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所有真正的模拟磁带的氛围……以及更多。市场上一些最常见的高端磁带机的模拟有时可能有点太微妙了，让人问“这个东西开了吗”？这就是为什么Kiive Audio的磁带面是仿照有史以来最具特色的专业磁带机之一，为数字录音增添了一种受欢迎的模拟魅力。
三种模式：从高雅、到含蓄、到严肃
在模式I中，磁带面提供了一个严格的模拟爱尔兰制造的磁带机，以其愉快的色调而闻名。在这个默认设置下，它提供了比瑞士和美国制造的一些更干净的机器更大的声音印记。在模式II中，仿真变得更加透明，当一个温柔的触摸是为了。而对于低保真爱好者，模式III拨出额外的砂砾，饱和度和高端软化更极端的模拟退化。
不仅仅是模仿
磁带面提供了原来的模拟磁带机上没有的功能。它增加了额外的磁带速度为更多的频率曲线和头部颠簸。
想让头撞得更厉害吗？尝试“低提升”功能，以恢复失去的底端。想要更多的磁带颜色和压缩而不增加增益？把饱和度旋钮调大一点。
想要真正的魔法吗？“偏置”开关使你的低中音变胖和饱和，同时保持它们与频率相关的磁带压缩控制。磁带面甚至允许您添加立体声宽度或看到多少磁带压缩正在应用。
在任何地方都试试
Tape Face在任何地方听起来都很棒。为暗示微妙的磁带饱和，尝试模式II混合总线或在所有的轨道，在30或15ips。
在模式1中让薄吉他变胖，然后试着打开偏置开关，在15或7.5 ips中运行它，以获得更丰富的声音。通过参与iii模式，将平行鼓总线和环路带入生活-不要害羞，使用饱和旋钮！
在人声，低音，高打击乐和合成器上尝试这些方法中的任何一种，以拨出你喜欢的颜色。
→特点:
•模拟模拟经典爱尔兰磁带机
•cpu友好过采样允许您通过物理磁带机将其扔到每个轨道上以模拟记录
•三种模式
(I) -非常适合在添加最小失真的情况下获得饱满的磁带声音。这个设置最好用于混合总线或鼓与重瞬变需要驯服。
✓(II) -模拟近乎完美校准的磁带机，具有丝般光滑的高端，低端凸起和输入驱动时非常有用的磁带压缩。完美的混合总线或任何收尾工作。
✓(III) -制作时考虑到低保真度生产商。黑暗和砂砾带饱和与重增益减少和谐波时，推动。
→附加功能包括：
•偏好：在保持良好控制的同时，让你的身体脂肪含量低、有韧性、向前
•磁带速度：通过降低速度来增加高端滚落的数量和头部碰撞的频率
•GR计量：可视化你所应用的压缩量
立体声宽度：分散你的声音
•低增益：将低增益恢复到饱和状态
•饱和度：增加磁带压缩和谐波色彩，而不会搞乱你的增益分期
支持的操作系统
•macOS 12.0或更高版本
•苹果硅或英特尔酷睿处理器
All the vibe of real analog tape… and more. Some of the most common emulations of high end tape machines on the market can be a bit too subtle at times, leaving one to ask “is this thing on”? That’s why Kiive Audio’s Tape Face is modeled after one of the most characterful professional tape machines ever made, adding a welcome dose of analog charm to digital recordings.
Three modes: from tasteful, to subtle, to seriously tapey
In Mode I, Tape Face provides an exacting emulation of an Irish-made tape machine known for its pleasantly colored tone. In this default setting, it offers an even greater sonic imprint than some of the cleaner machines made in Switzerland and the U.S. In Mode II, the emulation becomes significantly more transparent, for when a gentler touch is in order. And for Lo-Fi enthusiasts, Mode III dials in extra grit, saturation and top-end softening for more extreme analog degradation.
More than just emulation
The Tape Face offers features not found on the original analog tape machines. It adds extra tape speeds for a greater number of frequency curves and head bumps.
Want that head bump to be even more significant? Try the “Low Boost” feature to restore lose bottom end. Want more tape color and compression without increasing the gain? Just turn up the saturation knob.
Want some real magic? The “Bias”’switch fattens and saturates your low mids while keeping them controlled with frequency dependent tape compression. Tape Face even allows you to add stereo width or see just how much tape compression is being applied.
Try it on EVERYTHING
Tape Face sounds great just about everywhere. For a hint of subtle tape saturation, try Mode II on mix bus or on all your tracks, in 30 or 15ips.
Fatten up thin guitars in Mode I, and then try flipping on the bias switch and running it in 15 or 7.5 ips for an even richer sound. Bring parallel drum buses and loops to life by engaging Mode III—And don’t be shy with that saturation knob!
Give any of these approaches a try on vocals, bass, high percussion and synths to dial in your preferred amount of color.
→ Features:
• Analog-modeled emulation of a classic Irish tape machine
• CPU-friendly oversampling allows you to throw it on every track to emulate recording through a physical tape machine
• Three modes
✓ (I) – Perfect for getting that pumpy tape sound while adding minimal distortion. This setting is best used for mix bus or drums with heavy transients that need taming.
✓ (II) – Emulates a near perfectly calibrated tape machine with silky smooth high end, low end bump and a very usable tape compression when the input is driven. Perfect for mix bus or any finishing touches.
✓ (III) – Made with LoFi producers in mind. Dark and gritty tape saturation with heavy Gain reduction and harmonics when pushed.
→Additional features include:
• Bias: Make your low mids fat, gritty, and forward while keeping them well-controlled
• Tape speed: Increase the amount of high end rolloff and the frequency of the head bump by going down in speed
• GR metering: Visualize how much take compression you’re applying
• Stereo width: Spread out your sound
• Low boost: Bring back lows lost to saturation
• Saturation: Increase tape compression and harmonic coloration without messing up your gain staging
Supported Operation System
• macOS 12.0 or later
• Apple Silicon or Intel Core processor
