Team DECiBEL | 25 October 2020 | 4.42 GBThis release incorporates key components found in the classic Hi Records drum sound, including swung bass drum patterns, 8th note emphasis on the hi hats, classically simple drum fills and a few 6/8 drum grooves. A big reason why this drum style is so revered is because of the thoughtful simplicity in which Al Jackson JR and Howard Grimes composed their drum parts. Using that same ethos, Royal Drops will be perfect for a wide range of producers and composers who are looking for timeless grooves to get creative with.
Unlike the one microphone, large open room drum sounds coming out of Motown and Stax in the 60’s/early 70’s, Willie Mitchell preferred a small dry room, often using three or four microphones on the drum kit. To capture the same vibe we used the perfectly suited dry live room at Miloco’s The Square. The concept behind the mic positioning is unique to this release. We used four mic’s, each placed in carefully selected positions around the kit, so each mic captures the drum kit as a whole, meaning you can use any one mic as your drum sound, or you can blend some/all of the mic’s to create your ideal sound.
We used one Coles 4038 positioned between the hi hat and the rack tom, which gives a snare heavy drum sound. The second Coles 4038 was positioned under the ride cymbal between the rack tom and the floor tom, which produces a bass drum heavy sound. The third Coles 4038 was positioned about 4ft behind and to the right of Timmy, on the floor tom side, capturing all the lovely attack sound from the vintage Gretsch kit. The Fourth and final mic used was either a Beyer M160, or an STC 4021 (aka – Ball & Biscuit mic). This was placed in a more conventional overhead position, directly over the snare drum, capturing that classic lofi drum sound. The mic’s went through a Neve 1066 mic pre, two Telefunken V76s and a Calrec PQ1061. Of course like all other Drumdrops drum tracks we recorded on to 2″ 16 track tape running at 15 ips to give extra bottom end.
The sound though would not be complete without the right kit. We used Timmy Rickard’s vintage 1960’s Gretsch with a 20″ x 14″ Kick drum, 13″ x 9″ Rack Tom and a 16″ x 16″ Floor Tom. The snares used were a combination of two Gretsch Renown Maple Snares (14″ x 6″ and 14″ x 5″), a Ludwig Acrolite 14″ x 5″ and a Ludwig 400″ 14″ x 5″. Cymbals were wonderful dark sounding Bosphorous New Orleans Hi Hats (2 x 16″ Crashes), a 20″ Ride and an 18″ Crash. On a number of tracks we have added shakers, tambourines or congas.
This tribute to the Royal Studio drum sound would not be complete without the signature low pitched snare, muted by Timmy’s wallet. The classic tea towel trick on the toms was occasionally used, as was a chain on the ride cymbal giving certain tracks that jazz flavour. However all these touches would remain obsolete if it weren’t for the fact that Timmy has educated himself to play with a really light touch, mimicking the way these classic drummers played.
The loop packs contain live 4 bar loops in each component stem and a folder of grooves and fills which are 2 bar loops locked to the beat. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.
This Pack Contains:
All 15 Royal Drop Loop Packs.
Each pack contains about five 4 bar loops taken from each track and comes with mixes of each of the mics.
Approximately 75 loops with 450 variations.
