FANTASTiC | 15 March 2025 | 334.20 MB
bioopoiesis是现场录音和声音设计的交汇点，标志着乌拉圭制作人Lechuga Zafiro在Rubicon上的第一次发布。“我在乌拉圭进行了为期9天的实地记录之旅，穿越了靠近大西洋的各种亚热带保护区。茂密的原始森林，咸的海岸，荒凉的土路是我捕捉到构成狼群中每一个声音的所有地球声和生物声的场景。青蛙变成了合成器，鸟儿变成了低音，木头的裂缝和水花变成了鼓。怀旧的垫子，俱乐部友好的合成器，充满活力的鼓和南美影响的节奏诞生于翅膀拍打，喉咙弯曲，腿刮。”数百万年前的声音找到了新的生命——在Lechuga Zafiro的生物群系中合成的种子。
所有的声音都是用Sennheiser MKH416，手工制作的压电麦克风和索尼PCM-D100的Sound Devices 633录制的。捕获和处理在96khz。
瓦莱里娅·蒙特罗的艺术作品。
243个样本
Biopoiesis lies at the intersection of field recording and sound design, marking Uruguayan producer Lechuga Zafiro’s first release on Rubicon. “I went on a 9-day field recording trip through various protected subtropical areas close to the Atlantic Ocean in Uruguay. Thick native woods, salty coasts, desolated dirt roads were the scenarios where I captured all the geophony and biophony that make up every sound present in the pack. Frogs become synths, birds become bass, wood cracks and water splashes become drums. Nostalgic pads, club-friendly synths, energic drums and South-American influenced rhythms are born out of wings flapping, throats flexing, legs scraping.” Sounds that are millions of years old find new life––seeds for synthesis in Lechuga Zafiro’s biome.
All sounds were recorded using a Sound Devices 633 with Sennheiser MKH416, hand-made piezoelectric mics and a Sony PCM-D100. Captured and processed in 96khz.
Artwork by Valeria Montero.
243 Samples
