WiN: Team R2R | 19 May 2020 | 16.8 MBMAC: P2P | 27 February 2021 | 21 MB
市场上有如此众多的合唱效果插件，要找到一个能够提供真正真实的模拟声音的功能说起来容易做起来难。
考虑到这一点，我们着手创建最终的模拟合唱仿真，灵感来自经典合成器（如Solina弦乐合奏，Elka Synthex和Roland Juno-106）中备受推崇的效果。我们的工作成果就是Syntorus 2，它是Silver Line系列插件的最新成员。
Syntorus 2独特的模拟声音丰富了路由到其中的任何乐器，为合成贝司和主音带来了生命和动感，并为吉他和其他电子/声学乐器增添了深度和美感。
具有真实模拟感的合唱
经典合唱效果是通过将音频信号与其自身的一个或多个延迟和音高调制的副本进行混合来创建的。因此，有理由认为，延迟线模块是任何合唱单元中最重要的部分。对于Syntorus 2，我们在数字域中构建了一个非常精确的高质量BBD（桶式大队设备）模拟延迟线模型-产生的仿真具有令人难以置信的温暖音乐声，没有多余的数字假象。
三条BBD延迟线
大多数合唱效果器仅使用单个延迟，但是Syntorus 2部署了三个模拟延迟线以产生更丰富，更饱满，更深的合唱声音。它还为您提供了两种BBD延迟线模型的选择：默认情况下，合唱效果异常干净原始，但是激活模拟BBD仿真可为信号增加更多的模拟温暖度和特征。不用说，完全控制权授予了所有延迟线参数，使您在雕刻声音时拥有绝对的自由。
可配置的调制
Syntorus 2的三个LFO发生器用作灵活的调制源，被路由到许多可切换拓扑中的延迟线。时间轴锁定的主机同步和左/右相位偏移的独立调整进一步扩大了创作可能性的范围。
过滤器和颤音
每条延迟线都有内置的多模滤波器和颤音效果，两者均由与延迟时间相同的调制源控制。该滤波器非常适合用来制作令人信服的Leslie声音，尤其是在使用延迟调制来模拟旋转扬声器的方向特性和多普勒效果时。可以单独使用颤音，也可以将颤音添加到调制延迟线中，以制作更加动感的声音-在键盘和吉他上尤为有效。
完全同步
每个LFO可以独立同步到主机DAW，从而可以在项目速度下以音符值设置速率。当然，这本身就不足为奇了，但是使用Syntorus 2，该阶段也可以完美地同步到项目中的播放头位置，从而确保合唱在时间轴上的任何时候总是听起来完全一样。
2.1.1
＃ 固定的
-偶发性皮肤问题
With that in mind, we set out to create the ultimate analog chorus emulation, inspired by the revered effects found in classic synthesizers such as the Solina String Ensemble, Elka Synthex and Roland Juno-106. This fruit of our labor is Syntorus 2, the newest addition to the Silver Line series of plugins.
Syntorus 2’s unique analog sound enriches any instrument routed into it, bringing life and movement to synth basses and leads, and adding depth and lushness to guitars and other electric/acoustic instruments.
Chorus with real analog feel
The classic chorus effect is created by mixing an audio signal with one or more delayed and pitch-modulated copies of itself. It stands to reason, then, that the delay line module is the most important part of any chorus unit. For Syntorus 2, we constructed an extremely precise model of a high-quality BBD (bucket brigade device) analog delay line in the digital domain – the resulting emulation has an incredibly warm, musical sound with no unwanted digital artifacts.
Three BBD delay lines
Most chorus effect units use just a single delay, but Syntorus 2 deploys three analog delay lines to conjure a richer, fuller, deeper chorus sound. It also gives you a choice of two BBD delay line models: by default, the chorus effect is exceptionally clean and pristine, but activating Analog BBD Emulation adds even more analog warmth and character to the signal. And needless to say, full control is granted over all delay line parameters, giving you absolute freedom in sculpting your sound.
Configurable modulation
Syntorus 2’s three LFO generators serve as flexible modulation sources, routed to the delay lines in a number of switchable topologies. Timeline-locked host sync and independent adjustment of left/right phase offset broaden the spectrum of creative possibilities further still.
Filter and tremolo
Each delay line has a multimode filter and a tremolo effect built in, both governed by the same modulation sources as the delay time. The filter is ideal for cooking up convincing Leslie sounds, especially when delay modulation is used to simulate the directional characteristic and Doppler effect of a rotating speaker. The tremolo can be employed on its own or added to the modulated delay line for the crafting of even more dynamic sounds – it’s particularly effective on keyboards and guitars.
Complete synchronization
Each LFO can be independently synchronized to the host DAW, enabling the rate to be set in musical note values at project tempo. That in itself will come as no surprise, of course, but with Syntorus 2, the phase is also perfectly synchronized to the playhead position within your project, ensuring that your chorus always sounds exactly as it should at any point on the timeline.
# Fixed
– Occasional skin initalization issue
