P2P | 12 January 2020 | 5.8 GB
铜管与木管的混合分频器
唢呐非常独特。这有点像铜管乐器和木管乐器之间的交叉。 唢呐的声音充满活力，毫不费力地发出刺耳的声音，刺耳的嘶哑和引以为傲的声音，炸毁了视线中的所有物体。
声音简直是狂野。
唢呐被认为源于波斯Zurna，并在历史进程中被中国人慢慢采用。到明朝时代（14至17世纪），唢呐已被证明是在中国流行的乐器。
如今，Su呐在婚礼或宗教节日等当地基层活动中仍被广泛使用，特别是在农村地区。 ona呐的一些改良版现已成为大型传统中国乐团的官方乐器。
非凡的可玩性
ChineeSuona包含两种不同的唢呐：G上的大Suona（音符范围：D4-E6），D上的小Suona（音符范围：A3-B5），具有各种类型的连音，颤音，颤音和断音，颤音和共鸣样式。
像所有其他Chinee系列乐器一样，ChineeSuona的实时可演奏性再次成为设计的重点。此处的音频演示是仅用一个Suona贴片即可完成的示范演示。
A hybrid crossover of brass and woodwind
Suona is rather unique. It is sort of a crossover between brass and woodwind. The sound of Suona is energetic, unapologetically harsh, abrasively brash, and proud-to-be-so-loud, blasting out everythings in sight.
The sound is simply wild.
Suona is believed to be derived from the Persian Zurna and slowly adopted by the Chinese in the course of history. By the time of the Ming Dynasty (14th – 17th century), Suona is documented as a prevalent instrument in China.
Today, Suona is still widely used at the local grassroot events such as weddings or religious festivals, especially in the rural area. Some modified versions of Suona are now the official instruments of large traditional Chinese orchestras.
Extraordinary Playability
ChineeSuona contains two different Suonas: a Big Suona in G (note range: D4-E6), a Small Suona in D (note range: A3-B5), with various types of legato, tremolo, trills and staccato, rolls and vibes playing styles.
Like all other Chinee Series instruments, the live playability of ChineeSuona is, again, the focus of the design. The audio demos here is an an exemplary showoff of what can be done with only one single Suona patch.
