑，以形成多功能仪器架的全面调色板。在夜间录音会议期间，受到声场周围环境的启发，乐器架中包含了一组可独立调节的自然氛围。它们紧密集成到机架结构中，并具有方便的宏分配。另外，如果需要，所有环境声音都包含在单独的剪辑中，以便在不同的上下文中使用。
在第二遍中，整个钢琴都经过爵士刷的处理。刮擦和敲击琴弦和琴身，在音调和声觉的交界处发现了许多有趣的声音。它们被编译为另外12个机架。
Since 2009, when the recording sessions for Volume 1 & 2 took place, the piano was exposed to weather nearly unprotected. The black laquer got brittle, the strings are covered with rust and dirt. Nevertheless, these piano remains still emit a wonderfull and reverberant sound that is definitely worth capturing.
The sounds for Rolfing 3 were recorded chromatically, with an advanced setup of acoustic stereo mics and two pairs of piezo pickups. All samples have been meticulously edited by hand to form a comprehensive palette of versatile Instrument Racks. Inspired by the acoustic field surroundings during the nightly recording sessions a set of independently adjustable nature ambiences is included in the Instrument Racks. They are tightly integrated into the Rack structure and have convenient Macro assignments. Additionaly, all ambience sounds are contained as separate clips to use in different context if desired.
In a second pass the entire piano was treated by a Jazz Brush. Scraping and hitting the strings and body revealed tons of interesting sounds at the borderline between tonal and acousmatic. They are compiled to 12 additional Racks.
home page
http://detunized.com/downloads/rolfing-3/
