Team DECiBEL | 26 Mar 2021 | 35.8GB
Separated Formats
《 Folk Rock Drops Volume 2》包含17条鼓乐曲目，这些曲目从一系列主要是现代民谣摇滚乐中吸取了一些古老的经典作品。这些乐曲再次由Folk Rock鼓手Martyn Barker演奏，并由传奇制作人/工程师Phill录制和混音棕色的。该录音包是在伦敦的历史悠久的Miloco Livingston Studios录音室中录制的，声音明亮，声音明亮。使用的套件是Martyn’s 1980的Gretsch Maple 4416套件。
鼓的曲目参考了诸如Ray La Montagne，Elliot Smith，Bon Iver，Goldfrapp，Little Feat和Bombay Bicycle Club等艺术家的作品。节奏从80 BPM到184 BPM不等，有多种音轨和凹槽可供选择。使用Brushes播放了6首曲目，使用Hotrods播放了2首曲目。
对于声音Phill Brown（John Martyn，Bob Marley，Rolling Stones，Talk Talk和Led Zeppelin），请关闭该套件，以与第1卷中使用的5种麦克风进行对比。使用的麦克风是经典的鼓式麦克风-AKG D112 Kick，小军鼓上的Shure SM57，鼓上的Sennheiser 421，Ride和Hi-Hat上的KM84，头顶上的Coles 4038和两个室内麦克风-Sony C48和Neumann U89。这些带起了鼓室的氛围。所有麦克风均通过SSL G系列麦克风前置记录，并直接记录到带有16轨头枕的Studer A80上的2英寸磁带上，然后再转移到Pro Tools中。
1980年代的Gretsch Maple 4416套件包括一个22英寸x 16英寸的踢鼓，10英寸x 7英寸，12英寸x 9英寸和13英寸x 10英寸的机架汤姆和一个16英寸x 16英寸的地板汤姆。所使用的网罗是两个路德维希网罗的组合。 Ludwig 400 14“ x 5”和Martyn’s Ludwig黄铜壳14“ x 6.5”。所用的Zi片是Zildjian Top Rock 14英寸踩a，20英寸Rock Ride，18英寸Zildjian薄纸碰撞和18英寸普通Paiste碰撞。在许多轨道上，我们都添加了摇床和手鼓。
马丁·巴克（Martyn Barker）拥有30多年的专业演奏鼓经验。他的职业生涯始于Shriekback乐队，并且是一位忙于录音和巡回演出的鼓手。马丁（Martyn）曾为玛莎（Martha）和鲁夫斯·温赖特（Rufus Wainwright），理查德·霍利（Richard Hawley），凯瑟琳·威廉姆斯（Katherine Williams），娄·里德（Lou Reed），佩吉·西格（Peggy Seeger）等艺术家演奏，他还为乔·博伊德（Joe Boyd）的《通往蓝色的道路》（Way To Blue）演奏鼓。
可以购买所有16条音轨，包括多音轨（未混合），茎（混合），鼓环包或新的MP3练习音轨。多曲目是完整的现场多曲目和歌曲制作循环。实时多轨带有速度映射和OMF文件，可导出到其他DAW。我们还提供Pro Tools，Logic，Cubase，Reason，Reaper，Studio One和Ableton Live的模板，音频以24位WAV格式提供。多轨乐曲循环锁定在节拍上，并切成歌曲结构，例如前奏，合唱，诗歌，中音8，桥和Outro。
带有所有鼓声部分和打击乐器作为单独茎杆的茎杆和混合包是全长24位WAV，并且还带有速度映射。 Stem和Mix包还包括歌曲构造循环（但混合版本）。
循环包包含多个凹槽循环（通常每个磁道约11个），然后是多个填充循环。所有这些循环都是完全混合和没有打击乐的（适用时）。它们格式化为24位WAV，Rex 2文件以及24和16位Apple Loops。 （16位苹果循环与Garageband兼容）。
主页
https://www.drum-drops.com/products/folk-rock-drops-volume-2
Folk Rock Drops Volume 2 contains 17 drum tracks taking influence from a range of mainly modern folk rock tracks with a few old classics thrown in. The tracks were once again played by Folk Rock drummer Martyn Barker and recorded and mixed by legendary Producer / Engineer Phill Brown. Recorded at the historic Miloco Livingston Studios in London in the brighter sounding live room this kit was close mic’d. The kit used was Martyn’s 1980’s Gretsch Maple 4416 Kit.
The drum tracks take reference from Artists such as Ray La Montagne, Elliot Smith, Bon Iver, Goldfrapp, Little Feat and Bombay Bicycle Club amongst others. Ranging in tempo from 80 BPM to 184 BPM there is a huge range of tracks and grooves to choose from. Six tracks were played with Brushes and two with Hotrods.
For the sound Phill Brown (John Martyn, Bob Marley, Rolling Stones, Talk Talk, Led Zeppelin) close mic’d this kit as a contrast to the 5 mic process used on Volume 1. Mics used were classic drum mics – AKG D112 on the Kick, Shure SM57s on the Snare, Sennheiser 421’s on the toms, KM84 on the Ride and Hi-Hat, Coles 4038’s as overheads and two room mics – a Sony C48 and Neumann U89. These pick up the ambience of the drum room. All of the mics were recorded through the SSL G-Series mic pre’s and recorded straight to 2″ tape on a Studer A80 with a 16 track headblock before being transferred into Pro Tools.
The 1980’s Gretsch Maple 4416 Kit consists of a 22″ x 16″ Kick drum, 10″ x 7″, 12″ x 9″ and 13″ x 10″ Rack Toms and a 16″ x 16″ Floor Tom. The snares used were a combination of two Ludwig Snares. A Ludwig 400 14″ x 5″ and Martyn’s Ludwig Brass Shell 14″ x 6.5″. Cymbals used were Zildjian Top Rock 14″ Hi-hats, a 20″ Rock Ride, an 18″ Zildjian Paper Thin Crash and an 18″ Plain Paiste Crash. On a number of tracks we added shakers and tambourines.
Martyn Barker has had a career playing the drums professionally for over 30 years. He started his career with the band Shriekback and is a busy session drummer recording and touring. Martyn has played for artists such as Martha and Rufus Wainwright, Richard Hawley, Katherine Williams, Lou Reed, Peggy Seeger and he also played drums on Joe Boyd’s ‘Way To Blue’.
All sixteen tracks can be purchased as multi-tracks (unmixed), stems (mixed), drum loop packs or new MP3 practice tracks. The Multi-tracks come as full-length live multi-tracks and song construction loops. The Live Multi-tracks come with a tempo map and OMF file to export into other DAW. We also provide templates for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, chorus, verse, middle 8, Bridge and Outro.
The Stems and mix packs which have all the drum parts and percussion as separate stems come as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the song construction loops (but mixed versions).
The loop packs contains a number of groove loops (usually about 11 per track) and then a number of fill loops. All of these loops come as the full mix and full mix no percussion (where applicable). They come formatted as 24 bit WAVs, Rex 2 Files and 24 and 16 bit Apple Loops. (The 16 bit apple loops are compatible with Garageband).
