Sound Dust Cloud Viola 2 KONTAKT | 2.4 Gb
CLOUDVIOLA²是一种深度采样的混合Kontakt乐器，它采用了17世纪的古典弦乐器，并将其深深地推入了现代世界。
CLOUDVIOLA²使用不太可能的演奏技巧并采样魔术来创建新的音调和纹理。从电影垫到奇怪的线索，她非常适合作为独立的签名乐器或为“适当”的乐团添加有趣的质感。使用Midi控制器和DAW自动化，她可以有机表现力和真诚的情感来演奏。
CLOUDVIOLA²完全处于尖端电子乐，史诗般的挂车重量，古怪的声音设计和精致的当代古典风格的舒适区域。
当您抛弃传统的中提琴弓并寻找其他刺激弦的方法时，就会出现云中提琴。
经过大量的实验，我发现一个绿色的花园琴弦当然听起来是“最好的”，但是用花园的麻绳把标准琴弓系起来是行不通的，您将需要一个不可能的10米琴弓来弹奏流畅的音符（我知道这是不可能的，因为我尝试）。经过多次实验，一条可伸缩的狗头救了出来。它可以在张力下保持较长的麻线，当固定在录音室的一端时，可以使麻线均匀地拉在中提琴琴弦上。
又过了一周，完善了狗叫声的艺术，并记录了成百上千个狗叫，重音和上弦的莱格诺笔记，这一切都开始变得有意义，而且幸运的是听起来还不错。最后一步是通过我的Strymon Big Sky混响踏板上的定制涡旋设置将每个音符100％润湿，然后以200％湿度的不同设置再次进行相同的操作。
CLOUD VIOLA² is a deeply multisampled hybrid Kontakt instrument that takes a humble 17th century classical stringed instrument and lovingly shoves it into the modern world.
CLOUD VIOLA² uses unlikely playing techniques and sampling magic to create new tones and textures. From cinematic pads to strange leads she is perfect as a standalone signature instrument or for adding interesting texture to a ‘proper’ orchestra. Using midi controllers and DAW automation she can be played with organic expressiveness and genuine emotion.
CLOUD VIOLA² is completely in her comfort zone in cutting edge electronica, epic trailer massiveness, quirky sound design and delicate contemporary classical.
A Cloud Viola happens when you ditch the conventional viola bow and look for something else to stimulate the strings.
After much experimentation I discovered that a ball of course green garden string sounded ‘best’, but stringing a standard bow with garden twine doesnt work, you’d need an impossible 10 metre bow to play a smooth note (I know it’s impossible because I tried). After many experiments a retractable dog lead came to the rescue. It can hold long lengths of twine under tension and when fixed to one end of the studio it can allow the twine to be drawn evenly over the viola string.
Another week perfecting the art of dogbowing and recording hundreds and hundreds of dogbowed, accented and col legno notes it was all starting to make sense and fortunately sounding pretty good too. The final step was to push each note 100% wet through a bespoke swirly setting on my Strymon Big Sky reverb pedal, and then do the same thing all over again with different settings for 200% wetness.
