Team DECiBEL | 25 Jun 2020 | 2.96GB/9.08GB/4.16GB
1970年代末;这是一个牛仔布、长发、排水管和新浪潮音乐爆炸的时代。离开了“上帝拯救女王”式的无政府状态，新浪潮乐队吸收了地下丝绒和纽约娃娃的影响，同时投入合成和电子制作，将音乐转向一个新的“后朋克”方向。
新浪潮由美国和英国的艺人开创，特别是Talking Heads, Elvis Costello & the Attractions, Ian Dury & the Blockheads, Nick Lowe, Blondie和Joe Jackson。在这十年交替的时候，各种各样的流派出现了，最重要的是“新浪漫时代”，包括像杜兰杜兰，日本，乌特拉沃克斯和亚当和蚂蚁乐队。进入90年代后，像Stereolab, Saint Etienne和Elastica这样的乐队仍然受到这一流派的影响，后来为英国流行音乐的爆发铺平了道路。最近，2000年的人看到了一个新的亚流派，“新”新浪潮，(是的，真的!)
所以，推出“70年代新浪潮下降”;这张专辑以埃尔维斯·科斯特洛和皮特·托马斯的打鼓技巧为特色，他演唱了科斯特洛的大部分专辑，从1977年一直到现在，他都是乐队不可或缺的一部分。
另一个与新浪潮同义的名字是罗杰·贝希里安。罗杰曾负责制作、录制和混音科斯特洛的许多专辑(还有尼克·劳、挤克和“低音”乐队的其他作品)，还有谁能比罗杰更适合把他们的专业知识加入到70年代的《新浪潮drop》专辑中呢?
这张专辑中有11首经典的新浪潮鼓和两首其他的国家感觉，从每分钟80次到每分钟167次，还有摇摆槽和严肃的小军鼓动作——如果你想要的是costelu风格的鼓点，你所需要的一切。
现在来了解细节。该工具包是由Drumhire (www.drumhire.com)提供的，他提供了Gretsch和DW收集系列工具包。我们结合了最好的两个套件使用的DW踢鼓与Gretsch toms，皮特带来了相同的原始路德维希400 snare在许多著名的科斯特洛录音。我们还在几首歌中使用了1970年的路德维希黑美人小军鼓。
70年代的New Wave Drops专辑是在Miloco的The Square录制的，这是一个位于Shoreditch霍克顿广场中心的古怪工作室，使用的是SSL G系列控制台，还有Telefunken和Calrec mic pre。该工具包麦克风与12麦克风包括Coles带，Neumann U47 FETs和AKG C28阀门麦克风。所有的轨道被记录在一个16轨道2”模拟磁带机。
基于一个SSL G系列控制台和一个奇妙的外置集合，Miloco的引擎室是混合的明显选择。耳阀方程式，曼利vario – mu压缩机和Calrec PQ1161方程式在混合中都很突出。
所有13轨可以购买作为多轨(未混合)，茎(混合)或鼓环包。
多轨:
(这只是4个麦克风的位置)作为全长现场多轨和歌曲建设循环。这些包包括一个速度图和要导出到其他DAW中的OMF文件。我们还为专业工具Logic、Cubase、Reason、Reaper、Studio One和Ableton Live提供补丁，音频为24位波形。多音轨的歌曲循环被锁定在节拍上，并被切割成歌曲结构，如序曲，韵文，副歌，中间8，桥和超音程。
茎和混合包:
它有所有单独的鼓麦克，打击乐和混响作为单独的茎来作为全长24位波，这些也有一个节奏图。Stem和Mix包还包括锁定节拍的歌曲结构循环(但混合版本)。
循环包包含:
活4条循环在每个组件茎和一个文件夹的凹槽和填充是2条循环锁定到节拍。我们已经包含了尽可能多的有用的循环，我们可以从每个鼓的轨道。循环被格式化为24位波形，苹果循环(24位和16位)和Rex 2文件。
主页
https://www.drum-drops.com/collections/drum-tracks/products/70s-new-wave-drops
The late 1970s; a time of denim, big hair, drainpipes and the explosion of New Wave music. Leaving behind the days of God Save The Queen-style anarchy, New Wave bands drew on influences such as the Velvet Underground and New York Dolls whilst throwing in synths and electronic production to turn music in a fresh ‘post-punk’ direction.
New Wave was pioneered by acts from both the US and UK, particularly Talking Heads, Elvis Costello & The Attractions, Ian Dury & The Blockheads, Nick Lowe, Blondie and Joe Jackson. By the turn of the decade various sub genres were appearing, most significantly the New Romantic era, which included bands like Duran Duran, Japan, Ultravox and Adam & The Ants. Moving into the 90s, bands like Stereolab, Saint Etienne and Elastica were still influenced by the genre, later paving the way for the explosion of Brit Pop. More recently, the 2000’s saw a new sub-genre, the ‘New’ New Wave, (yes, really!) with The Strokes, Bloc Party, Yeah Yeah Yeahs and Franz Ferdinand taking the limelight.
So, Introducing ’70s New Wave Drops’; a perfectly condensed drum album featuring 70s Costello sounding New Wave drum tracks with a couple of country feels thrown in – That’s right, we’ve done the hard bit for you! The album features the drumming skills of Elvis Costello & The Attractions’ Pete Thomas, who’s performed on the majority of Costello albums and has been an integral part of the band from 1977 right up to the present day.
Another name synonymous with New Wave is Roger Bechirian. Having been responsible for producing, recording and mixing many of Costello’s albums (and other works by Nick Lowe, Squeeze and The Undertones), who better to add their expertise to the ’70s New Wave Drops album than Roger himself?
With eleven classic New Wave drum tracks and two other country feels on the album, ranging from 80BPM to 167BPM, there’s swinging grooves and serious snare action – all you need if Costello-esque drum beats are what you’re looking for.
Now for the detail. The kit was provided by Drumhire (www.drumhire.com) who supplied both a Gretsch and a DW Collector Series kit. We combined the best of both kits using the DW kick drum with Gretsch toms, Pete brought in the same original Ludwig 400 snare that was used on many famous Costello recordings. We also used a 1970’s Ludwig Black Beauty snare drum on a couple of tracks.
’70s New Wave Drops’ album was recorded at Miloco’s The Square, a quirky studio in the heart of Hoxton Square, Shoreditch, using an SSL G Series console with Telefunken and Calrec mic pre’s. The kit was mic’d up with 12 microphones including Coles Ribbons, Neumann U47 FETs and AKG C28 valve mics. All of the tracks were recorded on to a 16 track 2″ analogue tape machine.
Based around an SSL G Series console and a fantastic collection of outboard, Miloco’s Engine Room was the obvious choice for mixing. EAR valve EQs, Manley Vari-Mu Compressors and Calrec PQ1161 EQs all feature prominently in the mix.
All thirteen tracks can be purchased as as multi-tracks (unmixed), stems (mixed) or drum loop packs.
The Multi-tracks:
(which are just the 4 mic positions) come as full length live multi-tracks and song construction loops. These packs include a tempo map and OMF file to export into other DAW. We also provide patches for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, verse, chorus, middle 8, bridge and Outro.
The Stems and mix packs:
which have all the separate drum mics, percussion and reverb as separate stems come as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the locked to the beat song construction loops (but mixed versions).
The loop packs contain:
live 4 bar loops in each component stem and a folder of grooves and fills which are 2 bar loops locked to the beat. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.
