FANTASTiC | 14 May 2024 | 1.28 GB
昨天我在上一堂课，我们正在分解 Tyler the Creator 唱片的节拍，很快就发现主鼓节拍是旧 Allen Toussaint 唱片的断拍样本。 因为我的收藏有中断，所以我们能够相对快速地非常接近泰勒节拍上的声音，并且我们能够讨论样本在制作中的重要性。
这两个包都包含知识。 在数十年的制作过程中，您会发现随处可见的声音知识。 Breakbeats 已经在一百万种不同的流派中以百万种方式被使用，它们是众多电子音乐 DNA 的一部分。 鼓机在制作词典中都有独特的声音和位置。
对您来说，拥有这些资源并让它们牢记在您的脑海中非常重要，这样当您听到某些内容时，您就可以说“哦，是的，我打赌我可以利用这个休息时间”或“哦，那是一个 DMX 通鼓，我有那个” 。
生产并不存在于真空中。 这是有语言的。 这些示例是该语言的一部分。 我希望他们能帮助你。
I was doing a lesson yesterday where we were breaking down a beat off of a Tyler the Creator record, and it came out very quickly the main drum beat was a breakbeat sample off an old Allen Toussaint record. Because I had the break in my collection, we able to relatively quickly get pretty close to the sound on the Tyler beat, and we were able to talk about how samples are important in production.
Both of these packs contain knowledge. The knowledge of sounds that you’ll find all over the place in decades of production. Breakbeats have been used a million ways in a million different genres, they’re part of the DNA of so much electronic music. And drum machines all have a distinct sound and place in the production lexicon.
It’s important for you to have these resources and get them stuck in your head so that when you hear something you can be like “oh yeah, I bet I could use this break” or “oh snap that’s a DMX tom, I have that”.
Production doesn’t exist in a vacuum. There’s language to it. These samples are part of that language. I hope they help you.
