RYZEN | 01 December 2023 | 106.55 MB
一个现代工作室混响
结晶是一个新的，最先进的，混响插件与郁郁葱葱和原始的声音
给你前所未有的创造性控制来塑造混响空间
让你同步混响开始和衰减时间到你的歌曲的节奏
完美的算法混响通常被认为是数字音频效果的圣杯。整个20世纪，多亏了EMT和Lexicon这样的公司，算法混响得以发展。但当时有限的计算能力迫使制造商在狭窄的限制范围内工作。快进，我们现在有资源去做在工作室混响的黄金时代做不到的事情。无论是音质还是功能。
水晶站在追寻圣杯60年的肩膀上。我们问过自己，如果传奇数字混响的先驱们拥有我们今天拥有的计算资源，他们会做些什么。然后我们做了那个插件。拥有一个现代制作人所需要的所有花里胡哨。
特性
译者bpm同步的开始和结束时间
水晶可以让你同步混响攻击和衰减时间到你的DAW的节奏。这通常会导致更干净的混音，其中反射的包络自然地与音乐同步。更喜欢经典的方式?只要点击“同步/MS”开关，水晶就可以让你以毫秒为单位设置预延迟和衰减时间。
译者感想部分
“大小”可以让你设置房间的大小从小到大。这个控件与“长度”控件是分离的，这意味着你可以得到任何你想要的大小/长度组合，包括一些复杂的设置，比如尾巴很短的巨大空间或尾巴很长的小空间。“火花”强调混响算法中的高频。这会产生自然明亮的反射，这将帮助你在人声或陷阱中获得额外的光芒。”宽度”可以让你设置从单声道到宽的混响的立体图像-甚至进一步到额外的宽。
译者深度剖面
“分辨率”将算法的复杂度从“基本”设置为“原始”。更复杂的设置将为您提供超干净的混响响应，没有金属伪影-而’基本’设置将为您提供正常保真度的高效CPU性能。”“调制”在混响算法中创建音调变化。这导致了一个更丰富的声音，特别是工作很好地充实合成器，吉他和人声。“微光”使混响尾部的高频衰减速度比频谱的其余部分慢，使反射产生“天使光环”的效果。您可以设置频率截止点以及乘数效应，乘数效应控制较高频率衰减所需的时间。请注意，如果微光是活跃的，高频率将衰减晚于您指定的混响“结束时间”(在2x, 4倍或6倍的长度)。
译者清理组
“阻尼”是一个双滤波器控制，可以让你从混响反射中去除高频和低频内容。这个控制提供了一个快速的方法来摆脱混乱和泥泞在你的混合。“侧面”是一个高通滤波器，从混响的低端去除立体声信息，同时保持单声信息完整。这对于创造宽广的人声或主音乐器反射而不混淆你的低音特别有用。“门”可以让你立即重现经典的20世纪80年代门控混响声音。门提供了“阈值”和“释放”控制，使它快速和直观地让你的陷阱去“菲尔柯林斯”。
译者形状节
“音调”是一个倾斜均衡器，可以让你快速改变混响的频率平衡到更亮或更暗。“平滑”逐渐应用定制的eq曲线，以解决容易产生共振和尖锐的频率区域。它缓和了粗糙，给了水晶更微妙的感觉。这可以让你添加更多的混响而不浸透你的混音。“翘曲”可以帮助你塑造混响的动态配置文件翘曲瞬态响应。这个功能主要用于打击材料，它可以让你将重点转向攻击或维持信号的一部分。
译者输出部分
“Ducker”降低混响信号时，干/传入轨道正在播放。这给你一个更干净的混合，在那里你可以把混响更多而不影响干轨道。“Ducker温柔”模式提供了一个缓慢而自然的Ducker设置，而标准Ducker模式有一个更“泵”的感觉。“反转”反转混响回放，给你一些激进的声音设计的可能性。“冻结”是另一种创造性的效果，当点击混响时需要一个粒度快照，并连续保持这个快照，直到按钮再次被取消点击。这对于在混合中创造有趣的过渡是一个强大的效果。“干/湿”设置干/传入信号和混响信号之间的全球混合平衡。点击“湿锁”按钮可以让你浏览预设，同时保持
A modern studio reverb
Crystalline is a new, state-of-the-art, reverb plugin with a lush and pristine sound
Gives you unprecedented creative control to shape the reverb space
Lets you sync reverb start and decay times to your song’s tempo
A perfect algorithmic reverb is often considered the holy grail of digital audio effects. Throughout the 20th century, algorithmic reverbs evolved thanks to companies like EMT and Lexicon. But limited computing power at the time forced manufacturers to work within narrow constraints. Fast forward, and we now have the resources to do things that couldn’t be done during the golden age of studio reverbs. Both in terms of sound quality and features.
Crystalline stands on the shoulders of 60 years of chasing the holy grail. We’ve asked ourselves what the pioneers of the legendary digital reverbs would have done if they had the computational resources we have today. And then we’ve made exactly that plugin. With all the bells and whistles a modern producer would need.
FEATURES
✱ BPM-Synced Start And End Times
Crystalline lets you sync the reverb attack and decay time to your DAW’s tempo. This will generally result in cleaner mixes where the envelope of the reflections is naturally in sync with the music. Prefer the classic way? Just hit the “Sync/MS” switch and Crystalline lets you set pre-delay and decay times in milliseconds instead.
✱ Reflections Section
”Size” lets you set the room size from tiny to large. This control is detached from the “Length” control, meaning you can get any size/length combination you want, including esoteric settings like huge spaces with very short tails or tiny spaces with very long tails. “Sparkle” emphasizes high frequencies inside the reverb algorithm. This generates reflections that are naturally brighter, which will help you achieve that extra shine on vocals or snares.”Width” lets you set the stereo image of the reverb from mono to wide – and even further to extra wide.
✱ Depth Section
“Resolution” sets the complexity of the algorithm from ‘basic’ to ‘pristine’. More complex settings will give you an ultra-clean reverb response, free of metallic artifacts – while the ‘Basic’ setting will give you an efficient CPU performance at a normal fidelity. ”Modulation” creates pitch variations inside the reverb algorithm. This results in a richer sound that works especially well to fatten up synths, guitars and vocals. “Shimmer” makes the high frequencies of the reverb tail decay slower than the rest of the spectrum, giving the reflections an ‘angelic halo’ effect. You can set the frequency cutoff point as well as the multiplier effect, which controls how much longer it takes for the higher frequencies to decay. Please note that if Shimmer is active, the high frequencies will decay later than your specified reverb “End Time” (either at 2x, 4x or 6x the length).
✱ Clean-Up Section
“Damping” is a dual filter control that lets you remove high and low frequency content from the reverb reflections. This control offers a fast way to get rid of clutter and muddiness in your mixes. “Sides” is a high-pass filter that removes stereo information from the low end of the reverb, while keeping the mono-information intact. This is especially helpful for creating wide vocal or lead instrument reflections without muddying-up your low end. “Gate” lets you instantly recreate the classic 1980s gated reverb sound. The gate offers ‘threshold’ and ‘release’ controls and makes it fast and intuitive to make your snares go “Phil Collins”.
✱ Shape Section
“Tone” is a tilt EQ that lets you quickly shift the frequency balance of the reverb to brighter or darker. “Smoothing” gradually applies an EQ-curve custom-designed to address the frequency areas that tend to get resonant and sharp. It mellows out harshness and gives Crystalline a more subtle feel. This allows you to add a little more reverb without drenching your mix. “Warp” helps you shape the reverb’s dynamic profile by warping the transient response. This feature is mostly useful on percussive material where it lets you shift the emphasis toward the attack or sustain part of a signal.
✱ Output Section
“Ducker” lowers the reverb signal when the dry/incoming track is playing. This gives you a cleaner mix, where you can turn up the reverb more without compromising the dry track. “Ducker Gentle” mode offers a slow and natural ducker setting, while the standard ducker mode has a more ‘pumpy’ feel. ”Reverse” reverses the reverb playback, giving you some radical sound design possibilities. “Freeze” is another creative effect that takes a granular snapshot of the reverb when clicked and holds this snapshot continuously until the button is un-clicked again. It can be a powerful effect for creating interesting transitions in a mix. “Dry/Wet” sets the global mix balance between the dry/incoming signal and the reverb signal. Clicking the “Wet Lock” button lets you browse presets while keeping your preferred wet/dry balance – for easier comparison.
✱ Top Panel
“Color” lets you change between light and dark background colors. “Eco Mode” lets you run Crystalline in a low-CPU mode by setting the resolution to “Basic” and disabling the shimmer effect. “Save As Default” lets you save your own default preset that will appear when the plugin initializes or you hit the reset button. “Reset” resets the plugin’s state to your default preset. “Tool Tips” gives you help texts explaining each plugin parameter during mouse hover-over.
✱ Resizability
Plugin window fully resizable (click+drag bottom right icon).
Whats new in this version
Official site does not provide any info about changes in this version.
System Requirements
Plugin formats: VST, VST3, AU, AAX.
✱ Platforms supported: Mac OS 10.7 and up (including Native M1 Compatibility)
Homepage
https://anonymz.com/….io/crystalline
