3.8GB each
KONTAKT | WiN: AAX VST | MacOSX: AAX AU VST
亚当·门罗（Adam Monroe）的Mark 73 Electric Piano是从1976年的Rhodes Mark I舞台钢琴采样而来。整个键盘包裹在锡箔纸中，几乎消除了EMI噪声。钢琴是通过Radial Pro 48 DI盒进行DI采样的，信号被传送到Fender Deluxe混响放大器，并通过AEA R84带状麦克风和AEA TRP前置放大器进行了相对干净的录制。
罗德钢琴的73个音符的每个音符均以10个力度层采样了3次。对于DI信号以及经放大的信号，在发行版本中都进行了采样，但是amp发行说明听起来有些不合时宜，因此决定只包括DI发行。在Famp Reverb Deluxe中，即使没有信号，Famp Reverb Deluxe还是一个嘈杂的放大器，可以在放大器样本中听到放大器的声音。通过比较，DI样品相对干净。
这种特殊的Rhodes Piano相对来说是调子，但为了使每个音符的等度音调变化在-2 +2分之间，必须进行一些后期处理重调。 Rhodes Piano的“ bass boost”旋钮设置为1，而volume旋钮设置为9。虽然均衡了一个音符以使其与其余音符吻合，但乐器自然发声，没有进行均衡调整。 。
对于每个音符，必须手动仔细调整两个信号的相位，因为安培信号明显落后于DI信号。放大器上的设置是高音：5低音：5.放大器信号具有略强的攻击性，因此DI信号更温暖饱满。样本是16位，44.1 kHz WAV文件。
特征：
10个力度层，3个音符循环。
DI和放大的样本。
73键范围从E1到E7。
内置混响和失真。
超过6,500个样本（包括发行版）。
Adam Monroe’s Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic and AEA TRP Preamp.
Each note of the 73 note of the Rhodes Piano was sampled 3 times at 10 velocity layers. Releases where sampled for the DI signal as well as the amped signal, but the amp release notes sounded a bit out of place, so the decision was made to only include DI releases. The sound of the amp can be heard in the amp samples, as a Fender Reverb Deluxe is a noisy amp, even without a signal. The DI samples are relatively clean by comparison.
This particular Rhodes Piano was relatively in-tune, but some post-processing re-pitching was necessary in order to bring every note into a -2 +2 cent variance of equal temperament. The “bass boost” knob of the Rhodes Piano was set to 1 and the volume knob was set to 9. The instrument was left natural sounding, without eq tweaking, although one note was eq’d in order to make it fit with the rest.
The phase of the two signals had to be carefully adjusted by hand for each note, as the amp signal significantly lagged behind the DI signal. The settings on the amp were treble: 5 bass: 5. The amp signal has a slightly more agressive tone, well the DI signal is warmer and fuller. Samples are 16 bit, 44.1 kHz wav files.
FEATURES:
10 velocity layers, 3 note round-robin.
DI and amped samples.
73 key range from E1 to E7.
Built-in reverb and distortion.
Over 6,500 samples (including releases).
