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Elevate是有史以来最先进的母版插件。这种独特的多波段限制器，人耳EQ和强大的音频最大化器将增加您的调音台的响度，同时保持或改善其动态感知。它使用智能、自适应技术，对你的音乐做出实时反应；不仅要创造最响亮的声音，还要创造最好的声音。
由Newfangled音频开发，提升保持微妙的动态和提高你的调音台的音调平衡。自适应限幅器分析26个频段，实时改变每个频段的增益、速度和瞬态。结果是一个透明的，自然的声音，无论你多么努力推动它。
Elevate利用26个关键的滤波带，以人耳为模型。每条耳膜的间距都是为了最大限度地控制声音击打鼓膜的方式。绘制曲线，独奏乐队和操纵瞬时攻击为每个单独的乐队带出特定的乐器，如踢或军鼓鼓。
自适应技术
Elevate使用人工智能算法使您可以轻松获得最佳声音，但您仍然可以根据需要进行尽可能精确的控制。这包括给你控制在最后的限制阶段内的色调平衡和瞬态。自适应算法减少了声音伪影和额外的控制，为您提供了最大的灵活性和专业的结果。
特性
实时分析和修改各滤波器带的增益、速度和瞬态。
包括预设：APS掌握，马特·兰格，杰里米·卢比西，埃里克·梁，ROCAsound，克里斯·塔布隆和约翰·麦凯格。
自动适应攻击，释放和前瞻性参数为每个过滤器带，大大减少“泵”和呼吸伪影和感知失真。
保存或强调快速过渡，以避免压扁你的调音台。
操纵瞬态跨越关键的乐队，以保持从踢鼓，陷阱和铙钹的攻击，而不影响整个调音台。
使用线性相位听觉过滤器-基于梅尔规模-以一种自然的方式对你的内耳操纵音频。
单独输出一个波段（或多个波段），以磨练问题频率，调整瞬态或改变增益。
使用自动输出电平功能来比较有限信号和非限制信号，具有相同数量的增益，让您轻松听到处理对声音的影响。
使用频谱快船超速最终输出不影响色调平衡或允许信号得到“矮胖”。非常适合发出更具攻击性的声音。
六种不同类型的计量，让您保持对您的输出音频的每一个方面的眼睛。
Elevate is the most advanced mastering plug-in ever created. This unique multi-band limiter, human-ear EQ and powerful audio maximizer will increase the loudness of your mix while maintaining or improving its dynamic perception. It uses intelligent, adaptive technology that responds in real time to your music; creating not only the loudest, but the best sounding master.
Developed by Newfangled Audio, Elevate maintains subtle dynamics and improves the tonal balance of your mix. The adaptive limiter analyzes 26 frequency bands and alters the gain, speed and transients for each band in real time. The result is a transparent, natural sound, no matter how hard you push it.
Elevate utilizes 26 critical filter bands modeled from the human ear. Each of the bands are spaced to give maximum control over how the sound hits your eardrum. Draw curves, solo bands and manipulate the transient attack for each individual band to bring out particular instruments such as kick or snare drums.
Adaptive Technology
Elevate uses artificial intelligence algorithms to make it easy for you to get the best sounds, but you can still get under the hood for as much precise control as you desire. This includes giving you control over the tonal balance and transients inside the final limiting stage. The adaptive algorithms reduce audible artifacts and the additional controls give you maximum flexibility with professional results.
Features
Analyzes and alters the gain, speed and transients of each filter band in real time.
Includes presets by: APS Mastering, Matt Lange, Jeremy Lubsey, Eric Beam, ROCAsound, Chris Tabron and John McCaig.
Automatically adapts the attack, release and look-ahead parameters for each filter band to greatly reduce “pumping” and breathing artifacts and perceived distortion.
Preserves or emphasizes fast transients to avoid squashing your mix.
Manipulates transients across the critical bands to preserve the attacks from kick drums, snares and cymbals, without affecting the entire mix.
Uses linear phase auditory filters — based on the Mel Scale — to manipulate the audio in a way that is natural to your inner ear.
Solo the output of one band (or a number of bands) to hone in on problem frequencies, tweak transients or alter gain.
Use the Auto Output Level feature to compare the limited signal to non-limited signals with the same amount of gain allowing you to easily hear what impact the processing is having on your sound.
Use the Spectral Clipper to overdrive the final output without affecting the tonal balance or allowing the signal to get “tubby.” Perfect for a more aggressive sound.
Six different types of metering allow you to keep an eye on every aspect of your output audio.
