P2P | 1 November 2024 | 8.85 GB
Litomysl是波希米亚东部一个美丽的小镇，几乎与摩拉维亚接壤。它以捷克最杰出的作曲家之一Bedřich Smetana（1824-1884）的出生地而闻名。虽然他是著名的钢琴家和歌剧和管弦乐作曲家，但他也留下了一些较小的管风琴作品（6首前奏曲，1首赋格曲，1首赞美诗）。
如果我们谈论更遥远的历史，它以文艺复兴时期的城堡而闻名，那里保留了原始的巴洛克剧院，至今仍在使用。每年，这里都会举办一个名为“smetanov<e:1> Litomyšl”的夏季节日。
圣十字教堂的风琴
人们对早期圣十字教堂的风琴知之甚少。有一个晚期巴洛克乐器František Pavel Horák(1723-1822)，建于1780年。它有两个手册和一个踏板，总共有22个寄存器。
后来在1902年由约瑟夫·科布勒（1851-1919）完全重建。那架纯巴洛克风格的老式风琴似乎与20世纪初的时尚格格不入。Kobrle的乐器带有当时流行的“浪漫主义”或交响风琴的特征。它也有2个手册，22个寄存器，就像以前的乐器一样，但是辉煌的等分和高混合被各种颜色的低声音寄存器所取代：长笛，弦乐，芦苇。
一百年后，我们评估器官质量的方式再次发生了变化。我们现在欣赏巴洛克音乐的辉煌，我们喜欢WerkPrinzip等级的逻辑，但与此同时，我们不想失去各种浪漫的色彩。因此，许多风琴制造商倾向于选择具有多种音域的大型风琴，以满足所有音乐风格的需求。好吧，风格的纯洁性失去了，但“通用”器官的优势似乎占上风。
考虑到这一点，Vladimir Grygar（他的公司在世界上许多国家都以其精湛的工艺而闻名）在圣十字教堂建造了一个全新的管风琴。这项工作直到2001年才完成。新乐器有4个手册和51个寄存器（不包括联轴器和其他辅助）。
Litomysl is a beautiful town in Eastern Bohemia, practically on the border with Moravia. It is widely known as the birthplace of one of the most outstanding Czech composers: Bedřich Smetana (1824-1884). Although he was celebrated as a pianist and composer of opera and orchestral music, he also left several smaller works for organ (6 preludes, 1 fugue, 1 chorale).
If we talk about more distant history, it is famous for its Renaissance castle, where the original Baroque theatre has been preserved and still functions. Every year, a summer festival called “Smetanová Litomyšl” takes place there.
Organ in the Church of the Holy Cross
Little is known about the organs in the Church of the Holy Cross in those early times. There was a late Baroque instrument by František Pavel Horák (1723-1822), built in 1780. It had two manuals and a pedal with a total of 22 registers.
Later it was completely rebuilt in 1902 by Josef Kobrle (1851-1919). The old organ, in its pure Baroque style, seemed out of step with the fashion of the early 20th century. Kobrle’s instrument bore the hallmarks of the “romantic” or symphonic organ that was in demand at the time. It also had 2 manuals with 22 registers, like the previous instrument, but the brilliant aliquots and high mixtures were replaced by registers with lower sounds in a variety of colors: flute, strings, reeds.
A hundred years later, the way we evaluate the quality of an organ has changed again. We now admire the brilliance of the baroque sound, we like the logic of the WerkPrinzip hierarchy, but at the same time we do not want to lose the variety of romantic registers of color. Therefore, many organ manufacturers tend to prefer large organs with a large variety of registers to meet the needs of all musical styles. Well, the purity of style is lost, but the advantages of the “universal” organ seem to prevail.
With this in mind, Vladimir Grygar (whose company is well known in many countries around the world for its craftsmanship) built a completely new organ in the Church of the Holy Cross. The work was completed only in 2001. The new instrument has 4 manuals and 51 registers (not counting the couplings and other assistants).
