Team DECiBEL | 18 Feb 2021 | 1.01GB
由Bernie Grundman Mastering主持的工程师Mike Bozzi向您介绍了专门的设施及其设备，然后简要介绍了他的专业背景，音乐影响力和导师Brian Gardener。他讨论了现代母带制作中高品味响度的实现，接收到的混音的常见问题，提交建议，掌握单首曲目与专辑，采样率，位深度，双单声道工作，他的监听设置，舷外齿轮和信号路径。
他继续由艺术家Kendrick Lamar和SZA制作三首嘻哈，陷阱和R＆B风格的曲目。在每种情况下，他都会批评混音，匹配整体响度以进行比较，然后在A-B与未掌握版本一起进行掌握。他详细介绍了精确的EQ改变，去噪，软饱和度和限制因素，并解释了为什么他很少或根本不使用压缩或立体声加宽。他还评论了流平台算法和各种格式的母带处理。
Hosted at Bernie Grundman Mastering, engineer Mike Bozzi introduces you to the specialized facility and its equipment, then gives a synopsis of his professional background, musical influences and mentor Brian Gardener. He discusses the achievement of tasteful loudness in modern mastering, common issues with mixes received, submission advice, mastering single tracks versus albums, sample rate, bit depth, working in dual mono, his monitoring setup, outboard gear and signal path.
He proceeds to master three tracks in the style of hip-hop, trap and R&B by artists Kendrick Lamar and SZA. In each case, he critiques the mix, matches overall loudness for comparison and proceeds to master while A-B’ing with the unmastered version. He divulges on precise EQ alterations, de-essing, soft saturation and limiting considerations, and explains why he uses little or no compression or stereo widening. He also comments on streaming platform algorithms and mastering for various formats.
Mastering Workshop #2 – MIKE BOZZI
