FANTASTiC | 08 April 2023 | 510 MB
Sonic Collective 与制作人、现场录音师和作曲家/表演者 Susie Ibarra 和 Jake Landau 合作，录制了来自南德拉山谷的 5 个传统艺术家团体的打击乐、长笛和弦乐合集。 这些组包括 Def、Akalal、Ganga、Hassani、Gnawa 和 Desert Blues。 与 Joudour Sahara Music Program、Playing for Change Foundation 和 Aziza Chaouni Projects 合作制作的这些声音集是在摩洛哥东南部南部 Draa 山谷的最后一片绿洲 M’Hamid El Ghizlane 录制的。
“南 Drâa 谷，由于其位于古老商队路线的十字路口和撒哈拉沙漠边缘的边缘位置，具有独特的文化遗产，受到撒哈拉以南、阿拉伯和阿马齐格传统的影响。沿途的重要一站 盐和黄金商队路线，几个世纪以来，穆罕默德见证了来自塞内加尔、尼日尔、马里、毛里塔尼亚、阿尔及利亚以及阿拉伯世界更东边的游牧民族，他们不仅在前往马拉喀什的途中从廷巴克图带来黄金和货物 来自其他地区，但定居在 Drâa 河的绿洲内，因为它提供了在丰富的枣椰树周围建立生计的机会。”
“Drâa 山谷的传统歌曲是文明与自然和谐相处的结果，这是绿洲文化的特征，其中周围景观和气候的严酷通过自然资源的集体管理、可耕地的有效种植来抵消 几个世纪以来，德拉谷一直在摩洛哥文化生活中发挥着核心作用，因为它是来自阿拉伯世界的伊斯兰文明、来自北方的西方文明和来自北欧的非洲文明的十字路口 南。” – 引自 https://www.draaheritage.org
Joudour 撒哈拉沙漠音乐计划是 M’hamid El Ghizlane 的一个非政府组织，其使命是保护和促进德拉河谷丰富的文化和环境遗产。 Joudour Sahara 吸引了 200 多名传统音乐家、100 名青年，并动员了该地区的数十名农民，以采用全面的方法来保护文化和环境保护。
学分：
Akalal 和 Def 套装：
•Larbi Elkalmouni – Def 鼓
•Elmahjoub Kadiri – Sif（剑）
•Ahmed Zouaoui – Raiss
•Abdelaziz Elkhadiri – Def 鼓
•Mohamed Daamach – Def 鼓
•Elhachmi Fitah – Def 鼓
•Ali Kalamouni – 主唱和 Chiekh
•Boussedra Elafouri – Tara（大框鼓）
•Mohamed Elallaouy – Def 鼓
•Saddik Kadouri – Ney（长笛）
•Brahim Eladoumi – 主唱、Tara（大框鼓）和 Chiekh
•Mohamed Elafouri – Def 鼓
•Larabi Amallaz – Tareja（煲仔鼓）
•Mohamed Amallaz – Tareja（陶罐鼓）和主唱
恒河乐团：
•Salahdine Elberkaoui – Krakab（金属打击乐器）
•Faraji Salmi – Krakab（金属打击乐）
•Masoud Mahjoubi – Dandoun（大鼓）
•Blall Ait Hda – Dandoun（大鼓）
•Mohamed Erriadi – Krakab（金属打击乐器）
•Hamdi Fatihe – Dandoun（大鼓）
•Boujemaa Zaid – Dandoun（大鼓）和人声
•Mohamed Elberkaoui – 主唱和 Raiss（Thomas，这是什么？）
•Jouad Elberkaoui – Krakab（金属打击乐）
爪哇：
•Azeddine Ait Faraji – Guembri（低音弦乐器）
•Mimoun Ait Faraji – Krakab（金属打击乐）
•Elmokhtar Ait Faraji – Krakab（金属打击乐器）
•Brahim Benarbi – Krakab（金属打击乐
哈萨尼三重奏：
•Mbarka Mounija – 拍手
•Laatiga Laatig – Tabal（小手鼓）
•Sidi Ahmed – Tidinit（弦乐器）
沙漠蓝调：
•Naji Alamrani – 原声吉他
•Rachid Berazougui – 原声和电吉他
•Kasam Jardouj – 原声吉他
•Mohamed Saber – 非洲鼓
Sonic Collective collaborated with producers, field recordists and composer/performers Susie Ibarra and Jake Landau to record a collection of percussion, flute and strings from 5 traditional artist groups from the Southern Drâa Valley. These groups feature Def, Akalal, Ganga, Hassani, Gnawa and Desert Blues. Produced in collaboration with Joudour Sahara Music Program, Playing for Change Foundation, and Aziza Chaouni Projects, the collection of sounds was recorded in M’Hamid El Ghizlane, the last oasis in the Southern Draa Valley of southeastern Morocco.
“The Southern Drâa Valley, because of its liminal localization at the crossroads of ancient caravan routes and at the edge of the Sahara desert, has a unique cultural heritage, is influenced by Sub-Saharan, Arabic and Amazigh traditions. A key stop along the salt and gold caravan routes, M’hamid for centuries has seen bands of nomads from Senegal, Niger, Mali, Mauritania, Algeria, and further east from the Arab world not only pass through on their way to Marrakesh to bring gold from Timbuktu and goods from other areas, but settle within the oasis of the Drâa River as it provided opportunity to build a livelihood around the plentiful date palm trees.”
“The traditional songs of the Drâa Valley are a result of the harmony between civilization and nature that characterize culture of the oasis, in which the harshness of the surrounding landscape and climate is counterbalanced by a collective management of natural resources, the efficient cultivation of arable land, and caravan trade. For several centuries, the Drâa Valley has played a central role in Moroccan cultural life, since it was the crossroad of Islamic civilizations coming from the Arab world, western civilizations coming from the Nord, and African civilizations coming from the South.” – quote from https://www.draaheritage.org
The Joudour Sahara Music Program is a NGO in M’hamid El Ghizlane whose mission is to preserve and promote the rich cultural and environmental heritage of the Draa River Valley. Joudour Sahara reaches more than 200 traditional musicians, 100 youth, and engages dozens of farmers in the region for a holistic approach to cultural and environmental conservation.
Credits:
Akalal and Def Ensembles:
•Larbi Elkalmouni – Def Drum
•Elmahjoub Kadiri – Sif (Sword)
•Ahmed Zouaoui – Raiss
•Abdelaziz Elkhadiri – Def Drum
•Mohamed Daamach – Def Drum
•Elhachmi Fitah – Def Drum
•Ali Kalamouni – Vocals and Chiekh
•Boussedra Elafouri – Tara (Large Frame Drum)
•Mohamed Elallaouy – Def Drum
•Saddik Kadouri – Ney (Flute)
•Brahim Eladoumi – Vocals , Tara (Large Frame Drum) and Chiekh
•Mohamed Elafouri – Def Drum
•Larabi Amallaz – Tareja (Clay Pot Drum)
•Mohamed Amallaz – Tareja (Clay Pot Drum) and Vocals
Ganga Ensemble:
•Salahdine Elberkaoui – Krakab (Metal Percussion)
•Faraji Salmi – Krakab (Metal Percussion)
•Masoud Mahjoubi – Dandoun (Large Drum)
•Blall Ait Hda – Dandoun (Large Drum)
•Mohamed Erriadi – Krakab (Metal Percussion)
•Hamdi Fatihe – Dandoun (Large Drum)
•Boujemaa Zaid – Dandoun (Large Drum) and Vocals
•Mohamed Elberkaoui – Vocals and Raiss (Thomas , What is this ?)
•Jouad Elberkaoui – Krakab (Metal Percussion)
Gnawa:
•Azeddine Ait Faraji – Guembri (Bass Stringed Instrument)
•Mimoun Ait Faraji – Krakab (Metal Percussion)
•Elmokhtar Ait Faraji – Krakab (Metal Percussion)
•Brahim Benarbi – Krakab (Metal Percussion
Hassani Trio:
•Mbarka Mounija – Clapping
•Laatiga Laatig – Tabal (Small Hand Drum)
•Sidi Ahmed – Tidinit (Stringed Instrument)
Desert Blues:
•Naji Alamrani – Acoustic Guitar
•Rachid Berazougui – Acoustic and Electric Guitar
•Kasam Jardouj – Acoustic Guitar
•Mohamed Saber – Djembe
