P2P | 1 November 2024 | 9.33 GB
德国迪福特圣博尼法修斯教堂的管风琴由恩斯特Röver于1903年建造。Röver是德国东部浪漫主义后期最重要的风琴制造者之一。他的60多个器官在这个国家的这个地区仍然存在。
Rövers风琴的特点是大量不同色调颜色的粉底，不间断的混合和芦苇的节约使用。对于这个风琴来说，这意味着大约三分之二的音停是16 ‘和8 ’音停，为管风琴演奏家提供了一个巨大的声音调色板。这两种组合都是直的，没有间断，管风琴只使用两根簧片，Hauptwerk小号和强大的Pedal Posaune。
他的风琴也以极高的品质而闻名，他使用最好的材料，并强调良好的工艺，使他的风琴完美地工作了很长时间。Röver使气动单元胸部达到了一个完美的水平，产生了一个没有明显滞后的反应，使这个气动动作器官像一个好的跟踪器一样直接反应。而且，由于大多数敏感部件都被保护在风箱内部，因此它几十年来几乎不需要维护。
管风琴经受住了所有现代化潮流的考验，基本保持了它的音调特征。2006年，它被恢复到完美的工作状态，一些在上个世纪的战争中被低质量材料取代的管道可以被用原始材料制成的新管道所取代。
这个风琴现在是晚期浪漫主义时期和恩斯特坚实的工艺的首要例子Röver。
The organ of the St. Bonifatius church in Ditfurt/Germany has been built by Ernst Röver in 1903. Röver was one of the foremost organ builders in the eastern parts of Germany of the late romantic area. More than 60 of his organs are still in existance in this area of the contry.
Rövers organs are characterized by a large number of foundation stops of different tonal colors, mixtures without breaks and a sparing use of reeds. For this organ this means that about 2/3 of all stops are 16′ and 8′ stops providing the organist with a huge pallette of sounds. Both mixtures are straight without breaks, and the organ uses only two reeds, the Hauptwerk trumpet and the powerful Pedal Posaune.
His organs are also known for exceptionally high quality, he used the best materials available and put much emphasis on good craftsmanship, making his organs work flawlessly for very long. Röver brought the pneumatic unit chest to a level of perfection that yielded a response without noticable lag, making this pneumatic action organ respond as directly as a good tracker action. The action is also operating very quietly, and, since most of the sensitive parts are protected inside the wind chest, it is working nearly maintenance free for decades.
The organ has survived all modernization trends, maintaining its tonal characteristics basically unchanged. In 2006 it was restored to perfect working condition and some pipework that had been replaced by lower quality material during the wars of the past century could be replaced with new pipes made of the original material.
This organ is now a premier example of the late romantic period and of the solid craftsmanship of Ernst Röver.
