Team R2R | 2024.12.02 | 6.75 GB
丰富的中国传统打击乐（ACTP）呈现了一个中国民族打击乐合奏，涵盖了从低音到高音的广泛范围，包括膜，木器和铜管乐器。包括鼓、独奏鼓、锣、钹、歌剧打击乐、人声等共49种打击乐器的19个乐器位。每个仪器具有多个关节，速度层，和样品周期。
合奏：郑宇、鼓风打击乐团。
首席独奏：郑宇（青年打击乐艺术家）
抽样:
ACTP收录了鼓群、独奏鼓、大桶鼓、小桶鼓、铙钹、大锣、民族鼓、唱碗、庙碗、钟、摇钟、戏鼓、寺砖、木砖、大戏锣、小戏锣、戏钹、摇鼓、人声等19个乐器槽，49种打击乐器，使用15gb样本。
鼓群和独唱鼓包括中心、棒、圈、圈、边-中心、边、棒静音、手静音、拍击、钉、滚、圈滚、表情滚等13个声部。其他乐器也提供多种发音。
鼓合奏用11个麦克风录制，包括左1，左2，中低，中高，中高，右1，右2，头顶和房间。鼓头和鼓圈分别录音，共22个麦克风。其他打击乐器录音用多个麦克风，即使是最小的木块也用4个麦克风。
主要特点:
双层混合机
ACTP采用双层混频器设计。第一层是乐器音轨，每个乐器音轨包含多个麦克风音轨。这种设置是为了适应中国打击乐的多样性，因为鼓合奏和小木打击乐的打鼓配置是不同的。然而，每个打击乐器使用相同的头顶麦克风，以确保音调的一致性。
打击乐版的河
-快速标记发音和表达在内置钢琴卷。
-完全兼容标准MIDI，具有无损的导入/导出。
-每个预设都伴随着一个riff，呈现表演和声音特征的快速概述。
-每个乐器槽包含相似类型的打击乐器，在关节、速度层和采样周期方面具有一致的设计。当在同一插槽的乐器之间切换时，不需要修改MIDI。甚至对于鼓合奏与独奏，简单地移动一个八度的MIDI可以达到相同的性能。
连奏的
从笛子、箫、二胡的连奏技术引入到打击乐中。锣、钹、唱碗、庙碗、钟等乐器都有不同的连音表达变化，比如先敲唱碗，然后连音成唱（木槌在边缘连续摩擦的效果）。
每个冲击的独立ADSR调制系统
每个打击都有一个独立的ADSR包络调制系统，允许调整参数，如俯仰，速度曲线等。
Ample China Traditional Percussion (ACTP) presents a Chinese ethnic percussion ensemble, covering a wide range from bass to treble, including membrane, wood, and brass instruments. It includes 19 instrument slots totaling 49 percussion instruments, such as drum ensemble, solo drum, gongs, cymbals, opera percussion, and vocals. Each instrument features multiple articulations, velocity layers, and sample cycles.
Ensemble: : Zheng Yu and Gufeng Percussion Ensemble
Lead Soloist: Zheng Yu (Young Percussion Artist)
Sampling:
The ACTP features Drum Ensembles, Solo Drums, Pitched Barrel Drums, Small Barrel Drum, Cymbals, Large Gong, Ethnic Drum, Singing Bowl, Temple Bowl, Bells, Shaking Bells, Opera Drum, Temple Block, Wood Block, Large Opera Gong, Small Opera Gong, Opera Cymbals, Rattle Drum, and vocals — a total of 19 instrument slots with 49 percussion instruments, using 15 GB of samples.
The drum ensembles and solo drums include articulations such as Center, Stick, Rim, Rimshot, Edge-Center, Edge, muting with Stick, muting with Hand, Slap, Nails, Roll, Rims Roll, and Expressive Roll — up to 13 articulations in total. Other instruments also offer multiple articulations.
The drum ensemble is recorded with 11 microphones, including Left 1, Left 2, Mid Low, Mid High, Mid Mid, Right 1, Right 2, Overhead, and Room. The drum head and rim were recorded separately, with a total of 22 microphones. Other percussion instruments are recorded with multiple microphones, Even the smallest wood block used 4 microphones.
Main Features:
Dual-Layer Mixer
The ACTP adopts a dual-layer mixer design. The first layer is the instrument track, and each instrument track contains multiple microphone tracks. This setup is to adapt to the diverse nature of Chinese percussion, as the miking configuration for drum ensembles and small wood percussion differs. However, every percussion instrument uses the same overhead microphones to ensure tonal consistency.
Percussion Version of Riffer
– Quickly mark articulations and expressions in the built-in piano roll.
– Fully compatible with standard MIDI, with lossless import/export.
– Each preset is accompanied by a riff, presenting a quick overview of the performances and sound characteristics.
– Each instrument slot contains similar types of percussion with consistent design in terms of articulations, velocity layers, and sample cycles. When switching between instruments in the same slot, there is no need to modify the MIDI. Even for drum ensemble vs. solo, simply shifting the MIDI by an octave can achieve the same performance.
Legato
Ample Sound’s legato technology from Dizi, Xiao, and Erhu is introduced to percussion. Instruments like Gongs, Cymbals, Singing Bowls, Temple Bowls, and Bells feature various legato expression changes, such as striking a Singing Bowl first and then legato into a Sing (the effect of a mallet rubbing continuously around the rim).
Independent ADSR Modulation System for Each Percussion
Each percussion has an independent ADSR envelope modulation system, allowing for adjustments of parameters like pitch, velocity curve, and more.
