WAV | 24-bit / 96 kHz – 9,15 GB
爆破你的作品
这个由 15 种不同大炮组成的大炮是市场上有史以来最全面的大炮库。 高质量的 26 通道录音，包括摧毁堡垒的炮击、高角度迫击炮、16 磅重的护卫舰等，这些炮声、冲击和飞越是任何电影或游戏动作序列的任何声音设计不可或缺的组成部分 设定在中世纪晚期到现代早期。 不仅用于炮声，它们还可用于为拖车声音设计和一般爆炸声提供更重的冲击力。
重大影响
建筑套件中包含大炮的全部动作，从爆炸到撞击。 在任何大炮战斗场景中都可能需要各种冲击材料的拟音录音，包括水、沙子、石头、岩石、木头、帆、泥土等等。
这些声音是在森林附近的山顶上捕捉到的。 自然的户外混响提供超清晰和完整的尾音。 借助我们的一系列现代话筒——包括 AB、XY、ORTF 配置中的猎枪式全向话筒以及 Ambisonics 和 ORTF 3D 空间音频设置——我们能够捕捉到每一个声音的完整、丰富的强度。
完整的炮弹
在硝烟弥漫的战场上，大炮占据了上风。 这些高品质声音不仅包括 26 通道的原始爆炸力，还包括机械噪音、冲击和飞越（集体镜头）——无论是电影还是游戏，您在制作中获得全面音频真实感所需的一切 , 或播客。 对于建筑套件，每门大炮有 8 种变化，以及一系列不同尺寸和类型的大炮的样本。
让自由之声响彻
在军事基地和射箭场录制，山坡设置为这些大炮爆炸提供了完美的自然混响。 尽管对于许多声音，您可能想要干录音，但使用大炮（和其他火器）时，漂亮、合适的尾巴可确保它具有一定程度的真实感。
我们记录了什么
创建如此庞大的大炮库绝非易事。 必须找到精确到那个时代的复制品，以及允许我们需要做的高强度工作的空间。 幸运的是，我们找到的地点——一个军事基地和一个射箭场——为我们的录音需求提供了完美的环境，为高质量制作中的任何大炮创造了合适的混响尾音。
大炮包括：
但这还不是全部。 在构建工具包中，我们还包括了影响、力学、运动、飞越等等。
冲击材料包括：
大炮有何特别之处？
这个加农炮库是同类中最广泛的。 没有其他图书馆能加载如此长的大炮、机械声音、飞越和冲击列表。 所有大炮的爆炸声都是使用准确的复制品制作的——这是必要的，因为使用原始时期的零件将意味着弯曲的钢材或其他缺陷导致声音不准确。 使用复制品，爆炸听起来就像它们在使用过程中一样。
26 通道多轨
我们使用 26 通道麦克风系统来录制 CANNONS。 这种广泛的布局让您几乎可以将视角放在与发射大炮相关的任何位置。 26 个不同的通道仅在构造套件中可用。 在设计版中，我们使用 26 通道阵列的各种组合来制作各种风格的即用型声音。
塑造声音
由于 DAW 中有如此多的可用通道，您可以混合各种麦克风以获得您正在寻找的精确效果。 例如：你需要更机械的声音吗？ 简单地提高麦克风的录音机械方面。 需要更远距离的东西？ Sennheiser AMBEO VR Mic 捕捉了 100 米外的声音。 通过此设置，您将拥有无限的声音可能性。
兼容软件
这个 BOOM 生物声音库以 WAV 文件形式提供，这意味着您可以在任何可以处理这种文件类型的软件中导入和使用它们。
嵌入丰富的元数据
为了向您提供尽可能最快和最简单的工作流程，所有文件都包含大量元数据，例如文件描述和关键字，以快速找到您要查找的声音。 音频管理工具可以读取和处理元数据。
BLAST THROUGH YOUR PRODUCTIONS
This cannonade of 15 different cannons with is the most comprehensive cannon library ever to be released on the market. High-quality, 26-channel recordings of fort-smashing bombards, high-angled mortars, 16-pounder frigate loads, and more, these cannon blasts, impacts, and flybys are indispensable components of any sound design for any film or game action sequence set in the late medieval to early modern periods. Not just for cannon blasts, they can also be used to give trailer sound design and general explosions a much heavier punch.
MATERIAL IMPACTS
Included in the Construction Kit is the entirety of the cannon’s action, from blast to impact. There is a huge variety of foley recordings for impact materials that could be needed in any cannon battle scenario, including water, sand, stone, rock, wood, sails, dirt, and more.
The sounds were captured on a hill-top near a forest; the natural outdoor reverb providing ultra-crisp and full tails. With our array of modern mics – including shotguns to omnidirectional mics in AB, XY, ORTF configurations plus Ambisonics and ORTF 3D spatial audio setups – we were able to capture every sound in their full, rich intensity.
A FULL CANNONADE
Across the smoky battlefield, cannons reign supreme. These high-quality sounds don’t include just the 26 channels of raw blasting power, but also the mechanical noises, impacts, and flybys (group shots) – everything you need for total audio realism in your production, whether it’s a film, game, or podcast. With the Construction Kit there are 8 variations for each cannon, and a sampling of a range of cannons of different sizes and types.
LET FREEDOM RING
Recorded at a military base and an archery range, the hillside settings provided the perfect natural reverbs for these cannon blasts. Though with many sounds you might want a dry recording, with cannons (and other firearms) a nice, appropriate tail ensures it has a measure of realism.
WHAT WE RECORDED
Creating such an extensive library of cannons is no easy thing. Accurate-to-the-era replicas had to be found, along with spaces that allowed the intense work that we needed to do. Luckily, the locations we found – a military base and an archery range – provided the perfect environment for our recording needs, creating the right reverb tails for any cannons featured in quality productions.
But that’s not all. In the Construction Kit, we’ve also included impacts, mechanics, movements, flybys, and many more.
WHAT MAKES CANNONS SPECIAL?
This cannon library stands alone as the most extensive of its kind. There are no other libraries out there that come loaded with such a long list of cannons, mechanical sounds, flybys, and impacts. All cannon blasts were made using accurate replicas – a necessity, since using original-period pieces would mean warped steel or other flaws leading to an inaccurate sound. Using replicas, the blasts sound just like they would have during their use.
26-CHANNEL MULTITRACK
We used a 26-channel microphone system to record CANNONS. This wide placement allows you to put the point of view almost anywhere in relation to the firing cannon. The 26 distinct channels are only available in the Construction Kit. In the Designed edition, we used various combinations of the 26-channel array to craft ready-to-use sounds in a variety of styles.
SCULPT THE SOUND
With so many available channels in your DAW, you can blend the various microphones to get the precise effect you’re looking for. For example: Do you need a more mechanical sound? Simply boost the mic’s recording the mechanical aspects. Need something with more distance? The Sennheiser AMBEO VR Mic captured the sound from 100 meters away. With this set up, you have unlimited sonic possibilities.
COMPATIBLE SOFTWARE
This BOOM Library of creature sounds comes as WAV files, meaning you can import and work with them in any software that can handle this file type.
RICH METADATA EMBEDDED
To provide you with the fastest and easiest workflow possible, all files contain extensive metadata like file description & keywords to quickly find the sounds you’re looking for. Metadata can be read and processed by audio management tools.
