Team DECiBEL | 13 Mar 2021 | 3.06GB
上下文大厅钢琴
最后，实际上听起来像是与您的乐团在同一房间里的三角钢琴。这款精美的施坦威D型音乐会三角钢琴在AIR Studios的世界著名大厅录制，我们在此录制了我们的交响乐和室内音域，该钢琴的设计非常适合我们的交响乐和室内音域。这是一款经典的多功能乐器，非常适合作为协奏曲风格的主奏，同时也非常适合为您的乐谱增加质感。
扩展您的交响乐调色板
管弦乐队的三角钢琴为您提供了逼真的上下文钢琴，专为满足您的完整管弦乐队安排而设计。钢琴已经在AIR Studios的The Hall进行了专业的录制，这是世界上最伟大的录音室之一，与我们的Symphonic和Chamber图书馆处于同一空间。混音时，听起来就像是在乐队中，无法通过关闭麦克风并添加混响来重现。
钢琴往往以非常科学的方式进行录制，这就是为什么对于较大的管弦乐队模型和实现而言，通常很难将它们融合和混合。为了克服这一障碍，我们在录制钢琴的其余部分时就简单地录制了钢琴，并放置了麦克风，就像在任何管弦乐队中一样。最终的结果是钢琴的声音，就像在AIR Studios录制的任何出色的电影配乐一样。
特征
AIR Studios的专家驻地工程师Jake Jackson使用Neve“ Montserrat”前置放大器和一台保养精美的Studer 2“录音机使用一系列价格不菲的老式麦克风录制了每个音符，然后通过最好的Prism AD转换器将其转换为96k数字。
该库提供了四个麦克风位置，您不仅可以混合和融合以适合您正在处理的应用程序，还可以自动实现焦点和深度的显着变化。它们还可以完全输出分配给环绕声和5.1用途。该库被同时记录到Tape和Digital上，因此您可以选择在Round音源的圆角，更饱满的音调或Digital音源的稍亮，更脆的声音之间切换。
图形用户界面
概述面板
这是旋律乐器的主要界面。它的默认视图显示所有可用的播放技术，具有简单的麦克风混音器，并包括主要功能控制器。
通用控制面板
该视图允许对仪器进行进一步的深入控制，显示所有可用信号和功能控制器，以及从内存中清除技术以减少系统使用率的能力。
产品信息
〜2476样本
6.6 GB未压缩的.WAV
管弦乐队大钢琴需要Kontakt Full。
变更日志
v2.1（2019年6月）
-固定：[PB-250]-磁带样本开始计时
-修正：[PB-473]-控制器无效
v2.0（2014年3月）
-添加：新的Mic Mixer预设功能。在打开的音色之间复制/粘贴麦克风设置，或将其保存为NKA预设。
-增加：混音器菜单的力度响应选项（在线性，架子，指数和对数之间切换）。
-增加：来自最新的BML代码库的新的发音切换器系统。
-添加：能够通过单击乐器图标时按住SHIFT一次选择和分层多个乐器。
-新增：COG现在是主要补丁的一部分
-添加：竖琴已更新为使用UACC v2（有关详细信息，请参见http://spitfire-webassets.s3.amazonaws.com/pdfs/UACCv2spec.pdf）
-添加：在UACC模式下，显示UACC CC＃以供参考
-增加：增加了UACC KS功能以通过速度切换关节
-更新：按键开关移至键盘底部，并在各部分保持一致
-更新：引擎盖下的性能改进。
-更新：完全重新编程的动力学和发布逻辑
-修复：更改MIDI通道会重新初始化CC滑块，以使发行样本不会消失
-修复：在MIDI通道“ Omni”上加载音色会正确初始化CC滑块
主页
https://www.spitfireaudio.com/shop/a-z/orchestral-grand-piano/
CONTEXTUAL HALL PIANO
At last, a grand piano that actually sounds like it’s in the same room as your orchestra. Recorded in the world famous Hall at AIR Studios where we recorded our Symphonic and Chamber ranges, this exquisite Steinway Model D concert grand piano is designed to fit perfectly with our symphonic and chamber ranges. A classic, versatile instrument ideal as a concerto style lead, while also perfect for adding texture to your scores.
EXPAND YOUR SYMPHONIC PALETTE
Orchestral Grand Piano gives you a realistic contextual piano, designed specifically to fit within your full orchestral arrangements. The piano has been expertly recorded in The Hall at AIR Studios, one of the greatest studios in the world, and the same space as our Symphonic and Chamber libraries. When blended it will sound like it is among the orchestra, impossible to recreate by taking a close mic’d piano and adding reverb.
Pianos tend to be recorded in a very scientific manner which is why, for larger orchestral mockups and realisations, they can often be very difficult to blend in and mix. To overcome this hurdle, we simply recorded the piano as we have the rest of our modules, with mics placed as they would be for any orchestral session. The end result is a piano sounding as it would for any of the great film scores recorded at AIR Studios.
FEATURES
Every note was recorded by AIR Studios’ expert resident engineer Jake Jackson using an array of priceless vintage microphones via Neve “Montserrat” pre-amps and a beautifully serviced Studer 2″ tape machine, then into digital at 96k via the best Prism AD converters.
The library is presented with four microphone positions which you can not only mix and blend to fit the application you’re working on, but also automate for dramatic shifts in focus and depth. They’re also fully output assignable for surround and 5.1 use. The library was recorded both to Tape and Digital at the same time, so you have the option to switch between the rounder, fuller tone of the Tape source, or the slightly brighter, more brittle sound of the Digital source.
GUIS
THE OVERVIEW PANEL
This is the main interface for melodic instruments. Its default view displays all available playing techniques, has a simple microphone mixer and includes the main feature controllers.
GENERAL CONTROLS PANEL
This view allows further in-depth control of the instrument, showing all available signals and feature controllers, as well as the ability to purge techniques from memory to reduce system usage.
PRODUCT INFO
~2476 SAMPLES
6.6 GB UNCOMPRESSED .WAV
Orchestral Grand Piano requires Kontakt Full.
Changelog
v2.1 (June 2019)
– FIXED: [PB-250] – Tape Sample Starts Timing
– FIXED: [PB-473] – Controllers Inactivev2.0 (March 2014)
– ADDED: New Mic Mixer presets functionality. Copy/Paste mic settings between open patches or save them as NKA presets.
– ADDED: Velocity response option to the mixer menu (switch between linear, shelf, exponential and logarithmic).
– ADDED: New articulation switcher system from the latest BML codebase.
– ADDED: Ability to select and layer multiple instruments at once by holding SHIFT when clicking the instrument icon.
– ADDED: COG is now part of the main patches
– ADDED: Harp updated to use UACC v2 (see http://spitfire-webassets.s3.amazonaws.com/pdfs/UACCv2spec.pdf for details)
– ADDED: When in UACC mode, the UACC CC# is shown for reference
– ADDED: UACC KS functionality added to switch articulations via velocity
– UPDATE: Keyswitches moved to the bottom of the keyboard and made consistent in each section
– UPDATE: Performance improvements under the hood.
– UPDATE: Completely reprogrammed dynamics and release logic
– FIX: Changing MIDI channel reinitialises CC sliders so that release samples do not disappear
– FIX: Loading a patch on MIDI channel ‘Omni’ correctly initialises CC sliders
