879MB
这是第三个也是最后一个环境纹理化库PROFUNDO。 三部曲以MOON开始，随后是NEBULAE。 PROFUNDO是A.T.S. （自动纹理合成器），适用于Native Instruments的Kontakt。
它包含六层，每一层有四个不同的样本，以创建由随机音高引擎控制的纹理化声音，以逐渐演变的方式产生偶然的和谐。 情绪非常阴暗，非常适合电影，黑暗环境，工业和其他音乐流派。
音乐中的Aleatory原则始于1950年初的达姆施塔特国际新音乐暑期课程，尽管可以在15世纪末和1900年代初找到例子。从1957年起，作曲家Pierre Boulez和Stockhausen在 一些作品。 可以说，约翰·凯奇（John Cage）使用了一种偶然的原则，必须称之为更好的不确定音乐。
主页
http://tinyurl.com/ybjf9g2j
Here the third and last Ambient texturizing library, PROFUNDO. The trilogy started with MOON and was followed by NEBULAE. PROFUNDO is an A.T.S. (Aleatory Texturizing Synthesizer) for Kontakt by Native Instruments.
It contains six layers, each one with four different samples to create a texturized sound controlled by a random pitch engine, generating aleatory harmonies in a costant evolving fashion. The moods are quite gloomy and dark, so perfect for Cinematic, Dark Ambient, Industrial and other musical genres related.
The Aleatory principle in music started in the beginning of 1950 at the Darmstadt International Summer Courses for New Music, though examples could be found earlier in the late 15th century and first decade of 1900. From 1957 composers as Pierre Boulez and Stockhausen used that principle in some works. We could say that John Cage used a kind of aleatory principle that must be called better indeterminate music.
home page
http://tinyurl.com/ybjf9g2j
