Team DECiBEL | 11 Aug 2020 | 727.3MB
这个soundset包含146个预置，41个multis和42个声源，需要Omnisphere 2.6.3c
创世纪元素系列的样本和声音扩展是一个惊人的元素构建块的宝藏-给你令人兴奋的声音领土探索。每个版本都将展示特定的自然声音场景，包括雨，这是反乌托邦雨的基础。专业的录音设备被用来记录大自然最好的质量和清晰度。产地来自起伏的大草原、巍峨的落基山脉和加拿大西海岸的太平洋沿岸。所有原始声源都以24位、96khz分辨率捕捉，这不仅是专业音响效果和自然录音的行业标准，而且对于允许极端的音高变化，这些声音是真正非凡的。
反乌托邦降雨的特点是在一天的不同时间和不同强度下的自然降雨——以及经过设计的转变。
超过40个声源包括:
-精致，共鸣的雨滴，脆和详细
-有多种变化的轻、中、大雨
-夜间城市雨有多种变化
有多种变化的福利雨(它们不是真正的雨)
-远距离雨和风的多重变化
-无雨的风和噪音元素，有多种变化
-设计版本处理使用Zynaptiq虫洞
-设计的火车和经过的火车是可怕的!
声源被记录在不同的长度，以避免典型的短样本循环重复。分层，它们可以创建无缝和有机的环境，这是synth插件所特有的。
《反乌托邦的雨》诞生于全球大流行期间，这使得它成为《创世纪》元素系列的理想初始版本。情感上的挣扎和荒凉和绝望的感觉影响了每一个声音的创作，并作为这个所有人类经历过的黑暗时代的提醒。声音可以是光明和希望，但也黑暗和充满绝望。总的来说，这个集合指向了一个未来的希望和生命的重生，因此创世纪的灵感。
随着自然和创造性的环境声音，许多可玩的纹理和垫-一个RMS标志-被包括探索新的水平的声音，这肯定会激发。使用Omnisphere 2的工厂“短语”创建了一个特殊的“新”鼓声选择。每个短语都被探索，以找到一个完美的孤立的打击元素。这些都是可玩的与完整的编程，并包括隐藏的arp设置与每个鼓保存。这些声音随后与反乌托邦的Rains样本内容相结合，创造了“新地球”的乐器，在许多multis中具有特色。
反乌托邦的降雨中包含了大量鼓舞人心的multis。“场景”是层叠的，提供了不同的节奏，音调和自然元素，为即时歌曲开始。这些都是展示在许多歌曲的收集演示。“层”结合可玩的纹理垫惊人的声音享受。这是疯了!“闩锁”multis扩展补丁横跨键盘，并允许即时环境建设，以允许您带入和出所需的元素。“氛围”Multis组合4块补丁，以建立突出元素和背景环境。
在反乌托邦的Rains中使用了开创性的编程技术，允许单个“补丁”在整个键域中有4个单独的自定义样本交叉褪色。当你敲击键盘时，你会听到一种声音转换成另一种声音，然后再转换成另一种声音，如此循环。这项新技术为使用单一的补丁，而不是依赖多帧来完成同样的任务，创造出更具深度和特征的更有创意的声音铺平了道路。一场小雨可以慢慢地变成一场咆哮的风暴。有组合，包括两个不同的垫子，发挥在不同的关键范围，分层与两种不同的雨，提供了一个新的和迷人的发挥经验。
我希望你会受到启发，使用这些声音来制作配乐和游戏分数，现场和在线视频制作，环境音乐和慢节奏音乐。
主页
https://www.rockymountainsounds.com/product-page/DystopianRains
This soundset contains 146 presets, 41 multis and 42 soundsources and requires Omnisphere 2.6.3c
The Genesis Elements series of sample and sound expansions are a treasure of amazing elemental building blocks – giving you exciting sonic territories to explore. Each release will showcase specific nature soundscapes, including rains, which are the foundation of Dystopian Rains. Professional recording equipment were utilized to record Nature’s best in amazing quality and clarity. Sources come from the rolling prairies, the mighty Rocky Mountains and from the shores of the Pacific on the Canadian West Coast. All original soundsources were captured in 24-bit, 96khz resolution, not only the industry standard for professional sound effects and nature recordings, but critical to allow for extreme pitch shifting where these sounds are truly remarkable.
Dystopian Rains features both natural rains at different times of day and at different intensities – and designed transformations.
Over 40 soundsources include:
– Delicate, resonating raindrops that are crisp and detailed
– Light, medium and heavy rains with multiple variations
– Nighttime city rains with multiple variations
– Foley rains with multiple variations (they are not actual rains)
– Distant rain and winds with multiple variations
– Winds and noise elements without rain, with multiple variations
– Designed versions processed using Zynaptiq Wormhole
– Designed train and passing trains that are frightening!
Soundsources were recorded at different lengths to avoid typical short sample looping repetitions. Layered, they can create seamless and organic environments that are unique to synth plugins.
Dystopian Rains was birthed during the worldwide pandemic, making it the ideal initial release for the Genesis Elements series. The emotional struggle and feeling of desolation and hopelessness influenced each sound creation, and serves as a reminder of this dark time all of humanity have experienced. The sounds can be light and hopeful, but also dark and filled with despair. Overall, this collection points to a future hope and rebirth of life, thus the Genesis inspiration.
Along with natural and creative environmental sounds, many playable textures and pads – an RMS hallmark – were included that explores new levels of sound that is sure to inspire. A special selection of “NEW” drum sounds were created using Omnisphere 2’s factory “Phrases”. Each phrase was explored to find a perfect isolated percussive element. These were then made to be playable with full programming, and include hidden arp settings saved with each drum. The sounds were then combined with the Dystopian Rains sample content to create “New Earth” instruments that are featured in the many multis.
Dystopian Rains includes an inspiring amount of multis. “Scenes” are stacked layers that provide different rhythmic, tonal and nature elements for instant song starters. These are showcased in many of the collection demo songs. “Layers” combine playable texture pads for amazing sonic enjoyment. These are crazy! “Latch” multis spread patches across the keyboard and allow instant environment building to allow you to bring in and out elements as needed. “Ambience” Multis combine 4 patches to build underscore elements and background environments.
Ground breaking programming techniques are employed in Dystopian Rains to allow a single “patch” to have 4 individual custom samples cross fade across the entire keyrange. As you play up the keyboard, you will hear one sound transform into another, then another, and so on. This new technique paves way for more creative sounds with depth and character using just a single patch, versus relying on multis to accomplish the same task. A single patch can have a light rain slowly transform into a roaring storm. There are combinations that include two different pads that play at different key ranges, layered with two different rains, providing for a new and captivating playing experience.
I hope you are inspired to use these sounds for soundtrack and game score, live and online video production, and Ambient and Downtempo music.
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