FANTASTiC | 23 September 2024 | 1.04 GB
在过去的几年里，制作人兼声音设计师Liam Fox O ‘Brien养成了一种习惯，在他从澳大利亚、西班牙、墨西哥到加利福尼亚的旅行中，无论他在哪个城市，他都会去参观大教堂和教堂。他总是被美丽的钟声所吸引，钟声穿过各种形状、大小和年代的教堂，回荡在街道上。每一套铃铛都有它自己独特的性格和声音轮廓，激发了记录它们的想法，并围绕它们的个人特征设计样本。
利亚姆还收集了类似的声音，是特殊的每个村庄/城镇/城市像火车喇叭声，警笛和市政警报信号的录音，导致谐波内容的巨大库存与处理和创建声音效果，音乐循环，氛围和一个镜头的定制库。所有录音都以32位浮点数捕获，采样率为96khz。使用96khz的更高分辨率，可以在后期制作中对声音进行深度处理和操作，同时保持原始录音的完整性。
回到录音室，利亚姆编辑录音，用各种创造性的处理和重新放大技术处理声音，并尝试了一些数字和模拟效果。对于更干净的录音，它们听起来很棒，通过老式前置放大器，磁带机，录音机和效果单元重新录制声音增加了一点温暖。特别是，创造各种长度和质量的磁带循环，通过两台磁带录音机同步播放是一个很大的焦点。这种技术有助于创造一些美丽的环境和迷人的音景，这些音景变成了带有键和节奏的音乐循环。对于一些更粗犷的低保真声音，他创建了信号链，通过使用微型卡带的老式奥林巴斯Pearlcorder 400L录音机探测一些录音，听起来相当梦幻和怀旧。
来一次来自世界各地的神奇铃铛的样品之旅，给你的下一个作品一个独一无二的戒指，在其他地方找不到。
265个样本
Over the past few years producer and sound designer Liam Fox O’Brien developed a habit of visiting cathedrals and churches in whatever city he found himself in during his travels from Australia, to Spain, to Mexico, to California. He was always captivated by beautiful bells ringing and echoing through churches of all shapes, sizes, and ages out into the streets. Every set of bells has it’s own unique character and sonic profile that sparked the idea to record them with the intention of designing samples around their individual characteristics.
Liam also gathered recordings of similar sounds that were special to each village/town/city like train horns, sirens and municipal alert signals, resulting in a vast inventory of harmonic content with which to process and create a bespoke library of sound effects, musical loops, ambiences and one-shots. All recordings were captured in 32bit float with a sample rate of 96khz. Using the higher resolution of 96khz is great for allowing deep processing and manipulation of the sounds in post-production while still maintaining the integrity of the original recording.
Back in the studio, Liam edited the recordings and treated the sounds with a variety of creative processing and re-amping techniques and experimented with some digital and analogue effects. For the more clean recordings, they sounded great with a bit of warmth added by re-recording sounds through vintage preamps, tape machines, dictaphones and effects units. In particular, the creation of magnetic tape loops of various lengths and qualities, playing back through two tape recorders in unison was a big focus. This technique helped to create some beautifully ambient and captivating soundscapes that turned into musical loops with keys and tempos. For some more gritty lo-fi sounds, he created signal chains that plumbed some of the recordings through vintage Olympus Pearlcorder 400L dictaphone which uses micro-cassettes and sounds rather dreamy and nostalgic.
Take a sample voyage through magical bells from around the world and give your next production a one-of-a-kind ring to it that can’t be sourced anywhere else.
265 Samples
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