Team R2R | 27 Dec 2021 | 2.23GB
Stratocaster 是世界著名的有史以来最伟大的人物之一。它是一种用途广泛的吉他，被用于摇滚、乡村、流行和爵士等音乐流派中，仅举几例。如果你没有这把吉他，我们 99.9% 的人都没有这把吉他，采样器 VST 可以模拟你弹奏真正的吉他。好吧，东西方当然试图让你有能力尽可能接近盒子里的身体。虽然这不是我最喜欢的吉他 East West 必须提供的，但如果我在会话中需要一个策略，我肯定会使用它。
Strat 56 库包含许多很棒的音色，其中一些可以在另一个名为 Goliath 的产品中找到。老实说，如果你有 Goliath，你就有 East West Strat 56。Goliath 包含所有最常用的补丁，减去其中的按键开关补丁。 Goliath 也有很多额外的补丁，这些补丁都非常棒。
该库包括许多不同的变体以及键开关，使用可用的变体，您可以在弹奏琴键时获得非常接近真实吉他手的声音。键切换补丁非常适合保存在一个乐器中，并且可以在声音之间切换键以获得大量即时变化。
一旦您在 MIDI 中找到了自己的最佳状态，您就可以探索 East West Play 软件所提供的可能性。这需要一个声音并将其变成成千上万的可能性。 Play 具有多种功能，其中许多功能只有在您打开混音器部分中的 FX 窗口时才会变得明显。在 Strat 56 的 Play 乐器的表面，您会发现一个用于塑造声音的包络，一个高通和低通滤波器，用于去除不需要的频率，例如隆隆声、立体声扩展，这实际上与这个 Strat 56 采样器配合得非常好, EP-1 延迟和放大器和混响。我个人建议避免使用前面板内置的混响和放大器，而在 FX 部分切换到混响和放大器模拟器。原因是它们的声音方式完全相同，但您可以更好地控制 FX 部分的参数。
使用诸如内置放大器模拟器之类的处理，您可以模拟运行各种不同放大器的Strat。就我个人而言，我不太热衷于通过这些放大器听起来如何，但它们有其用途，如果您愿意，可以使用它们。另一种选择是通过内置的 Omnicide 失真插件运行该策略。这将声音设计带到了一个非常肮脏但又微妙的境界。它可以用来对战略产生很大的影响。就我个人而言，这不是我会在 Strat 上使用的东西，但使用微妙的方法可以获得非常悦耳的声音。
内置的 SSL 通道条和总线压缩器一如既往地与开始以及所有乐器和声音一起工作得非常好。内置的 SSL 通道条可以以各种方式使用。使用通道条压缩器驯服您的动态，均衡策略并删除或增加某些频率，甚至使用内置的瞬态设计器在每个样本的开头获得更多的快照。我每天都在 Audio Animals 使用 SSL 控制台，并且对这些通道条如何工作以及它们应该如何发声有很多了解。虽然这种硬件仿真在我看来并不是市场上最好的仿真，但它确实是一个非常好的仿真，可以在 Play 中拥有并使用它来处理您的声音。
女巫说，
您需要 R2R PLAY/OPUS 版本才能
使用这个库。
The stratocaster is world renowned as one of the all time greats. It’s a very versatile guitar and been used in music genres such as rock, country, pop and jazz to name just a few. If you don’t own this guitar which 99.9% of us don’t can a sampler VST emulate you playing a real guitar. Well East West have certainly attempted to give you the ability to get as close as is physically possible in the box. Whilst this is not my favourite guitar East West have to offer it’s certainly a sound bank I will use if I need a strat in the session.
The Strat 56 library contains a lot of great patches some of which can be found in another product called Goliath. In all honesty if you have Goliath you have the East West strat 56. Goliath contains all the best most used patches minus the key switch patches within it. You get a ton of extra patches with Goliath too which are all pretty awesome.
The library includes a lot of different variations as well as key switches and using the variations available you can get incredibly close to sounding like a real guitarists whilst playing keys. The key switch patches are great for keeping in one instrument and key switching from sound to sound obtaining a lot of instant variation.
Once you find your groove in midi, you can explore the possibilities the East West Play software has to offer. This takes a single sound and turns it into thousands of possibilities. Play has a multitude of function, many of whist only become apparent when you open the FX window in the mixer section. On the face of the Play instrument for Strat 56 you will find an envelope used for shaping your sounds, a filter both high pass and low pass used for removing unwanted frequencies such as rumble, stereo spread which actually works incredible well with this strat 56 sampler, an EP-1 delay and amp and reverb. I would personally recommend avoiding the reverb and amp that is built into the front panel and switching to the reverb and amp simulator in the FX section. Reason being is they are exactly the same in the way they sound but you gain more control over the parameters in the FX section.
Using such processing as the built in amp simulator you can emulate the strat running various different amps. personally I’m not too keen on how the strat sounds through these amps but they have their uses and are there to use if you so wish. Another option is to run the strat through the built in Omnicide distortion plugin. Which take sound design to a very dirty and yet subtle realm. It can be used to great effect on the strat. Personally it’s not something i would use on a strat but used subtle you can achieve a very pleasing sound.
The built in SSL channel strip and bus compressor as always work incredibly well with the start and all instruments and sounds for that matter. The built in SSL channel strip can be used in all manner of ways. Tame your dynamics using the channel strips compressor, EQ the strat and remove or increase certain frequencies, even use the built in transient designer to obtain more snap at the beginning of each sample. I use an SSL console at Audio Animals day in day out and have a lot of knowledge on how these channel strips work and how they should sound. Whilst this emulation of the hardware isn’t in my eyes the best emulation on the market it’s certainly a very good emulation to have and use within Play to process your sound.
A witch says,
You need R2R PLAY/OPUS release to
ues this library.
