从后期制作的房子到迪斯科的地板，从高功率的现场声音到摇滚，配音，和金属工作室制作，次谐波合成器的特点隆隆声一直是工程师多年来最好的秘密。现在，您终于可以从您喜爱的DAW应用程序中获得这些low了!
以经典的“Boom Box”声音为核心，Lowender在几个方面扩展了这一概念。首先，它提供可切换的频率范围，以便产生的低频可以选择适合程序材料。
其次，产生的次谐波通过一个专为低频设计的门，这对清除不需要的低音隆隆声(例如鼓回路中的踢腿鼓之间的撞击)很有用。
第三，低安德将低频材料通过由超速驱动电路和低通滤波器组成的输出部分。驾驶或压缩新产生的低频是必要的晚间他们的动力，并将允许他们坐好在一个混合。可变的低通滤波器是提供剃除高谐波的超速和创造一个平滑的低端-或者你可以留下一些，为刺耳的低音声音。
From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer’s best-kept secret for years. Now, finally, you can get those low lows from within your favorite DAW application!
While taking the classic “Boom Box” sound as its core, the Lowender expands on the concept in several ways. First, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material.
Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted bass rumble (e.g. from between kick drum hits in a drum loop).
Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter. Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix. The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and create a smooth low end – or you can leave some of them in, for raspier bass sounds.
