KONTAKT – 5,52 GB
雷霆X3M
Thunder 系列的史诗般的结局：Thunder X3M – 16.000 个疯狂打击乐样本！ 对之前的卷进行了彻底的修改，并将大量新鲜样本包裹在全新的高度直观的打击乐引擎中。
关于迅雷X3M
最初的 Thunder Series 背后的概念是捕捉现场演奏的独特乐器组合 – 定音鼓和通鼓、保加利亚图潘、军鼓等之间的现场混合。 该系列受到了高度重视，在对第二卷进行了一些进一步的实验后，第三卷甚至以 15 名男子打击乐合奏团在一个大厅里一起演奏为特色！
THUNDER X3M 采用了 Thunder 系列之前的所有三个版本，并通过实现强大的引擎使用户能够操纵和映射样本，为样本材料注入了新的生命。 这与大量全新录制的样本一起，打开了巨大的空间
为每位作曲家提供音乐可能性！ 完整的 Thunder 系列是用多个动态层（最多 10 个）和循环（每个声音最多 27 个）录制的。
全新雷霆引擎
新 Thunder 引擎背后的概念相当简单 – 键盘范围分为 12 个区域，您可以为其分配不同的声音。 制作完您选择的模板后，只需插入即可运行 – 无需其他任何操作！
除此之外，该引擎还允许您调整各个区域，以及具有各种效果、麦克风位置和两个定制复古模拟硬件链的整个映射合奏补丁。 将这些与自然和有机的录音相结合，您在声音方面拥有最大的灵活性。
加载 Thunder X3M Ensemble Builder 后，您会自动加载“Samples”目录中的所有示例。 然而，该仪器的构建方式实际上可以清除所有样品，除非您将它们加载到一个区域中。 这意味着您不仅拥有一个包含您可能需要的所有类型打击乐的补丁，而且它还经过优化，不会以任何方式损害您的 RAM 资源！
全新 Thunder X3M 引擎具有以下特点：
– 12 个打击乐区域 – 您可以将不同类别的乐器加载到 12 个单独的区域（低合奏、高合奏、民族打击乐、史诗金属、声音设计打击乐、扭曲打击乐），从而创建您自己的打击乐模板！
– 音高旋钮 – 允许您调整样本的音高。 对于加载单个乐器两次然后更改其中一个区域的音高非常有用。 例如，在区域 1 和区域 2 加载独奏太鼓低音，然后将区域 2 的音高一直降低到左侧。 现在您将听到更浑厚的太鼓声音 – 请务必打开副扬声器以获得更美妙的声音！
– 瞬态控制——瞬态攻击和维持像压缩器一样工作； 起音可以增强波形文件的开头，而延音可以增加或减少样本尾部。 这些非常适合获得更有力的声音！
– 每个区域都有单独的音量和均衡器控制！
– 保存和加载功能使您可以轻松地在项目之间交换模板！
– 集成帮助文件
– 三个麦克风位置 – Close、Decca、Hall
– 两个定制的老式模拟硬件链（NYC 压缩和低音增强），您可以无缝混合以增强声音
仪器清单：
需要免费的 NI Kontakt Player 或 NI Kontakt FULL v6.7.1+！
THUNDER X3M
The epic conclusion of the Thunder Series: Thunder X3M – 16.000 samples of total percussion madness! Featuring a complete overhaul of previous volumes and a massive amount of fresh samples wrapped together in a brandnew highly intuitive Percussion Engine.
About Thunder X3M
The concept behind the original Thunder Series was to capture unique instrument combinations playing live – on-set mixture between timpani and toms, between Bulgarian tupans, snare drums and many more. The series was held in high regard and after some further experiments with the second volume, the third installment even featured a 15 men percussion ensemble recorded in a big hall playing together!
THUNDER X3M takes all three previous editions of the Thunder Series and breathes new life to the sample material by implementing a powerful engine that allows the user to manipulate and map the samples. This, along with a massive amount of brandnew recorded samples, opens vast
musical possibilities for every composer out there! The complete Thunder Series has been recorded with multiple Dynamic layers (up to 10) and Round Robins (up to 27 per sound).
The new Thunder Engine
The concept behind the new Thunder engine is fairly simple – the keyboard range is divided into 12 zones that you are able to assign different sounds to. After making the template of your choosing just plug in and play – nothing else needed!
In addition to that the engine also allows you to tweak individual zones, as well as the whole mapped ensemble patch with various effects, mic positions and two custom vintage analog hardware chains. Combining these with the natural and organic recordings you have maximum flexibility when it comes to sound.
Once you load up the Thunder X3M Ensemble Builder you automatically load all samples inside the “Samples” directory. However, the instrument is built in such a way that it actually keeps all samples purged, unless you load them up into a zone. This means that not only you have a single patch with all types of percussion you might need, but it is also optimized and doesn’t hurt your RAM ressources in any way!
The new Thunder X3M Engine features:
– 12 percussion zones – you can load up instruments from different categories into 12 separate zones (Low ensembles, High Ensembles, Ethnic Percussion, Epic metals, Sound Design Percussion, Distorted Percussion) and thus create your own percussive template!
– Pitch knob – allows you to adjust the pitch of the samples. Really useful to load a single instrument two times and then change the pitch of one of the zones. For instance – load up a solo Taiko low on zones 1 and 2, then decrease the pitch of zone 2 all the way to the left. And now your have even thicker sound of a taiko – be sure to turn on your sub speaker for even more awesomeness!
– Transient controls – transient attack and sustain work like a compressor; the attack amps up the beginning of the wave file, while the sustain can increase or decrease the sample tail. These are just PERFECT for getting even punchier sound!
– Separate volume and EQ controls for each zone!
– SAVE AND LOAD functions that allow you to easily exchange templates between projects!
– Integrated HELP file
– Three microphone positions – Close, Decca, Hall
– Two custom vintage analog hardware chains, (NYC Compression and Sub-Bass Enhancement), you can seamlessly blend in to enhance the sounds
Requires free NI Kontakt Player or NI Kontakt FULL v6.7.1+!
