Mikron Orbiter是根据Eminent 310 Unique电子管风琴的效果建模的:合唱,颤音和合奏。其中,合奏效果是迄今为止最著名的,很大程度上是因为使用它的不仅是Eminent Unique。当时,演奏家的琴弦非常受音乐人的欢迎,因此合奏部分被重新使用,形成了Solina弦乐合奏的核心(在美国更名为ARP弦乐合奏)。明智之举。这种经济实惠且易于运输的合成器变得如此流行,以至七十年代从粉红色弗洛伊德(Pink Floyd)到赫比·汉考克(Herbie Hancock)的几乎所有乐队都在使用它。不仅是七十年代,在后来的几十年中,很多专辑中都可以听到它。 The Cure,Kim Wilde,Abba,Brian Eno,Air和Gorillaz只是其中几个著名的用户。
当我们尝试尽可能精确地再现原始效果的声音时,我们添加了一些旋钮以使其更具通用性。您可以控制立体声场的宽度,并在干信号和湿信号之间进行混合。此外,您可以更改原始器官中固定的深度和速率。
将旋钮的“深度”和“速率”保留为默认设置时,您将近似原始Eminent / Solina声音。但是,更改这些值可能会对在效果中运行的不同乐器产生些许变化。毕竟,您不仅限于风琴附带的一些基本声音。
最后一个区别:您可以在不同模式之间进行平滑过渡,例如Leslie扬声器效果的过渡。如此方便的功能使我们想知道为什么Eminent的制造商没有添加它。
While we tried to recreate the sound of the original effects as accurate as possible, we added a few knobs to make them more versatile. You can control the width of the stereo field and mix between a dry and a wet signal. Furthermore, you can change the depth and rate that in the original organ were fixed.
When you leave the knobs Depth and Rate in their default settings, you get a close approximation of the original Eminent/Solina sound. However, changing these values can be great to create a little variation for different instruments you run through the effect. After all, you are not limited to the few basic sounds that came with the organ.
A last difference: you can make a smooth transition between the different modes, like the transition of the effects of a Leslie speaker. A feature that is so convenient that it makes us wonder why the makers of the Eminent didn’t add it.