Team DECiBEL | 26 Mar 2021 | 24.9GB
Separated Formats
民俗摇滚滴卷。其中1个包含16个鼓音轨，这些音轨受到了一系列民间摇滚音轨的影响。他们中的大多数都是基于60和70年代的歌曲。鼓是由民谣摇滚专家马丁·巴克（Martyn Barker）演奏的，并由传奇的制作人/工程师菲尔·布朗（Phill Brown）录制。这张专辑是使用1966年复古路德维希好莱坞套装在伦敦历史悠久的米洛科·利文斯顿工作室录制的。
这些轨道上的凹槽引用了约翰·马丁（John Martyn），交通，尼尔·杨（Neil Young），尼克·德雷克（Nick Drake），费尔波特会议和鲍勃·迪伦（Bob Dylan）等艺术家的作品。节奏从74 BPM到162 BPM不等，有多种轨道和凹槽可供选择。有一些3/4选项，并且使用画笔和hotrod播放了几首曲目。
Phill Brown（John Martyn，Bob Marley，Rolling Stones，Talk Talk和Led Zeppelin）的声音运用了他多年的知识积累，回到了60年代的他在奥林匹克工作室工作的时候。 Phill的想法是创建具有现代感的1960年代鼓声。他不想将麦克风放在靠近套件的地方，而是想捕获自然的鼓声并录制“死”房间。他在套件中只使用了五个麦克风：一个在踢脚，圈套器上，两个在套件周围放置的套件麦克风可提供令人惊讶的良好立体声效果，以及单声道高架。所有麦克风均通过API麦克风pre录制，并在带16轨头枕的Studer A80上直接录制到2英寸磁带上，然后转移到Pro Tools中。该套件录制在Livingston的干燥发声室中（我们保存了肝脏室） （第2卷）尽管声音受到控制，但周围气氛依然优美。利文斯顿（Livingston）多年来被用来录制大量唱片，并以其是伦敦顶级鼓室之一而闻名。
我们为此使用的套件是一个美丽的1966年路德维希好莱坞古董套件。它几乎与Ringo Starr曾经使用过的Super Classic套件完全相同，只是它具有两个架子鼓，而不仅仅是两个。这些是精美的发声盒。使用的军鼓是Ludwig 400和1960年代的木制Ludwig军鼓。
马丁·巴克（Martyn Barker）拥有30多年的专业演奏鼓经验。他的职业生涯始于Shriekback乐队，并且是一位忙于录音和巡回演出的鼓手。马丁（Martyn）曾为玛莎（Martha）和鲁弗斯·韦恩赖特（Rufus Wainwright），理查德·霍利（Richard Hawley），凯瑟琳·威廉姆斯（Katherine Williams），娄·里德（Lou Reed），佩吉·西格（Peggy Seeger）等艺术家演奏，他还为乔·博伊德（Joe Boyd）的《通往蓝色》（Way To Blue）演奏鼓，这使他成为这张专辑的理想选择。
可以购买所有16条音轨，包括多音轨（未混合），茎（混合）或鼓环包装。多轨带有速度映射和OMF文件，可导出到其他DAW。我们提供Pro Tools，Logic，Cubase，Reason，Reaper，Studio One和Ableton Live的模板，音频以24位WAV格式提供。我们还包括分为前奏，合唱，桥接，诗歌和超越的多轨循环包。这些循环已锁定在速度上，因此您可以快速构建音轨，而不必使用速度图。
茎和混音包包含所有鼓声部分和打击乐，作为单独的茎，以24位WAV形式出现，还包括速度映射。词根包还包括与多音轨切成相同歌曲部分的词干和混音环（前奏，合唱，桥，诗歌，中音8和尾音）。这些可以快速导入任何DAW中，以构建没有速度映射的音轨。
循环包在每个分量主干中都包含活动的4 bar循环，以及一个凹槽和填充文件夹，这是2个锁定在节拍上的bar循环。我们从每个鼓音轨中都包含了许多有用的循环。循环的格式为24位WAV，Apple Loops（24位和16位）和Rex 2文件。
主页
https://www.drum-drops.com/products/folk-rock-drops-volume-1
原文：
Folk Rock Drops vol. 1 contains 16 drum tracks taking influence from a range of folk rock tracks. Most of them are based on songs from the 60s and 70s. The drums were played by Folk Rock expert Martyn Barker and recorded by legendary Producer / Engineer Phill Brown. The album was recorded at the historic Miloco Livingston Studios in London using a 1966 Vintage Ludwig Hollywood Kit.
The grooves on these tracks take reference from artists such as John Martyn, Traffic, Neil Young, Nick Drake, Fairport Convention and Bob Dylan. Ranging in tempo from 74 BPM to 162 BPM there is a huge range of tracks and grooves to choose from. There are a few 3/4 options and a couple of tracks were played with brushes and hotrods.
For the sound Phill Brown (John Martyn, Bob Marley, Rolling Stones, Talk Talk, Led Zeppelin) used his years of accumulated knowledge and went back to the time of the 60s when he was based at Olympic Studios. Phill’s idea was to create a 1960s drum sound with a modern twist. Instead of positioning the microphones close to the kit he wanted to capture a natural drum sound and record the ‘dead’ room. He used only five microphones on the kit: one on the kick, the snare, two kit microphones placed around the kit which provide a surprisingly good stereo picture, and a mono overhead. All of the mics were recorded through API mic pre’s and recorded straight to 2″ tape on a Studer A80 with a 16 track headblock before being transferred into Pro Tools. The kit was recorded in the drier sounding room at Livingston (we saved the liver room for Volume 2 ). Although the sound is controlled it has a great ambience around it. Livingston has been used to record a multitude of hit records over the years and is well known for being one of London’s top drum rooms.
The kit we used for this was a beautiful vintage 1966 Ludwig Hollywood Kit. It is almost identical to the Super Classic kit which Ringo Starr once used, except it has two rack toms rather than just the one. These are beautiful sounding kits. The snares used were a Ludwig 400 and a 1960s wooden Ludwig Snare.
Martyn Barker has had a career playing the drums professionally for over 30 years. He started his career with the band Shriekback and is a busy session drummer recording and touring. Martyn has played for artists such as Martha and Rufus Wainwright, Richard Hawley, Katherine Williams, Lou Reed, Peggy Seeger and he also played drums on Joe Boyd’s ‘Way To Blue’ making him a perfect choice for this album.
All sixteen tracks can be purchased as multi- tracks (unmixed), stems (mixed) or drum loop packs. The multi-tracks come with a tempo map and OMF file to export into other DAW. We provide templates for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. We also include multi-track loop packs separated into intro, chorus, bridge, verse and outdo. These loops have been locked to the tempo so you can quickly build tracks rather than using the tempo map.
The stems and mix packs contain all the drum parts and percussion as separate stems, come as 24 bit WAVs and also include a tempo map. The stem packs also include stem and mix loops chopped into the same song parts as the multi-tracks (intro, chorus, bridge, verse, middle 8 and outro). These can be quickly imported into any DAW to build tracks without a tempo map.
The loop packs contain live 4 bar loops in each component stem and a folder of grooves and fills which are 2 bar loops locked to the beat. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.
