Aiden The Making of Future and Metro Boomin’s TYPE SH!T (FLP + STEMS + SF2)-FANTASTiC

FANTASTiC | 01 December 2024 | 473 MB

这里有一个理论：我不认为Metro Boomin在制造Type Sh!t中发挥了任何作用。在详细分析了这首歌之后，很明显他扮演了更多的“DJ Khaled”的角色，通过引入D. Rich和Mike Dean作为制作和Future， Travis Scott和Playboi Carti作为主唱来策划这首歌。

在重新制作这首歌的过程中，我可以将制作的每一个元素都归功于D. Rich或Mike Dean。他们独特的风格和声音主导了这首歌，几乎没有留下Metro参与的证据。

这个想法与我一直在思考的另一个问题有关。在德雷克的歌曲“Push Ups”中，他用这句话叫住了Metro，“Metro闭上你的臭嘴，做点鼓来。”这让我怀疑Drake是否在暗示我注意到的同样的事情——metro可能正在转变为管理者的角色，而不是直接处理制作。

Metro在这里的贡献很可能更多的是关于愿景和协调，而不是实际的生产。你觉得呢？这会改变你对赛道的看法吗？

 

Here’s a theory: I don’t think Metro Boomin played any role in producing Type Sh!t. After analyzing the track in detail, it’s clear he played more of a “DJ Khaled” role, curating the track by bringing in D. Rich and Mike Dean for production and Future, Travis Scott, and Playboi Carti for vocals.

In remaking the track, I’ve been able to attribute every element of the production to either D. Rich or Mike Dean. Their distinct styles and sounds dominate the track, leaving little evidence of Metro’s involvement.

This idea ties into something else I’ve been thinking about. In Drake’s track ‘Push Ups’, he calls out Metro with the line, “Metro shut your hoe ass up and make some drums.” It makes me wonder if Drake was hinting at the same thing I’ve noticed—Metro might be shifting toward a curator role rather than directly handling production.

It’s quite possible that Metro’s contribution here was more about vision and coordination than hands-on production. What do you think? Does this change how you see the track?