KONTAKT – 11,84 GB
制造幻听
《幽灵党》深入探索了激进扩展技术的难以捉摸的领域。声音幻觉和光谱幻影在实验录音和拼贴循环中隐藏的细微差别中显露出来，揭示了令人难忘的噪音和色彩光谱。
由实验作曲家和表演者Lea Bertucci策划，SPECTRES包括由纽约首演实验乐器演奏家选择的独奏扩展技术的大目录。
除了来自15个玩家的650多个核心短语外，它还提供了超过500个特别设计的织体，氛围和音调，这些都是在我们全新的拼贴引擎中创建的-一个尖端的样本循环环境，允许对源样本进行充分的探索和重新发明。
先锋派的主要声音
SPECTRES有意远离古典规范，并倾向于一些杰出音乐家的独特和独特的声音。
由屡获殊荣的长笛手和音乐先驱Claire Chase，竖琴手和Björk合作者Zeena Parkins，以及著名的打击乐手Sarah Hennies等人表演，SPECTRES为实验音乐找到了新的角度。
全光谱色彩
录音是由邪教工程师兰德尔·邓恩(Randall Dunn)在他位于布鲁克林的圆形废墟录音室(Circular Ruin Studio)录制的，他以与蒂姆·赫克(Tim Hecker)、Sunn O和已故的Jóhann Jóhannsson等人合作而闻名。
在十三种乐器中，有大量的调性、无调性和非音调的声音。从低音单簧管的50赫兹次谐波到其阀门的咔嚓声和吱吱声，每一个“不完美”的细微差别都通过精确的麦克风放置而得到强调，成为自己独特的声音材料。
进入新浪潮
SPECTRES捆绑了超过500个由SLATE + ASH团队精心制作的声音设计预设。
受A24和Neon等独立工作室引领的新一波实验电影配乐的影响，他们提供了大量的实验声音——铺底、氛围、节奏、音调、脉冲、手势——每一种声音都使用拼贴引擎的超可控界面被扭曲和重新编程，进入了以前未知的领域。
共振的翻译
除了原始录音，还有三个额外的重新放大通道:一个巨大的共振谷物筒仓，一堵扭曲的放大器，和一对立体声复古罗兰弹簧混响。
每一个都揭示了材料的新色调特征——创造了一个巨大的空间和色彩调色板。安置在我们的多维混频器，这个光谱景观可以自由探索设想新的视角或不断变化的音色。
拼贴创作
幽灵生活在我们全新的拼贴引擎中-一个动态的声音探索游乐场，充满了重叠的循环和对比的碎片。
受音乐混凝土的磁带拼接技术的启发，拼贴引擎重新组装和放大样本的碎片，构建重叠的序列和颗粒状的微蒙太奇，超越线性时间。一切馈送到一个复杂的混合器和效果环境，几乎每一个参数模块化的自动化。
666 ×关节
35中音萨克斯
70男中音萨克斯
59大提琴
32个单簧管
42低音单簧管
32倍低音弦乐器
60长笛
52竖琴
94年打击乐器
47个长号
33个小号
58个大号
52个小提琴
519 ×预设
44文摘
31日动画
70氛围
52形式
25个手势
28日运动
71铺底
35模式
55个幽灵
74织体
34个音调
需要本地乐器Kontakt Player或Kontakt FULL v7.7.0或更高!
CONJURE AURAL ILLUSIONS
SPECTRES delves into the elusive realm of radical extended techniques. Sonic illusions and spectral apparitions reveal themselves in the hidden nuances of experimental recordings and collaged loops, unveiling a haunting spectrum of noise and colour.
Curated by experimental composer and performer Lea Bertucci, SPECTRES comprises a large catalogue of solo extended techniques performed by a selection of New York’s premiere experimental instrumentalists.
Alongside over 650 core phrases from fifteen players, it delivers more than 500 specially sound-designed textures, atmospheres, and tones created in our brand new COLLAGE engine — a cutting-edge sample looping environment that allows for full exploration and reinvention of the source samples.
LEADING VOICES OF THE AVANT-GARDE
SPECTRES intentionally steps away from classical norms and leans into the unique and distinctive voices of a number of luminary musicians.
Featuring performances from the likes of award-winning flautist and musical pioneer Claire Chase, harpist and Björk collaborator Zeena Parkins, and renowned percussionist Sarah Hennies, SPECTRES finds fresh angles for experimental music.
IN FULL SPECTRAL COLOUR
Recordings were captured by cult engineer Randall Dunn — renowned for his work with the likes of Tim Hecker, Sunn O))), and the late Jóhann Jóhannsson — at his Brooklyn-based temple of recording Circular Ruin Studio.
Across the thirteen instruments are an expanse of tonal, atonal, and non-pitched sounds. From the 50 Hz subharmonic of a contrabass clarinet to the clicks and creaks of a its valves, every “imperfect” nuance is emphasised through precision microphone placement, becoming idiosyncratic sonic material in its own right.
ENTER THE NEW WAVE
SPECTRES comes bundled with a wealth of over 500 sound-designed presets expertly crafted by the SLATE + ASH team.
Drawing influence from the new wave of experimental film scoring spearheaded by independent studios such as A24 and Neon, they provide an enormous range of experimental sounds — pads, atmospheres, rhythms, tones, pulses, gestures — each warped and reprogrammed using the COLLAGE engine’s ultra-controllable interface into before-uncharted territories.
RESONANT TRANSLATIONS
Alongside the original recordings are three additional re-amplified channels: a huge resonant grain silo, a wall of distorted amplifiers, and a stereo pair of vintage Roland spring reverbs.
Each reveals new tonal character in the material — creating a huge palette of space and colour. Housed in our multi-dimensional mixer, this spectral landscape can be freely explored to envision new perspectives or ever-shifting timbres.
CREATING THROUGH COLLAGE
SPECTRES lives in our brand new COLLAGE engine — a dynamic playground for sonic exploration, full of overlapping loops and contrasting fragments.
Inspired by the tape-splicing techniques of musique concrete, the COLLAGE engine reassembles and magnifies fragments of samples, building overlapping sequences and granular micro-montages that transcend linear time. Everything feeds into a sophisticated mixer and effect environment, with modular-like automation of almost every parameter.
666 × ARTICULATIONS
35 alto saxophone
70 baritone saxophone
59 cello
32 clarinet
42 contrabass clarinet
32 contrabass
60 flute
52 harp
94 percussion
47 trombone
33 trumpet
58 tuba
52 violin
519 × PRESETS
44 abstract
31 animations
70 atmospheres
52 forms
25 gestures
28 movements
71 pads
35 patterns
55 spectres
74 textures
34 tones
Requires Native Instruments Kontakt Player or Kontakt FULL v7.7.0 or higher!
