Team DECiBEL | 12 Apr 2020 | 29.03GB
Rinascimento是Kontakt 5的图书馆，其中包括36件来自中世纪和文艺复兴时期的乐器。
Rinascimento拥有3个弓弦乐器，2个铜管乐器，8个簧片乐器，5个不同尺寸的录音机，2种其他长笛，7种琵琶乐器（带有自动弹奏引擎），5种打击乐器，大键琴，处女，正弦器官和具有10个寄存器的完整器官。
两年前那是九月，我们想讲另一个故事。还是我们最好说一个童话，一个传奇？让我们从远方来。
希特·雷昂·利昂（Hic sunt leones）-字面意思是“这是狮子”-罗马人在提到神秘而又未知的非洲大陆时说。这个古老的谚语在帝国的所有未开发地区变得普遍。那正是我们在寻找的东西：利昂。探索一个未知领域寻找新的野兽驯服我们的想法令我们感到兴奋，而Gallichon，Crumhorn或Theorbo只是我们渴望面对的一些可怕的掠食者。
我们听说过La Rossignol，一群专门从事文艺复兴时期音乐的意大利演奏家。经过简短的研究和打了几通电话，我们设法与该团的主要组织者和其中一位激进主义者Domenico会面。
在我们的初步心态中，文艺复兴时期的音乐演奏者们仍然生活在窗帘之间的围脖上，在烛光下崇高地对待哲学主题。因此，我们很惊讶-但有些失望-发现甚至Domenico也在寻找一个好的样本库来制作他的文艺复兴时期的模型！此外，我们发现他的“追逐”是合理的，因为只有少数文艺复兴时期的曲目被采样，并且模型可能被证明是为原始分数和未损坏分数赋予新生命的有价值的工具。处女。
除了笑话，我们设法让Domenico和La Rossignol参与了我们的项目。尽管如此，我们还是缺少一些工具。 Cornetto，Gallichon，Dulciana是难以驯服的野兽。他们生活在山洞中或深深地藏在海中，对驯养动物的需求量很大。那时，我们几乎开始认为真正的利昂主义者，不仅仅是乐器本身，而是他们的演奏者！找到了合适的人并与之交往花费了数周的时间，但最终我们陷入了我们县中一些最无畏和最英勇的军阀：沃尔夫辛格家族的坎塔卢比勋爵和克奈茨家族的曼多尼科伯爵。
在那些日子里，我们想收集有关我们将要采样的乐器的最准确的信息，但La Rossignol的演奏者生活在从博洛尼亚到米兰的四散。长话短说，我们发现自己要遍及整个地区与他们见面，但是那些集体计划，会议和三明治的日子却是该项目最酷的事情之一。
用不同的方法与不同的人会面促使我们更加精确地思考，不仅是我们想要构建的虚拟仪器的界面或行为，而且更重要的是，我们想要的框架，总体思想，我们想要的Rinascimento的内在声音。从头开始塑造。
最终，这是最困难的（也是某种程度上具有讽刺意味的）挑战：为必须在当前环境下发挥作用的古老振动赋予新的活力！
需要完整版本的Native Instruments Kontakt 5.5.2或更高版本
Windows XP / Vista /7。Intelmac和Mac OS 10.5或更高版本。
4 GB系统内存，30 GB免费高清空间
特征
38文艺复兴和中世纪乐器
已安装29 GB（以NCW格式压缩）
3个麦克风位置
在温暖的大厅里采样
24位/ 48 kHz立体声
20个连奏乐器
自动弹奏乐器
断音和弹拨乐器的4 RR
Hurdy Gurdy，Zampogna，器官和打击乐的自定义脚本
不眠之夜的编辑和脚本编写
复活节快乐！
保持室内-让我们一起击败这个令人毛骨悚然的家伙
主页
http://www.fluffyaudio.com/shop/rinascimento/
Rinascimento is a library for Kontakt 5 which includes 36 instruments from the Medieval and the Renaissance Eras.
Rinascimento features 3 bowed string instruments, 2 brass instruments, 8 reed instruments, 5 recorders of different sizes, 2 other kind of flutes, 7 kind of lute instruments (with a auto-strumming engine), 5 percussion, harpsichord, virginal, a positive organ and a complete organ with 10 registers.
Two years ago. It was September and we wanted to tell another story. Or we’d better say a fairy tale, a legend? Let’s take it from afar.
Hic sunt leones – literally “here are the lions” – the Romans were saying in reference to the mysterious and unknown African continent. This old saying became common for all the unexplored parts of the empire. That was exactly what we were looking for: leones. We felt excited by the idea of exploring an uncharted territory in search of new wild beasts to tame and Gallichon, Crumhorn or Theorbo were just some of the fearsome predators we were eager to face.
We had heard about La Rossignol, a group of italian players specialized in Renaissance Music. After a brief research and some phone calls we managed to meet Domenico, the chief organizer of the ensemble and one of its lutists.
In our preliminary mindset, Renaissance Music players were still living with ruff between the drapes, pontificating on philosophical subjects at the candlelight. Therefore, we were quite surprised – but somewhat disappointed – to find out that even Domenico was looking for a good Sample Library to make his… Renaissance mock-ups! Further, we found that his “chase” was more than reasonable, since just few of the vast Renaissance repertoire has been sampled and mock-ups may prove to be a valuable tool to give new life to virgin scores as well as for unspoiled scores of Virginal.
Jokes aside, we managed to involve Domenico and La Rossignol in our project. Still, we were missing some instrument. Cornetto, Gallichon, Dulciana are hard beasts to tame. They live holed up in the mountains or deeply hidden in the sea, and good tamer are in great demand. At that time we had almost started to think that the real leones were, more than the instruments themselves, their players! It took several weeks to find out and engage the right people, but finally we had in our battallion some of the most dauntless and valiant warlord of our county: Lord Cantalupi of the family of the Wolvesinger and Count Mandonico of the family of the Cornets.
In those days we wanted to gather the most accurate information about the instruments we were going to sample but the players of La Rossignol live scattered from Bologna to Milano. Long story short, we found ourselves traveling the region far and wide to meet them, but those days of collective planning, meetings and sandwiches turned out to be one of the coolest things for the project.
Meeting different people with different approaches stimulated us to think more precisely not only the interface or the behaviour of the virtual instruments we wanted to build up, but, more than anything else, the frame, the general idea, the inner sound of Rinascimento we wanted to shape from scratch.
This was, in the end, the most difficult – and somehow ironical – challenge: to give new life to age-old vibrations that has to be played in a present context!
Full version of Native Instruments Kontakt 5.5.2 or above is required
Windows XP / Vista / 7. Intelmac and Mac OS 10.5 or higher.
4 GB System Ram, 30 GB free on HD
FEATURES
38 Renaissance and Medieval instruments
29 gb installed (compressed in NCW format)
3 Mic Positions
Sampled in a warm hall
24 bit / 48 kHz stereo
20 legato instruments
Auto-Strummer for Lute instruments
4 RRs for Staccato and Plucked Instruments
Custom scripting for the Hurdy Gurdy, Zampogna, Organ and Percussion
Sleepless nights of editing and scripting
HAPPY EASTER!
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