KONTAKT – 624 MB
Includes the sample pack
布莱斯对电影音乐的投入导致了他自己设计的吉他的发展-一种基于钢琴的音域和能力的吉他。通过将现有的钢琴音乐忠实地转录到这把吉他上，这把吉他成为了一个新的、令人兴奋的平台，可以创作和演奏任何风格的音乐，这鼓励了更多的混合音乐。搬到洛杉矶后，布莱斯很快在汉斯·季默的遥控制作公司获得了一个职位，在那里他参与了许多热门电影、电子游戏和电视节目的写作和制作。在这段时间里，他与格莱美提名和艾美奖得主、因《权力的游戏》而成名的作曲家拉明·贾瓦迪(Ramin Djawadi)密切合作。这种合作关系让他们参与了诸如华纳兄弟的《诸神之战》、米高梅/UA的《赤色黎明》、EA的《荣誉勋章》和《极品飞车》以及动视的《使命召唤:现代战争3》等项目。除此之外，布莱斯还为《雷戈》、《加勒比海盗:惊涛怪浪》、《穿靴子的猫》、《野蛮人》和《Rush》等电影配乐，并使用了7倍频吉他。
-快速制作整个线索分层多达12个循环通过键开关
-用强大的效果，定时和反向键触发器来混合你的声音
-永远不会不同步与连续循环+循环连体模式
我们所知道的吉他已经在世界上宣称自己是一种令人难以置信的多功能乐器，由于多年来其创新的玩家，已经扩展了远远超出其标准结构的灵活性。我发现我在大学的第一年就意识到了一些局限性。我意识到，在这个时候，很多钢琴和管弦乐是吉他无法触及的，任何试图转录这种性质的作品都受到了严重的损害。这似乎也是许多传奇作曲家将吉他从他们的作品中剔除的原因，因为它无法创造出钢琴或管弦乐队的巨大铿锵声音。不幸的是，这产生了吉他曲目与世界其他音乐曲目的自然隔离;吉他音乐和音乐之间的分裂，两者之间几乎没有共同点。显然，吉他在其存在的过程中慢慢成熟起来，只有在20世纪电子技术的创新和当代音乐的探索下，它才得以飙升。尽管如此，我还是觉得吉他音乐和其他音乐世界之间有一种空白。我设计了一把吉他，我觉得它开始了缩小这些限制差距的旅程。
我雇用了非常熟练和受人尊敬的澳大利亚吉他制造商杰拉德·吉列的才能来构建我设计的乐器。在对吉他进行了长时间的讨论后，他不仅表示支持，而且对这种新乐器感到非常兴奋。Colin Bloxom将电子设备连接到我的设计中，Frank Grabesa为原型进行了最后一次引人注目的油漆工作。澳大利亚艺术委员会音乐委员会的捐款促进了这种建设的财政方面。我目前在我自己的作曲输出中以各种各样的纹理方式使用吉他。要看到吉他在行动检查视频页面。
需要本地仪器Kontakt Player或Kontakt FULL v6.7.1和更高!
Bryce’s dedication to film music led to the development of a guitar of his own design – a guitar that was based on the range and capabilities of a piano. Through the facilitation of transcribing existing piano music faithfully onto this guitar, the instrument became a new and exciting platform to write and perform any style of music, which encouraged more of the hybrid-orientated music. With his move to L.A., Bryce quickly attained a position at Hans Zimmer’s Remote Control Productions where he was part of the writing and production of many hit films, video games and television shows. Through this time, he worked very closely with Grammy Nominated and Emmy Winning composer of “Game of Thrones” fame, Ramin Djawadi. This relationship led to working on projects such as Warner Brothers’ “Clash of the Titans”, MGM/UA’s “Red Dawn”, EA’s “Medal of Honor” and “Need for Speed” and Activision’s “Call of Duty: Modern Warfare 3” among many others. In addition to this, Bryce has also performed on the scores for “Rango”, “Pirates of the Caribbean: On Stranger Tides”, “Puss in Boots”, “Savages” and “Rush”, which features the 7 Octave Guitar.
– Quickly craft entire cues by layering up to 12 loops via key switch
– Mangle your sound with powerful effects, timing, and reverse key triggers
– Never go out of sync with continuous looping + loop legato mode
The guitar as we know it has asserted itself in the world as an incredibly versatile musical instrument that thanks to its innovative players over the years, has been extended a flexibility far beyond its standard constructions. I found I became very aware of some of the limitations though in my first year at university. I realized at this time so much piano and orchestral music was out of the guitars reach and any attempts to transcribe pieces of this nature had been heavily compromised. This also seems to be the reason why so many of the legendary composers had left the guitar out of their work, due to its inability to create the huge sonorous sounds of a piano or an orchestra. Unfortunately this producing a natural segregation of guitar repertoire to the rest of the world’s musical repertoire; a split between guitar music and music, with little common ground in between. The guitar obviously has matured slowly over its existence and only soared in the 20th century with the innovations in electronic technology and the contemporary music that explored it. Still I have felt a void though between guitar music and the rest of the musical world. I have designed a guitar that I feel begins the journey of closing the gap of these limitations.
I employed the talents of the exceptionally skilled and well respected Australian guitar maker Gerard Gilet to construct the instrument I designed. After lengthy discussions regarding the guitar he was not only supportive but also very excited about the new instrument. Colin Bloxom wired the electronics to my design and Frank Grabesa gave the prototype its final striking paint job. The financial side of such a construction was facilitated with a contribution from the Australian Arts Council’s Music Board. I currently use the guitar in a large variety of textural ways in my own compositional output. To see the guitar in action check out the Videos page.
Requires Native Instruments Kontakt Player or Kontakt FULL v6.7.1 and higher!
